Poco adagio - Più mosso
Uta Graf, Leopold Stokowski, Eugene Conley, New York Philharmonic, Manhattan Public School Boy's Chorus, Martha Lipton, Frances Yeend, Schola Cantorium, George London, Carlos Alexander, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Schola Cantorium, George London, Carlos Alexander, Leopold Stokowski, Martha Lipton, Manhattan Public School Boy's Chorus, Uta Graf, Frances Yeend, Eugene Conley, New York Philharmonic, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Gerettet ist das edle Glied (Chorus of Angels)
Frances Yeend, Martha Lipton, Manhattan Public School Boy's Chorus, Uta Graf, Schola Cantorium, George London, Carlos Alexander, Eugene Conley, New York Philharmonic, Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Dir, der Unberuhrbaren (Chorus)
Schola Cantorium, George London, Carlos Alexander, Leopold Stokowski, Frances Yeend, Eugene Conley, New York Philharmonic, Manhattan Public School Boy's Chorus, Martha Lipton, Uta Graf, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Eugene Conley, New York Philharmonic, Martha Lipton, Schola Cantorium, George London, Carlos Alexander, Uta Graf, Manhattan Public School Boy's Chorus, Leopold Stokowski, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Manhattan Public School Boy's Chorus, Leopold Stokowski, Uta Graf, Martha Lipton, Eugene Conley, New York Philharmonic, Schola Cantorium, George London, Carlos Alexander, Frances Yeend, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Leopold Stokowski, Manhattan Public School Boy's Chorus, Frances Yeend, Uta Graf, Schola Cantorium, Eugene Conley, New York Philharmonic, Martha Lipton, George London, Carlos Alexander, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir