Var. 4. a 1 Clav. (Live at Carnegie Hall, New York, 2025)
Prelude in F Major, Op. 2 No. 1
Don’t Let Me Be Misunderstood
Don’t Let Me Be Misunderstood
prologue
Poetzsch: NocTunes
No. 5, May. Frühlingslied
No. 1, Sängers Trost (Arr. Isserlis for Cello & Piano)
Pièce en forme de habanera, M. 51 (Transcr. Chamayou for Piano)
Scarborough
Scarborough
III. Andante molto cantabile ed espressivo
Bach Partita Variation (After Violin Partita No. 3 in E Major, BWV 100: I. Preludio) [Arr. for Violin, String Quintet & Piano by Tim Allhoff]
Bizet: Méditation religieuse, HM 144
Méditation religieuse, HM 144
Fantasia in G Minor, Z. 734
J. S. Bach: Orgelbüchlein, BWV 599-644
Jesu, meine Freude, BWV 610 (Transcr. Thomas for Piano Trio)
II. La nuit et l'amour) [Arr. for Cello, Violin & Piano by Jan-Peter Klöpfel]
III. Scherzo. Allegro vivace
O. Belli: Concerto for Piano and String Orchestra "Daimon"
Bonis: Prélude, Op. 10
Prélude, Op. 10 (Transcr. for Guitar by Rosie Bennet)
White Keys
II. Andante con moto tranquillo
No. 2 in F-Sharp Major
Romanze in E Minor, Op. 35
No. 7, How Fair This Spot (Transcr. Volodos for Piano)
IV. April. Snowdrop. Allegretto con moto e un poco rubato
I. April
No. 3, I Send My Heart up to Thee! (Arr. for Cello & Piano by Julian Riem)
No. 1, Après un rêve (Arr. Casals for Violin and Piano)
Var. 3. Canone all'Unisono a 1 Clav. (Live at Carnegie Hall, New York, 2025)
Herz und Mund und Tat und Leben Variation (After Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, daß ich Jesum habe) [Arr. for Violin, String Quintet & Piano by Jan-Peter Klöpfel]
Larghetto (After Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto)
No. 4 in B Major. Piacevole
No. 6 (Arr. for Violin and Piano by Maya Magub)
XII. Chopin. Agitato
The Theory of Everything (From "The Theory of Everything") [Performed on Piano]
Sicilienne (Prev. Attrib. Paradis) [Arr. Pochin & Morgan for Violin, Guitar, Accordion & Cello]
A. van Buuren: Autumn Leaves
Autumn Leaves
Aria (Live at Carnegie Hall, New York, 2025)
A. Coleridge-Taylor: Piano Concerto in F Minor
II. Adagio
No. 2 in E Major. Un poco più mosso
Y. Chen: Yellow Shore
Yellow Shore (Piano Version / Classical Sessions)
III. Adagio
Ondulando, Op. 31, W082 (Arr. J.H. Crawford for Cello & Piano)
Nocturne No. 14 in G Major, H. 58
X. October. Autumn Song. Andante doloroso e molto cantabile
Satie: Mélodie
A New Ground in E Minor, ZT 682
Beau soir, L. 84 (Transcr. for Cello by Pablo Ferrández)
No. 1, O sehntest du dich so nach mir (Arr. for Double Bass and Piano by Lorraine Campet)
No. 3 in E Minor. Lento