IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
Schütz Choir of London· Patrick Power· Sir Roger Norrington· London Classical Players
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Coppola E Il Suo Sestetto· The Schütz Consort
I. Introitus
Sir Roger Norrington· London Classical Players· Nancy Argenta· Schütz Choir of London· Catherine Robbin· Felicitas Mander· Peter Thorley· John Mark Ainsley
II. Kyrie
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Felicitas Mander· Catherine Robbin· John Mark Ainsley· Peter Thorley· Nancy Argenta
III. Dies irae
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Nancy Argenta· Felicitas Mander· Peter Thorley· John Mark Ainsley· Catherine Robbin
IV. Tuba mirum
Sir Roger Norrington· Alastair Miles· Catherine Robbin· Nancy Argenta· John Mark Ainsley· London Classical Players· Peter Thorley· Schütz Choir of London· Felicitas Mander
V. Rex tremendae
Schütz Choir of London· Sir Roger Norrington· London Classical Players· John Mark Ainsley· Peter Thorley· Nancy Argenta· Catherine Robbin· Felicitas Mander
VI. Recordare
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Felicitas Mander· Nancy Argenta· John Mark Ainsley· Catherine Robbin
VII. Confutatis
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· Nancy Argenta· Peter Thorley· Felicitas Mander· John Mark Ainsley
VIII. Lacrimosa
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Peter Thorley· Catherine Robbin· John Mark Ainsley· Nancy Argenta· Felicitas Mander
IX. Amen
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Catherine Robbin· Nancy Argenta· Felicitas Mander· Peter Thorley· John Mark Ainsley
X. Domine Jesu Christe
Sir Roger Norrington· Nancy Argenta· Catherine Robbin· John Mark Ainsley· Alastair Miles· London Classical Players· Schütz Choir of London· Peter Thorley· Felicitas Mander
XI. Hostias
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Nancy Argenta· Catherine Robbin· Felicitas Mander· John Mark Ainsley· Peter Thorley
XII. Sanctus
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Felicitas Mander· Peter Thorley· Nancy Argenta· John Mark Ainsley
XIII. Benedictus
John Mark Ainsley· London Classical Players· Catherine Robbin· Alastair Miles· Schütz Choir of London· Nancy Argenta· Sir Roger Norrington· Felicitas Mander· Peter Thorley
XIV. Agnus Dei
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· John Mark Ainsley· Nancy Argenta· Felicitas Mander· Peter Thorley
XV. Communio
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Nancy Argenta· Peter Thorley· Felicitas Mander· Catherine Robbin· John Mark Ainsley
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Sir Roger Norrington· Concert Chorale of New York· Deborah Voigt· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
