Philippe Jaroussky Essentials
Apple Music Classical
This French countertenor's gleaming voice has encouraged a celebration of early music operas by Monteverdi, as well as classics by Baroque titans like Vivaldi and Handel. Skilled at pure-tone singing with melismatic touches, he brings a wide variety of emotions to arias, fluttering with delicacy in one line and piercing the next. He's also open to interpretive risk-taking, as his participation in Christina Pluhar's jazzed-up arrangement of Purcell's “Music for a While” swingingly demonstrates.
"Ecco l'idolo mio ... Mio diletto, mio sospiro" (Menelao, Elena)
Luigi Rossi
G. B. Bononcini: 'Chi d'Amor tra le catene'
J. Ahle
Bleib bei uns, denn es will Abend werden
L. Vinci: L'Artaserse, Act I Scene V
Per pietà, bell'idol mio (Artaserse)
Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Yuriy Mynenko, Valer Sabadus, I Barocchisti, Daniel Behle, Franco Fagioli
"Here the deities approve", Z. 339 No. 3 (arr. Pluhar)
L'Arpeggiata, Christina Pluhar, Sarah Ridy, David Mayoral, Philippe Jaroussky, Wolfgang Muthspiel, Veronika Skuplik, Sergey Saprichev, Haru Kitamika, Boris Schmidt, Doron Sherwin, Francesco Turrisi
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia)
I. "Ich habe genug"
Philippe Jaroussky, Ann-Kathrin Brüggemann, Freiburger Barockorchester, Petra Müllejans
F. Mancini: 'Quanto mai saria più bello'
Sento in seno ch'in pioggia di lagrime (Lotario)
J. C. Bach: La Clemenza di Scipione
Porpora: Siface
Handel: Serse, HWV 40
Caldara: L'Olimpiade - Aria
Bordes
Hilda Herrera
Zamba del Chaguanco (Zamba)
Eero Palviainen, David Mayoral, Carmen Gaggl, Christina Pluhar, Philippe Jaroussky, Sarah Ridy, Boris Schmidt, L'Arpeggiata