VII. Doppio movimento. Variations On A Shaker Hymn (Live from Davies Symphony Hall, San Francisco, 1982)
Copland
III. Rondes de printemps (Live)
II. Ibéria: a. Par les rues et par les chemins (Live)
II. Ibéria: b. Les parfums de la nuit (Live)
II. Ibéria: c. Le matin d’un jour de fête (Live)
Prélude à l'après-midi d'un faune, CD 87a (Live)
I. De l'aube à midi sur la mer (Live)
Debussy: La mer, CD 111
III. Dialogue du vent et de la mer (Live)
Del Tredici: Tattoo
I. Adagio – Allegro molto (Live)
Merrill Greenberg, Leonard Bernstein, Israel Philharmonic Orchestra
III. Scherzo. Molto vivace (Live)
Leonard Bernstein, Merrill Greenberg, Israel Philharmonic Orchestra
I. Allegro (Live at Mann Auditorium, Tel Aviv, 1988)
II. Adagio ma non troppo (Live at Mann Auditorium, Tel Aviv, 1988)
III. Finale. Allegro moderato (Live at Mann Auditorium, Tel Aviv, 1988)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)
Dvořák: Musical Analysis
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": II. "We Come Now to the Second Movement, Which Has a Charming Melody, ." (2nd Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": III. "The 3rd Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": IV. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.)
Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ." (4th Movt.,Cont.)
L. Foss: Song of Songs
