Stravinsky: Ode - Elegiacal Chant in 3 Parts for Orchestra
Stravinsky
Stravinsky: Ebony Concerto
Stravinsky: Ebony Concerto
Stravinsky: Four Norwegian Moods
Serenata. Larghetto - "Mentre l'erbetta, pasce l'agnella"
The Cleveland Orchestra, Igor Stravinsky, Glenn Schnittke
Allegro (alla breve) - "Con queste paroline"
The Cleveland Orchestra, Phillip MacGregor, Igor Stravinsky
Largo - "Sento dire: no nc' è pace" - "Chi disse cà la femmena"
Phillip MacGregor, Mary Simmons, Glenn Schnittke, The Cleveland Orchestra, Igor Stravinsky
Allegro - "Ncè sta quacuna pò" - "Una te fa la nzemprece"
Glenn Schnittke, Igor Stravinsky, The Cleveland Orchestra, Mary Simmons
Tempo di minuetto - "Pupillette, fiammette d'amore"
The Cleveland Orchestra, Phillip MacGregor, Glenn Schnittke, Igor Stravinsky, Mary Simmons
The Soldier's March
Alfred Howard, Julius Levine, Robert Nagel, Alexander Schneider, Erwin L. Price, Igor Stravinsky, Loren Glickman, David Oppenheim
Airs by a Stream
Loren Glickman, Erwin L. Price, Alexander Schneider, Julius Levine, Alfred Howard, Igor Stravinsky, Robert Nagel, David Oppenheim
Pastorale
Loren Glickman, Robert Nagel, Alexander Schneider, Alfred Howard, Erwin L. Price, Julius Levine, Igor Stravinsky, David Oppenheim
The Royal March
Loren Glickman, Alfred Howard, Igor Stravinsky, Erwin L. Price, Julius Levine, Alexander Schneider, Robert Nagel, David Oppenheim
The Little Concerto
Loren Glickman, Julius Levine, Alfred Howard, Robert Nagel, Igor Stravinsky, David Oppenheim, Alexander Schneider, Erwin L. Price
Tango
Alexander Schneider, Igor Stravinsky, Alfred Howard, Robert Nagel, Loren Glickman, Erwin L. Price, David Oppenheim, Julius Levine
Stravinsky: L'Histoire du Soldat - Suite
Waltz
Julius Levine, Loren Glickman, Alfred Howard, David Oppenheim, Alexander Schneider, Erwin L. Price, Igor Stravinsky, Robert Nagel
Ragtime
Igor Stravinsky, David Oppenheim, Julius Levine, Robert Nagel, Alfred Howard, Erwin L. Price, Alexander Schneider, Loren Glickman
The Devil's Dance
Alfred Howard, Julius Levine, David Oppenheim, Alexander Schneider, Loren Glickman, Erwin L. Price, Robert Nagel, Igor Stravinsky
Great Chorale
Igor Stravinsky, Alfred Howard, Loren Glickman, Erwin L. Price, Alexander Schneider, David Oppenheim, Julius Levine, Robert Nagel
Triumphal March of the Devil
Erwin L. Price, Igor Stravinsky, Loren Glickman, Julius Levine, Robert Nagel, Alexander Schneider, Alfred Howard, David Oppenheim
I. Sinfonia
Richard Hixson, Julius Baker, Sylvia Deutscher, David Oppenheim, Robert Nagel, Loren Glickman, Erwin L. Price, Igor Stravinsky, Theodore Weis
Stravinsky: Octet for Wind Instruments
II. Tema con variazioni
Theodore Weis, Sylvia Deutscher, Igor Stravinsky, Loren Glickman, Julius Baker, Erwin L. Price, Richard Hixson, Robert Nagel, David Oppenheim
Variazione A
Igor Stravinsky, Loren Glickman, David Oppenheim, Theodore Weis, Julius Baker, Robert Nagel, Erwin L. Price, Richard Hixson, Sylvia Deutscher
Variazione B
Julius Baker, Robert Nagel, Igor Stravinsky, Theodore Weis, Erwin L. Price, Sylvia Deutscher, Richard Hixson, Loren Glickman, David Oppenheim
Variazione A
Richard Hixson, Sylvia Deutscher, Erwin L. Price, Julius Baker, Loren Glickman, Theodore Weis, Igor Stravinsky, David Oppenheim, Robert Nagel
Variazione C
Igor Stravinsky, Sylvia Deutscher, Julius Baker, Loren Glickman, Robert Nagel, Erwin L. Price, Richard Hixson, Theodore Weis, David Oppenheim
Variazione D
Robert Nagel, Theodore Weis, Sylvia Deutscher, Loren Glickman, Igor Stravinsky, Julius Baker, Erwin L. Price, Richard Hixson, David Oppenheim
Variazione A
Erwin L. Price, Loren Glickman, Theodore Weis, Sylvia Deutscher, Igor Stravinsky, Robert Nagel, Richard Hixson, Julius Baker, David Oppenheim
Variazione E
Loren Glickman, Julius Baker, Erwin L. Price, Igor Stravinsky, Richard Hixson, Robert Nagel, Theodore Weis, Sylvia Deutscher, David Oppenheim
Finale (Tempo giusto)
Igor Stravinsky, Erwin L. Price, Richard Hixson, Robert Nagel, David Oppenheim, Sylvia Deutscher, Theodore Weis, Loren Glickman, Julius Baker
Symphonies of Wind Instruments (Revised Version, 1947)
Igor Stravinsky, Kölner Rundfunk-Sinfonieorchester
Scene I, Prologue. The Lullaby in the Storm (Andante - Allegro sostenuto - Vivace agitato)
Scene II, A Village Fête (Tempo giusto - Valse, poco più lento - Tempo I)
Scene IV, Epilogue. Berceuse of the Eternal Dwellings (L'istesso tempo - Andante non tanto)
Stravinsky: Agon - Ballet for Twelve Dancers
Dedicatio: "Urbi Venetiae, in laude Sancti sui Presidis"
Howard Chitjian, Richard Robinson, Igor Stravinsky, Los Angeles Festival Symphony Orchestra
I. "Euntes in mundum"
Igor Stravinsky, Los Angeles Festival Symphony Orchestra, Los Angeles Festival Symphony Chorus
III. Ad Tres Virtutes Hortationes (Caritas - Spes - Fides): "Diliges Dominus Deum tuum"
Los Angeles Festival Symphony Chorus, Igor Stravinsky, Los Angeles Festival Symphony Orchestra, Howard Chitjian, Richard Robinson
IV. Brevis Motus Cantilenea: "Jesus autem ait illi"
Howard Chitjian, Los Angeles Festival Symphony Orchestra, Los Angeles Festival Symphony Chorus, Igor Stravinsky
V. "Illi autem profecti"
Los Angeles Festival Symphony Chorus, Igor Stravinsky, Los Angeles Festival Symphony Orchestra
Stravinsky: Threni
Introduction: "Incipit lamentatio Jeremiae Prophetae"
Beatrice Krebs, Columbia Symphony Orchestra, Bethany Beardslee, Igor Stravinsky
De elegia prima: "Aleph. Quomodo sedet sola civitas" - Diphona I: "Plorans ploravit" - Diphona II: "Vide, Domino"
Hugh Ross, Schola Cantorum, Columbia Symphony Orchestra, William Lewis, James Wainner, Igor Stravinsky
De elegia tertia: I Querimonia: "Aleph. Ego vir videns" - II Sensus spei: "Heth. Misericordiae Domini" - III Solacium: "Res. Judicasti, Domine"
Columbia Symphony Orchestra, James Wainner, Robert Oliver, Igor Stravinsky, Beatrice Krebs, Schola Cantorum, Mac Morgan, Bethany Beardslee, William Lewis, Hugh Ross
De elegia quinta: "Oratio Jeremiae Prophetae"
Robert Oliver, Bethany Beardslee, William Lewis, James Wainner, Columbia Symphony Orchestra, Igor Stravinsky, Hugh Ross, Beatrice Krebs, Mac Morgan, Schola Cantorum
Waltz: The Ballerina and the Moor (Revised Version, 1947)
Scene IV: The Shrovetide Fair (Towards Evening) [Revised Version, 1947]
The Jovial Merchant with Two Gypsy Girls (Revised Version, 1947)
Dance of the Coachmen and the Grooms (Revised Version, 1947)
The Scuffle: The Moor and Petrushka - Death of Petrushka - The Police and the Charlatan - Apparition of Petrushka's Double (Revised Version, 1947)
Act I: Introduction
Igor Stravinsky, Loren Driscoll, Washington Opera Society Chorus, Marina Picassi, Reri Grist, Kenneth Smith, Washington Opera Society Orchestra, Herbert Beattie, John Moriarty
Act II: Entr'acte (Courants d'Air)
Marina Picassi, Washington Opera Society Chorus, Igor Stravinsky, Kenneth Smith, Washington Opera Society Orchestra, John Moriarty
Stravinsky: The Nightingale - Musical Fairy Tale in 3 Acts after Hans Christian Andersen
Song of the Nightingale
Donald Gramm, Igor Stravinsky, Washington Opera Society Orchestra, Reri Grist
Stravinsky: The Nightingale - Musical Fairy Tale in 3 Acts after Hans Christian Andersen
Ocharovatel'no! Kakoye miloye koketstvo
Washington Opera Society Orchestra, Igor Stravinsky, Kenneth Smith, Washington Opera Society Chorus, John Moriarty
Kogda solntse zashlo
Carl Kaiser, Stanley Kolk, Igor Stravinsky, Washington Opera Society Orchestra, William H. Murphy III
Tsk, tsk, tsk, tsk...
Washington Opera Society Chorus, Igor Stravinsky, Loren Driscoll, Donald Gramm, Washington Opera Society Orchestra, Kenneth Smith, John Moriarty
My vse pred toboy
Igor Stravinsky, Washington Opera Society Orchestra, Donald Gramm, Washington Opera Society Chorus, John Moriarty
Akh, muzyki, muzyki!
Reri Grist, Donald Gramm, Washington Opera Society Orchestra, Elaine Bonazzi, Igor Stravinsky
Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch (1910 version)
Capture de l'Oiseau de feu par Ivan Tsarévitch (1910 version)
Apparition des treize princesses enchantées (1910 version)
Jeu des princesses avec les pommes d'or (Scherzo) [1910 version]
Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtchei (1910 version)
Carillon féerique, apparition des monstres-gardiens de Kachtchei et capture d'Ivan Tsarévitch (1910 version)
Dialogue de Kachtchei avec Ivan Tsarévitch (1910 version)
Danse de la suite de Kachtchei, enchantée par l'Oiseau de feu (1910 version)
Danse infernale de tous les sujets de Kachtchei (1910 version)
Disparition du palais et des sortilèges de Kachtchei, animation des chevaliers pétrifiés, allégresse générale (1910 version)
Prelude: "Te Deum laudamus"
Robert Craft, Laurence Harvey, Columbia Symphony Orchestra, Gregg Smith, Richard Robinson, John Reardon, Columbia Symphony Chorus, Sebastion Cabot
Melodrama: "In a Worm's Likeness Will He Wend"
Richard Robinson, Laurence Harvey, Columbia Symphony Orchestra, Robert Craft, John Reardon, Sebastion Cabot
The Catalogue of the Animals: "The Lord Bade That I Should Bring"
Paul Tripp, Columbia Symphony Orchestra, Robert Craft, Sebastion Cabot
The Comedy (Noah and His Wife): "Wife, Come in!"
Robert Craft, Columbia Symphony Orchestra, Elsa Lanchester, Robert Oliver, Sebastion Cabot
The Covenant of the Rainbow: "A Covenant, Noah, With Thee I Make"
Laurence Harvey, Columbia Symphony Orchestra, John Reardon, Gregg Smith, Richard Robinson, Robert Craft, Columbia Symphony Chorus, Sebastion Cabot
Stravinsky: Mass for Mixed Chorus and Double Wind Quintet
Gloria
Columbia Symphony Winds and Brass, Annette Baxter, Igor Stravinsky, Adrienne Albert, Gregg Smith, Columbia Symphony Chorus
Stravinsky: Mass for Mixed Chorus and Double Wind Quintet
Premier tableau: Chez la mariée (La Tresse)
Columbia Percussion Ensemble, Roger Sessions, Samuel Barber, Aaron Copland, Lukas Foss, Igor Stravinsky, Loren Driscoll, Margaret Hillis, American Concert Choir, Regina Sarfaty, Robert Oliver, Mildred Allen, Columbia Symphony Orchestra
Deuxieme tableau: Chez le marié
Samuel Barber, Margaret Hillis, Robert Oliver, Lukas Foss, Igor Stravinsky, Loren Driscoll, Mildred Allen, Roger Sessions, Aaron Copland, Columbia Percussion Ensemble, American Concert Choir, Regina Sarfaty, Columbia Symphony Orchestra
Troisieme tableau: Le Départ de la mariee
Robert Oliver, Regina Sarfaty, Samuel Barber, Margaret Hillis, Roger Sessions, Aaron Copland, Lukas Foss, Columbia Percussion Ensemble, Igor Stravinsky, American Concert Choir, Loren Driscoll, Mildred Allen, Columbia Symphony Orchestra
Quatrieme tableau: Le Repas de noces
Columbia Percussion Ensemble, Mildred Allen, Roger Sessions, Samuel Barber, Igor Stravinsky, Loren Driscoll, Regina Sarfaty, American Concert Choir, Lukas Foss, Aaron Copland, Margaret Hillis, Robert Oliver, Columbia Symphony Orchestra
Renard - Histoire burlesque chantée et jouée
Donald Gramm, Columbia Chamber Ensemble, Igor Stravinsky, Loren Driscoll, George Shirley, Toni Koves, William H. Murphy III
Stravinsky
Act I: Caedit nos pestis
Igor Stravinsky, Washington Opera Society Chorus, Washington Opera Society Orchestra
Act I: Liberi, vos liberabo
Washington Opera Society Orchestra, George Shirley, Washington Opera Society Chorus, Igor Stravinsky
Act I: Non reperias vetus scelus
Igor Stravinsky, Washington Opera Society Chorus, George Shirley, Washington Opera Society Orchestra
Stravinsky: Oedipus Rex - Opera-Oratorio in Two Acts After Sophocles
Act I: Oedipus Questions Teiresias the Seer
Washington Opera Society Chorus, Igor Stravinsky, John Westbrook, Washington Opera Society Orchestra
Act I: Dicere non possum
George Shirley, Washington Opera Society Orchestra, Igor Stravinsky, Chester Watson
Stravinsky: Oedipus Rex - Opera-Oratorio in Two Acts After Sophocles
Act I: Rex peremptor regis est - Invidia fortunam odit
George Shirley, Washington Opera Society Orchestra, Igor Stravinsky, Chester Watson
Act II: The Dispute of the Princes Summons Jocasta
Washington Opera Society Orchestra, John Westbrook, Igor Stravinsky
Act II: Gloria!
Washington Opera Society Chorus, Washington Opera Society Orchestra, Igor Stravinsky
Act II: Nonn' erubescite, reges
Washington Opera Society Orchestra, Igor Stravinsky, Shirley Verrett
Act II: Cave oracula! - Trivium, trivium
Shirley Verrett, Washington Opera Society Orchestra, Igor Stravinsky, George Shirley, Washington Opera Society Chorus
Act II: Oracula mentiuntur
George Shirley, Shirley Verrett, Washington Opera Society Orchestra, Washington Opera Society Chorus, Igor Stravinsky
Act II: A Messenger Announces that King Polybus of Corinth is Dead
John Westbrook, Washington Opera Society Orchestra, Igor Stravinsky
Act II: Adest omniscius pastor
John Reardon, Igor Stravinsky, Washington Opera Society Chorus, Washington Opera Society Orchestra
Act II: Nonne monstrum rescituri
Washington Opera Society Orchestra, George Shirley, Igor Stravinsky
Act II: In monte reppertus est
Washington Opera Society Orchestra, John Reardon, Igor Stravinsky, Loren Driscoll
Act II: Natus sum quo nefastum est
George Shirley, Igor Stravinsky, Washington Opera Society Orchestra
Act II: And Now, You Will Hear the Messenger
John Westbrook, Washington Opera Society Orchestra, Igor Stravinsky
Act II: Divum Jocastae caput mortuum!
Washington Opera Society Orchestra, Igor Stravinsky, Washington Opera Society Chorus, John Reardon
Act II: Ecce! Regem Oedipoda
Washington Opera Society Orchestra, Washington Opera Society Chorus, Igor Stravinsky
I. Exaudi orationem meam, Domine (Revised 1948 version)
Elmer Iseler, Igor Stravinsky, Festival Singers of Toronto, CBC Symphony Orchestra, Columbia Symphony Orchestra
II. Exspectans exspectavi Dominum (Revised 1948 version)
Festival Singers of Toronto, Elmer Iseler, CBC Symphony Orchestra, Igor Stravinsky, Columbia Symphony Orchestra
III. Alleluia. Laudate Dominum (Revised 1948 version)
Elmer Iseler, Festival Singers of Toronto, Igor Stravinsky, CBC Symphony Orchestra, Columbia Symphony Orchestra
Air de danse - Interlude - Air de danse (Conclusion). Grave
Stravinsky: Orphée - Ballet en trois tableux
Premier Tableau: Naissance d'Apollon. Largo - Allegro - Tempo I
Pas d'action. Apollon et les trois Muses: Calliope, Polymnie et Terpsichore. Moderato
Stravinsky: Apollon musagète - Ballet en deux tableux
Coda: Apollon et les Muses. Vivo - Tempo sostenuto - Agitato
Stravinsky
Stravinsky: Eight Instrumental Miniatures for Fifteen Players
Stravinsky: Quatre Études pour Orchestre
Danses (Corps de ballet). Moderato - Variation (Ballerine). Con moto
Le Roi des étoiles (Zvezdolikiy)
Festival Singers of Toronto, CBC Symphony Orchestra, Igor Stravinsky
Anthem "The Dove Descending Breaks the Air"
Igor Stravinsky, Festival Singers of Toronto, CBC Radio Chorus
Variation I (In Canone all' Ottava)
Elmer Iseler, Igor Stravinsky, Festival Singers of Toronto, CBC Symphony Orchestra
Variation II (Alio modo in Canone alla Quinta)
Festival Singers of Toronto, Igor Stravinsky, Elmer Iseler, CBC Symphony Orchestra
Variation III (In Canone alla Settima)
Igor Stravinsky, Elmer Iseler, Festival Singers of Toronto, CBC Symphony Orchestra
Variation IV (In Canone all' Ottava per augmentationem)
Festival Singers of Toronto, Elmer Iseler, Igor Stravinsky, CBC Symphony Orchestra
Variation V (L'altra sorte del Canone al rovescio)
Festival Singers of Toronto, Igor Stravinsky, Elmer Iseler, CBC Symphony Orchestra
I. A Sermon (From St. Paul)
Festival Singers of Toronto, Igor Stravinsky, Loren Driscoll, CBC Symphony Orchestra, Shirley Verrett, John Horton
II. A Narrative
Igor Stravinsky, Loren Driscoll, John Horton, Shirley Verrett, CBC Symphony Orchestra
III. A Prayer
Shirley Verrett, Igor Stravinsky, Loren Driscoll, Festival Singers of Toronto, CBC Symphony Orchestra
Stravinsky: The Rake's Progress - Opera in 3 Acts
Act I, Scene 1: Duet and Trio: "The Woods Are Green" - Recitative: "Anne, My Dear"
Alexander Young, Royal Philharmonic Orchestra, Don Garrard, Colin Tilney, Judith Raskin, Igor Stravinsky
Recitative: "Here I stand" - Aria: "Since It Is Not by Merit"
Recitative: "Tom Rakewell?" - Recitative: "Fair Lady, Gracious Gentlemen" - Quartet: "I Wished But Once" - Recitative: "I'll Call the Coachman, Sir"
Duettino: "Farewell for Now" - Recitative: "All Is Ready, Sir" - Arioso: "Dear Father Truelove" - Terzettino: "Laughter and Light"
Act I, Scene 2: Chorus: "With Air Commanding and Weapon Handy"
John Barker, Igor Stravinsky, Royal Philharmonic Orchestra, Colin Tilney, Sadler's Wells Opera Chorus
Recitative and Scene: "Come, Tom" - Chorus: "Soon Dawn Will Glitter" - Recitative: "Sisters of Venus, Brothers of Mars"
John Barker, John Reardon, Igor Stravinsky, Royal Philharmonic Orchestra, Colin Tilney, Jean Manning, Alexander Young, Sadler's Wells Opera Chorus
Cavatina: "Love, too Frequently Betrayed" - Chorus: "How Sad a Song" - Chorus: "The Sun Is Bright, the Grass Is Green"
Jean Manning, John Barker, Colin Tilney, Royal Philharmonic Orchestra, Igor Stravinsky, Sadler's Wells Opera Chorus, Alexander Young
Chorus: "Lanterloo, My Lady"
Sadler's Wells Opera Chorus, Royal Philharmonic Orchestra, John Barker, John Reardon, Igor Stravinsky, Colin Tilney
Act I, Scene 3: Recitative: "No Word from Tom" - Aria: "Quietly, Night" - Recitative: "My Father! Can I Desert Him"
Colin Tilney, Judith Raskin, Igor Stravinsky, Royal Philharmonic Orchestra, Don Garrard
Cabaletta: "I Go, I Go to Him"
Colin Tilney, Igor Stravinsky, Royal Philharmonic Orchestra, Judith Raskin, Sadler's Wells Opera Chorus, John Reardon, Regina Sarfaty, Alexander Young, Kevin J. Miller, Don Garrard, Jean Manning, Peter Tracey
Act II, Scene 1: Aria: "Vary the Song, O London, Change!" - Recitative: O Nature, Green Unnatural Mother" - Aria (reprise): "Always the Quarry"
Recitative: "Master, Are You Alone?" - Aria: "In Youth the Panting Slave"
