Act I Scene 1: Preludio
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Victor de Narke
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Beverly Sills, Jose Nait, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke
Act I Scene 1: Tu sei turbato! (Normanno)
Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Jose Nait
Act I Scene 1: Cruda funesta smania (Enrico)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Jose Nait, Alfredo Kraus, Gian Piero Mastromei
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Jose Nait, Victor de Narke, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced
Act I Scene 1: La pietade in suo favore (Enrico)
Victor de Narke, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Preludio
Beverly Sills, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Ancor non giunse! (Lucia)
Beverly Sills, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke
Act I Scene 2: Regnava nel silenzio (Lucia)
Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills
Act I Scene 2: Quando rapito in estasi (Lucia)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act I Scene 2: Egli s'avanza (Alisa)
Beverly Sills, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Victor de Narke, Beverly Sills, Lidia de la Merced, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 1: Appressati, Lucia (Lucia)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait
Act II Scene 1: Soffriva nel pianto … (Lucia)
Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act II Scene 1: Che fia … (Lucia)
Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Jose Nait, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Ebben? (Lucia)
Beverly Sills, Jose Nait, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Lidia de la Merced, Victor de Narke
Act II Scene 2: Dov'e Lucia? (Arturo)
Lidia de la Merced, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke
Act III Scene 1: Orrida e questa notte (Edgardo)
Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Jose Nait, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced
Act III Scene 2: D'immenso giubilo (Chorus)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Beverly Sills
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Victor de Narke, Jose Nait, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait
Act III Scene 2: Oh giusto cielo! (Chorus)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Alfredo Kraus, Victor de Narke, Gian Piero Mastromei, Lidia de la Merced, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 2: S'avanza Enrico (Raimondo)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills, Jose Nait, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 2: Si tragga altrove (Enrico)
Jose Nait, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Orchestra
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Lidia de la Merced, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Jose Nait, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 3: Oh, meschina! (Chorus)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Victor de Narke
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Jose Nait, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills
