Poco adagio - Più mosso
Schola Cantorium, Manhattan Public School Boy's Chorus, Eugene Conley, Martha Lipton, Carlos Alexander, Frances Yeend, George London, Uta Graf, New York Philharmonic, Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Manhattan Public School Boy's Chorus, Schola Cantorium, Martha Lipton, Uta Graf, New York Philharmonic, Leopold Stokowski, Eugene Conley, Carlos Alexander, Frances Yeend, George London, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
New York Philharmonic, Uta Graf, Schola Cantorium, George London, Leopold Stokowski, Eugene Conley, Martha Lipton, Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Gerettet ist das edle Glied (Chorus of Angels)
Manhattan Public School Boy's Chorus, Martha Lipton, Eugene Conley, Schola Cantorium, George London, New York Philharmonic, Uta Graf, Leopold Stokowski, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Dir, der Unberuhrbaren (Chorus)
George London, Schola Cantorium, Uta Graf, Martha Lipton, Carlos Alexander, Frances Yeend, New York Philharmonic, Leopold Stokowski, Eugene Conley, Manhattan Public School Boy's Chorus, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Schola Cantorium, Carlos Alexander, Frances Yeend, Eugene Conley, New York Philharmonic, Martha Lipton, Uta Graf, Manhattan Public School Boy's Chorus, Leopold Stokowski, George London, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Leopold Stokowski, Eugene Conley, Schola Cantorium, Martha Lipton, George London, New York Philharmonic, Uta Graf, Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Schola Cantorium, Carlos Alexander, Frances Yeend, Martha Lipton, New York Philharmonic, Leopold Stokowski, Uta Graf, Eugene Conley, George London, Manhattan Public School Boy's Chorus, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir