‎Beethoven: Fidelio, Op. 72 by Mark Elder — Apple Music Classical

Ouvertüre

Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Anja Kampe, Nathan Vale, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Anja Kampe, Lisa Milne, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Peter Coleman-Wright

0:55

Arie "O wär' ich schon mit dir vereint"

Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Lisa Milne, Anja Kampe, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Mark Elder

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Nathan Vale, Peter Coleman-Wright, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Nathan Vale, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, Anja Kampe, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Thomas Blunt, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Brindley Sherratt, Peter Coleman-Wright

2:17

Marsch

Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anja Kampe, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus

2:02

Dialog "Die Depeschen"

Torsten Kerl, Anja Kampe, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Lisa Milne, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Nathan Vale

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Lisa Milne, Thomas Blunt, Nathan Vale, Torsten Kerl, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

5:44

Dialog "Aber Marzelline"

Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Lisa Milne, Nathan Vale

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Mark Elder

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anja Kampe, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Thomas Blunt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

4:19

Introduction to Act 2

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Anja Kampe, Lisa Milne, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, Mark Elder, Brindley Sherratt, Peter Coleman-Wright

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Mark Elder, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe

3:59

Dialog "Er erwacht!"

Torsten Kerl, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Lisa Milne, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

0:57

Quartett "Er sterbe!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Mark Elder, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright

3:32

Dialog "Vater Rocco!"

Anja Kampe, Torsten Kerl, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Lisa Milne, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

Anja Kampe, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anja Kampe, Thomas Blunt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder

0:09

Duett "O namenlose Freude!"

Brindley Sherratt, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Mark Elder

2:55

Dialog "Gute Botschaft"

Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Mark Elder

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt

2:04

Finale "Des besten königs Wink und Wille"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl

4:23