Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Mabel Mercer· Maria Marlo· Studio Chorus· Nino Sanzogno· Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Marie Powers· Lehman Engel· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Gloria Lane· Silvana Zanolli· Francis Monachino· Giacinto Prandelli· Rolando Panerai· George Jongyans· Lydia Summers· Margherita Carosio· Leon Lishner· Studio Orchestra

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Maria Marlo· Studio Chorus· Mabel Mercer· Lehman Engel· Gloria Lane· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Leon Lishner· Lydia Summers· Patricia Neway· Marie Powers

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Lydia Summers· Andrew McKinley· Cornell MacNeil· George Jongyans· Leon Lishner· Patricia Neway· Lehman Engel· Francis Monachino· Studio Chorus· Studio Orchestra· Marie Powers· Maria Marlo· Mabel Mercer· Gloria Lane

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

Mabel Mercer· Marie Powers· Lydia Summers· Cornell MacNeil· Andrew McKinley· Patricia Neway· Leon Lishner· Studio Orchestra· Lehman Engel· Maria Marlo· George Jongyans· Francis Monachino· Gloria Lane· Studio Chorus

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Lydia Summers· Andrew McKinley· Cornell MacNeil· George Jongyans· Leon Lishner· Patricia Neway· Lehman Engel· Francis Monachino· Studio Chorus· Studio Orchestra· Marie Powers· Maria Marlo· Mabel Mercer· Gloria Lane

4:18

Act I Scene 2: Interlude

Marie Powers· Lydia Summers· Lehman Engel· Andrew McKinley· Studio Chorus· Francis Monachino· Studio Orchestra· Cornell MacNeil· Mabel Mercer· Gloria Lane· Maria Marlo· George Jongyans· Leon Lishner· Patricia Neway

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Lydia Summers· Lehman Engel· Andrew McKinley· George Jongyans· Studio Chorus· Maria Marlo· Mabel Mercer· Gloria Lane· Cornell MacNeil· Leon Lishner· Marie Powers· Francis Monachino· Studio Orchestra· Patricia Neway

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Maria Marlo· Studio Chorus· Leon Lishner· Andrew McKinley· Cornell MacNeil· Marie Powers· Patricia Neway· Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Lydia Summers· Lehman Engel· Gloria Lane

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Cornell MacNeil· Francis Monachino· Studio Orchestra· Marie Powers· Maria Marlo· Studio Chorus· Mabel Mercer· Patricia Neway· Lehman Engel· Gloria Lane· Lydia Summers· Andrew McKinley· George Jongyans· Leon Lishner

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Studio Chorus· Andrew McKinley· Lydia Summers· Francis Monachino· Studio Orchestra· Lehman Engel· Patricia Neway· Leon Lishner· Marie Powers· Maria Marlo· George Jongyans· Mabel Mercer· Cornell MacNeil· Gloria Lane

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

Lydia Summers· Maria Marlo· Andrew McKinley· Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Gloria Lane· Marie Powers· Studio Chorus· Leon Lishner· Lehman Engel· Cornell MacNeil

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Marie Powers· Leon Lishner· Mabel Mercer· Maria Marlo· Andrew McKinley· Lydia Summers· Lehman Engel· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Studio Chorus· Patricia Neway

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Marie Powers· Mabel Mercer· Leon Lishner· Andrew McKinley· Gloria Lane· Lehman Engel· Studio Orchestra· Patricia Neway· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Chorus· Lydia Summers· Maria Marlo

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Studio Chorus· Lydia Summers· Maria Marlo· Andrew McKinley· George Jongyans· Mabel Mercer· Leon Lishner· Marie Powers· Cornell MacNeil· Francis Monachino· Studio Orchestra· Patricia Neway· Lehman Engel· Gloria Lane

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Cornell MacNeil· Andrew McKinley· Francis Monachino· Studio Orchestra· Patricia Neway· Marie Powers· Lehman Engel· Mabel Mercer· Maria Marlo· Leon Lishner· Lydia Summers· George Jongyans· Studio Chorus· Gloria Lane

3:51

Act II Scene 1: Interlude

Maria Marlo· Andrew McKinley· Francis Monachino· Studio Orchestra· Patricia Neway· Leon Lishner· Cornell MacNeil· Lehman Engel· Gloria Lane· Mabel Mercer· Studio Chorus· Lydia Summers· Marie Powers· George Jongyans

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Andrew McKinley· Mabel Mercer· Francis Monachino· Studio Orchestra· Studio Chorus· Maria Marlo· George Jongyans· Marie Powers· Lydia Summers· Cornell MacNeil· Lehman Engel· Gloria Lane· Leon Lishner· Patricia Neway

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Mabel Mercer· Studio Chorus· Lehman Engel· Lydia Summers· George Jongyans· Francis Monachino· Leon Lishner· Andrew McKinley· Marie Powers· Studio Orchestra· Gloria Lane· Maria Marlo· Cornell MacNeil· Patricia Neway

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Lydia Summers· Francis Monachino· Studio Orchestra· Maria Marlo· Leon Lishner· Marie Powers· Andrew McKinley· Lehman Engel· Gloria Lane· George Jongyans· Cornell MacNeil· Mabel Mercer· Studio Chorus· Patricia Neway

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Patricia Neway· Studio Orchestra· Lydia Summers· Mabel Mercer· Marie Powers· Studio Chorus· Cornell MacNeil· George Jongyans· Francis Monachino· Andrew McKinley· Leon Lishner· Maria Marlo· Gloria Lane· Lehman Engel

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Lydia Summers· Studio Chorus· Leon Lishner· Andrew McKinley· Patricia Neway· Marie Powers· Maria Marlo· Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Gloria Lane· Lehman Engel

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Andrew McKinley· Mabel Mercer· Leon Lishner· Maria Marlo· Patricia Neway· Studio Orchestra· Studio Chorus· Lydia Summers· Marie Powers· Cornell MacNeil· George Jongyans· Francis Monachino· Lehman Engel· Gloria Lane

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Andrew McKinley· Studio Orchestra· Patricia Neway· Cornell MacNeil· Lydia Summers· George Jongyans· Francis Monachino· Mabel Mercer· Leon Lishner· Marie Powers· Maria Marlo· Studio Chorus· Lehman Engel· Gloria Lane

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Maria Marlo· Mabel Mercer· Leon Lishner· Studio Chorus· Lydia Summers· Patricia Neway· Cornell MacNeil· Francis Monachino· Studio Orchestra· Gloria Lane· George Jongyans· Andrew McKinley· Marie Powers· Lehman Engel

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Studio Chorus· Leon Lishner· Lydia Summers· Andrew McKinley· Maria Marlo· Cornell MacNeil· Patricia Neway· Mabel Mercer· Lehman Engel· Gloria Lane

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

Patricia Neway· George Jongyans· Studio Chorus· Mabel Mercer· Marie Powers· Maria Marlo· Francis Monachino· Studio Orchestra· Andrew McKinley· Lehman Engel· Gloria Lane· Cornell MacNeil· Lydia Summers· Leon Lishner

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Francis Monachino· Studio Orchestra· Andrew McKinley· Leon Lishner· Cornell MacNeil· Marie Powers· Lydia Summers· Maria Marlo· Patricia Neway· George Jongyans· Lehman Engel· Mabel Mercer· Studio Chorus· Gloria Lane

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

Studio Orchestra· Lehman Engel· Andrew McKinley· Marie Powers· Patricia Neway· Cornell MacNeil· Maria Marlo· Studio Chorus· George Jongyans· Francis Monachino· Mabel Mercer· Lydia Summers· Leon Lishner· Gloria Lane

2:33

Orchestral prelude

Silvana Zanolli· Margherita Carosio· Nino Sanzogno· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Margherita Carosio· Elena Mazzoni· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Nino Sanzogno

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Margherita Carosio· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Nino Sanzogno

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Margherita Carosio· Nino Sanzogno· Silvana Zanolli· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Rolando Panerai

2:01

Non si va! Non si va! (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Giacinto Prandelli· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Margherita Carosio· Silvana Zanolli· Maria Amadini

1:17

Amelia, Amelia! (Husband, Amelia)

Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Nino Sanzogno

2:10

Romanza: Amelia cara (Husband)

Giacinto Prandelli· Margherita Carosio· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Nino Sanzogno

2:22

Osi ancora negar? (Husband, Amelia)

Margherita Carosio· Silvana Zanolli· Giacinto Prandelli· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Nino Sanzogno

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Elena Mazzoni· Margherita Carosio· Nino Sanzogno· Maria Amadini· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli

2:03

Ebbene, si (Amelia, Husband)

Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Giacinto Prandelli· Maria Amadini· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Rolando Panerai· Margherita Carosio· Silvana Zanolli

1:03

Il mio amante e quel signore (Amelia, Husband)

Silvana Zanolli· Maria Amadini· Elena Mazzoni· Giacinto Prandelli· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai

1:51

Che disdetta! (Amelia, Lover)

Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Margherita Carosio· Silvana Zanolli· Giacinto Prandelli

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Maria Amadini· Giacinto Prandelli· Margherita Carosio· Elena Mazzoni· Silvana Zanolli

2:37

Amelia! Amelia! (Lover, Amelia)

Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno

1:05

Contro me non porta offesa (Amelia, Lover)

Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Maria Amadini· Elena Mazzoni· Margherita Carosio· Nino Sanzogno

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Margherita Carosio· Giacinto Prandelli· Elena Mazzoni· Nino Sanzogno· Silvana Zanolli

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Nino Sanzogno· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai· Silvana Zanolli· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Giacinto Prandelli· Maria Amadini

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Elena Mazzoni· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Margherita Carosio· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Nino Sanzogno· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Giacinto Prandelli

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Margherita Carosio· Silvana Zanolli· Elena Mazzoni· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Nino Sanzogno

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Elena Mazzoni· Maria Amadini· Silvana Zanolli· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Rolando Panerai· Margherita Carosio

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Silvana Zanolli· Maria Amadini· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Giacinto Prandelli

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Margherita Carosio· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Silvana Zanolli· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno

1:40

Gian Carlo Menotti

Composición
Nino Sanzogno

Dirección
Enrico Campi

Bajo-barítono
Orchestra del Teatro alla Scala di Milano

Orquesta
Lehman Engel

Dirección