Act I Scene 1: Preludio
Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Jose Nait, Victor de Narke
Act I Scene 1: Tu sei turbato! (Normanno)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Lidia de la Merced
Act I Scene 1: Cruda funesta smania (Enrico)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Victor de Narke, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Alfredo Kraus
Act I Scene 1: La pietade in suo favore (Enrico)
Juan Emilio Martini, Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act I Scene 2: Preludio
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Juan Emilio Martini, Jose Nait
Act I Scene 2: Ancor non giunse! (Lucia)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Beverly Sills, Victor de Narke
Act I Scene 2: Regnava nel silenzio (Lucia)
Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills, Juan Emilio Martini, Jose Nait
Act I Scene 2: Quando rapito in estasi (Lucia)
Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Jose Nait
Act I Scene 2: Egli s'avanza (Alisa)
Victor de Narke, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills, Juan Emilio Martini, Jose Nait
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Appressati, Lucia (Lucia)
Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Soffriva nel pianto … (Lucia)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Beverly Sills
Act II Scene 1: Che fia … (Lucia)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Juan Emilio Martini, Jose Nait
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Lidia de la Merced
Act II Scene 2: Ebben? (Lucia)
Beverly Sills, Gian Piero Mastromei, Alfredo Kraus, Victor de Narke, Lidia de la Merced, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Juan Emilio Martini, Jose Nait, Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Beverly Sills
Act II Scene 2: Dov'e Lucia? (Arturo)
Juan Emilio Martini, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills, Victor de Narke
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Juan Emilio Martini, Jose Nait, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 1: Orrida e questa notte (Edgardo)
Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 2: D'immenso giubilo (Chorus)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Victor de Narke
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Victor de Narke, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Juan Emilio Martini, Jose Nait
Act III Scene 2: Oh giusto cielo! (Chorus)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 2: S'avanza Enrico (Raimondo)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Victor de Narke
Act III Scene 2: Si tragga altrove (Enrico)
Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Juan Emilio Martini, Jose Nait
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Beverly Sills, Alfredo Kraus, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei
Act III Scene 3: Oh, meschina! (Chorus)
Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Victor de Narke
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Juan Emilio Martini, Jose Nait, Victor de Narke, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills
