VII. Doppio movimento. Variations On A Shaker Hymn (Live from Davies Symphony Hall, San Francisco, 1982)
III. Rondes de printemps (Live)
II. Ibéria: a. Par les rues et par les chemins (Live)
II. Ibéria: b. Les parfums de la nuit (Live)
II. Ibéria: c. Le matin d’un jour de fête (Live)
Debussy
Prélude à l'après-midi d'un faune, CD 87a (Live)
I. De l'aube à midi sur la mer (Live)
III. Dialogue du vent et de la mer (Live)
Del Tredici: Tattoo
I. Adagio – Allegro molto (Live)
Merrill Greenberg, Israel Philharmonic Orchestra, Leonard Bernstein
III. Scherzo. Molto vivace (Live)
Merrill Greenberg, Israel Philharmonic Orchestra, Leonard Bernstein
III. Finale. Allegro moderato (Live)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": II. "We Come Now to the Second Movement, Which Has a Charming Melody, ." (2nd Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": III. "The 3rd Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": IV. "And Now the Last Movement. in General I Should Say That This Is the Most Slavic of All" (4th Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ." (4th Movt.,Cont.)