Poco adagio - Più mosso
New York Philharmonic, Leopold Stokowski, Frances Yeend, Schola Cantorium, Uta Graf, Manhattan Public School Boy's Chorus, George London, Eugene Conley, Carlos Alexander, Martha Lipton, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Leopold Stokowski, Uta Graf, George London, Martha Lipton, Carlos Alexander, Frances Yeend, New York Philharmonic, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Leopold Stokowski, Uta Graf, Manhattan Public School Boy's Chorus, New York Philharmonic, Frances Yeend, Eugene Conley, Carlos Alexander, Martha Lipton, Schola Cantorium, George London, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Gerettet ist das edle Glied (Chorus of Angels)
Uta Graf, George London, Schola Cantorium, Carlos Alexander, Leopold Stokowski, Eugene Conley, Frances Yeend, New York Philharmonic, Manhattan Public School Boy's Chorus, Martha Lipton, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Dir, der Unberuhrbaren (Chorus)
Frances Yeend, Manhattan Public School Boy's Chorus, George London, Carlos Alexander, Uta Graf, Martha Lipton, Leopold Stokowski, Schola Cantorium, Eugene Conley, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Schola Cantorium, Eugene Conley, Martha Lipton, Leopold Stokowski, Manhattan Public School Boy's Chorus, New York Philharmonic, George London, Uta Graf, Frances Yeend, Carlos Alexander, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Martha Lipton, Frances Yeend, George London, Carlos Alexander, Uta Graf, Leopold Stokowski, New York Philharmonic, Schola Cantorium, Manhattan Public School Boy's Chorus, Eugene Conley, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Manhattan Public School Boy's Chorus, Eugene Conley, George London, Schola Cantorium, New York Philharmonic, Frances Yeend, Leopold Stokowski, Martha Lipton, Uta Graf, Carlos Alexander, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra