Poco adagio - Più mosso
Carlos Alexander, Frances Yeend, Manhattan Public School Boy's Chorus, Leopold Stokowski, George London, Martha Lipton, Eugene Conley, Schola Cantorium, New York Philharmonic, Uta Graf, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Leopold Stokowski, New York Philharmonic, Schola Cantorium, Carlos Alexander, Frances Yeend, George London, Martha Lipton, Manhattan Public School Boy's Chorus, Uta Graf, Eugene Conley, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Martha Lipton, George London, Carlos Alexander, Frances Yeend, Schola Cantorium, Uta Graf, New York Philharmonic, Eugene Conley, Manhattan Public School Boy's Chorus, Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Gerettet ist das edle Glied (Chorus of Angels)
George London, Carlos Alexander, Frances Yeend, Manhattan Public School Boy's Chorus, Schola Cantorium, Uta Graf, Leopold Stokowski, Eugene Conley, Martha Lipton, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Dir, der Unberuhrbaren (Chorus)
New York Philharmonic, Manhattan Public School Boy's Chorus, Uta Graf, Eugene Conley, Schola Cantorium, Carlos Alexander, Frances Yeend, Leopold Stokowski, Martha Lipton, George London, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Uta Graf, Carlos Alexander, Frances Yeend, Manhattan Public School Boy's Chorus, New York Philharmonic, George London, Martha Lipton, Eugene Conley, Schola Cantorium, Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Schola Cantorium, Manhattan Public School Boy's Chorus, Eugene Conley, George London, Martha Lipton, Leopold Stokowski, Uta Graf, Carlos Alexander, Frances Yeend, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Manhattan Public School Boy's Chorus, Leopold Stokowski, Martha Lipton, Schola Cantorium, George London, New York Philharmonic, Eugene Conley, Carlos Alexander, Frances Yeend, Uta Graf, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir