Ouvertüre
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne
Dialog "Jaquino, Jaquino!"
Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus
Arie "O wär' ich schon mit dir vereint"
Lisa Milne, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Quartett "Mir ist so wunderbar"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Dialog "Höre, Fidelio..."
Torsten Kerl, Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne
Arie "Hat man nicht auch Gold beineben"
Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder
Dialog "Ihr habt schon recht, Meister Rocco"
Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Anthony Cleverton, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Terzett "Nur auf der Hut, dann geht es gut"
Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Marsch
Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne
Dialog "Die Depeschen"
Nathan Vale, Anja Kampe, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy
Arie mit Chor "Ha! Welch ein Augenblick!"
Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Duett "Jetzt, Alter, jetzt hat es Eile!"
Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Rezitativ "Abscheulicher! Wo eilst du hin?"
London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt
Arie "Komm, Hoffnung, lass den letzten Stern"
Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Lisa Milne
Dialog "Aber Marzelline"
Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus
Finale "O welche Lust!"
Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt
Finale "Nun sprecht, wie ging's?"
Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Finale "Ach! Vater, eilt!"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anthony Cleverton
Finale "Leb' wohl, du warmes Sonnenlicht"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Introduction to Act 2
Torsten Kerl, Mark Elder, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe
Arie "Gott! Welch' Dunkel hier!"
Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt
Arie "In des Lebens Frühlingstagen"
Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne
Duett "Nur hurtig fort, nur frisch gegraben"
Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Lisa Milne
Dialog "Er erwacht!"
Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus
Terzett "Euch werde Lohn in besser'n Welten"
Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus
Quartett "Er sterbe!"
Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder
Dialog "Meine Leonore, was hast du für mich erduldet!"
Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Mark Elder
Duett "O namenlose Freude!"
Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Dialog "Gute Botschaft"
Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Mark Elder
Finale "Des besten königs Wink und Wille"
Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Mark Elder
Finale "Gott! Welch ein Augenblick!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton