Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Marie Powers· Margherita Carosio· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Studio Chorus· Nino Sanzogno· Maria Marlo· Gloria Lane· Mabel Mercer· Rolando Panerai· George Jongyans· Lydia Summers· Leon Lishner· Studio Orchestra· Lehman Engel· Silvana Zanolli· Francis Monachino· Giacinto Prandelli

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Mabel Mercer· Studio Chorus· Andrew McKinley· Cornell MacNeil· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Marie Powers· Gloria Lane· Leon Lishner· Patricia Neway

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Marie Powers· Studio Chorus· Cornell MacNeil· Maria Marlo· Gloria Lane· Mabel Mercer· Leon Lishner· Lydia Summers· Patricia Neway· George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Andrew McKinley

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

George Jongyans· Francis Monachino· Studio Orchestra· Mabel Mercer· Studio Chorus· Cornell MacNeil· Gloria Lane· Lehman Engel· Andrew McKinley· Patricia Neway· Marie Powers· Leon Lishner· Maria Marlo· Lydia Summers

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Marie Powers· Studio Chorus· Cornell MacNeil· Maria Marlo· Gloria Lane· Mabel Mercer· Leon Lishner· Lydia Summers· Patricia Neway· George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Andrew McKinley

4:18

Act I Scene 2: Interlude

Marie Powers· Studio Chorus· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Leon Lishner· Mabel Mercer· Lehman Engel· Patricia Neway· Gloria Lane· Maria Marlo· Lydia Summers· Cornell MacNeil

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Marie Powers· Studio Chorus· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Lehman Engel· Mabel Mercer· Leon Lishner· Maria Marlo· Lydia Summers· Cornell MacNeil· Patricia Neway· Andrew McKinley

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Lydia Summers· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Andrew McKinley· Leon Lishner· Lehman Engel· Mabel Mercer· Maria Marlo· Patricia Neway· Cornell MacNeil· Gloria Lane· Marie Powers

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

George Jongyans· Francis Monachino· Gloria Lane· Studio Orchestra· Andrew McKinley· Cornell MacNeil· Mabel Mercer· Maria Marlo· Lydia Summers· Leon Lishner· Studio Chorus· Marie Powers· Lehman Engel· Patricia Neway

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Mabel Mercer· Andrew McKinley· Lehman Engel· Patricia Neway· Maria Marlo· Lydia Summers· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Cornell MacNeil· Gloria Lane· Studio Chorus

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

Leon Lishner· Patricia Neway· Marie Powers· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Mabel Mercer· Gloria Lane· Andrew McKinley· Maria Marlo· Lydia Summers· Studio Chorus

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Maria Marlo· Lydia Summers· Gloria Lane· Andrew McKinley· Lehman Engel· Leon Lishner· Mabel Mercer· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Patricia Neway· Cornell MacNeil

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Patricia Neway· Studio Chorus· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra· Mabel Mercer· Gloria Lane· Cornell MacNeil· Andrew McKinley· Leon Lishner· Marie Powers· Maria Marlo· Lydia Summers

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Leon Lishner· Maria Marlo· Lehman Engel· Gloria Lane· Andrew McKinley· Lydia Summers· Marie Powers· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Mabel Mercer· Patricia Neway

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Patricia Neway· Mabel Mercer· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Marie Powers· Lehman Engel· Maria Marlo· Lydia Summers· Gloria Lane· Leon Lishner· Cornell MacNeil

3:51

Act II Scene 1: Interlude

Lehman Engel· Cornell MacNeil· Mabel Mercer· Marie Powers· Gloria Lane· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Patricia Neway· Studio Chorus· Leon Lishner

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Studio Chorus· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Lehman Engel· Maria Marlo· Lydia Summers· Mabel Mercer· Marie Powers· Leon Lishner· Patricia Neway· Gloria Lane

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Andrew McKinley· Lehman Engel· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Cornell MacNeil· Marie Powers· Maria Marlo· Lydia Summers· Studio Chorus· Leon Lishner· Mabel Mercer

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Patricia Neway· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Mabel Mercer· Cornell MacNeil· Leon Lishner· Lehman Engel· Marie Powers· Andrew McKinley· Studio Chorus· Maria Marlo· Lydia Summers

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Patricia Neway· Lehman Engel· Marie Powers· Maria Marlo· Lydia Summers· Gloria Lane· Studio Chorus· Mabel Mercer· Andrew McKinley· Cornell MacNeil· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Cornell MacNeil· Marie Powers· Leon Lishner· Gloria Lane· Maria Marlo· Lydia Summers· Studio Chorus· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Mabel Mercer· Andrew McKinley

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Lehman Engel· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Patricia Neway· Mabel Mercer· Leon Lishner· Marie Powers· Andrew McKinley· Studio Chorus· Maria Marlo· Lydia Summers

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Leon Lishner· Gloria Lane· Mabel Mercer· Maria Marlo· Lydia Summers· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Lehman Engel· Patricia Neway· Marie Powers· Studio Chorus

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

George Jongyans· Studio Chorus· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Cornell MacNeil· Marie Powers· Patricia Neway· Andrew McKinley· Mabel Mercer· Lehman Engel· Leon Lishner· Gloria Lane

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Gloria Lane· Lehman Engel· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Mabel Mercer· Marie Powers· Leon Lishner· Maria Marlo· Studio Chorus· Lydia Summers· Patricia Neway

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Maria Marlo· Lydia Summers· Cornell MacNeil· Studio Chorus· Lehman Engel· Marie Powers· Gloria Lane· Andrew McKinley· Mabel Mercer· Patricia Neway

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Maria Marlo· Studio Chorus· Lydia Summers· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Patricia Neway· Gloria Lane· Leon Lishner· Mabel Mercer· Andrew McKinley· Lehman Engel

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Gloria Lane· Lehman Engel· Maria Marlo· Lydia Summers· Mabel Mercer· Patricia Neway· Marie Powers· Cornell MacNeil· Studio Chorus· Leon Lishner

2:33

Orchestral prelude

Rolando Panerai· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Enrico Campi· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Maria Amadini

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Nino Sanzogno· Elena Mazzoni· Margherita Carosio· Coro del Teatro alla Scala di Milano· Maria Amadini· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Orchestra del Teatro alla Scala di Milano

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Coro del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Nino Sanzogno· Rolando Panerai

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Margherita Carosio· Enrico Campi· Maria Amadini· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Elena Mazzoni

2:01

Non si va! Non si va! (Husband, Amelia)

Nino Sanzogno· Enrico Campi· Rolando Panerai· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Maria Amadini· Margherita Carosio

1:17

Amelia, Amelia! (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Rolando Panerai· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno

2:10

Romanza: Amelia cara (Husband)

Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Margherita Carosio· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Rolando Panerai· Coro del Teatro alla Scala di Milano· Nino Sanzogno

2:22

Osi ancora negar? (Husband, Amelia)

Maria Amadini· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Margherita Carosio· Elena Mazzoni

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Maria Amadini· Margherita Carosio· Elena Mazzoni· Nino Sanzogno

2:03

Ebbene, si (Amelia, Husband)

Maria Amadini· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio

1:03

Il mio amante e quel signore (Amelia, Husband)

Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Maria Amadini· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Enrico Campi

1:51

Che disdetta! (Amelia, Lover)

Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Rolando Panerai· Margherita Carosio· Enrico Campi

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Enrico Campi· Margherita Carosio· Nino Sanzogno· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Coro del Teatro alla Scala di Milano

2:37

Amelia! Amelia! (Lover, Amelia)

Nino Sanzogno· Margherita Carosio· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni

1:05

Contro me non porta offesa (Amelia, Lover)

Coro del Teatro alla Scala di Milano· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Rolando Panerai· Enrico Campi

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Rolando Panerai· Nino Sanzogno· Enrico Campi· Margherita Carosio

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Margherita Carosio· Rolando Panerai· Enrico Campi· Coro del Teatro alla Scala di Milano

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Rolando Panerai· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Coro del Teatro alla Scala di Milano· Margherita Carosio· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Coro del Teatro alla Scala di Milano· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Maria Amadini· Nino Sanzogno

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Coro del Teatro alla Scala di Milano· Enrico Campi· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Nino Sanzogno· Elena Mazzoni

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Elena Mazzoni· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Enrico Campi· Rolando Panerai· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Elena Mazzoni· Maria Amadini· Rolando Panerai· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Margherita Carosio

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Coro del Teatro alla Scala di Milano· Nino Sanzogno· Enrico Campi· Elena Mazzoni· Maria Amadini· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Rolando Panerai· Margherita Carosio· Coro del Teatro alla Scala di Milano· Elena Mazzoni

1:40

Gian Carlo Menotti

Composición
Enrico Campi

Bajo-barítono
Orchestra del Teatro alla Scala di Milano

Orquesta
Coro del Teatro alla Scala di Milano

Coro
Cornell MacNeil

Barítono