Poco adagio - Più mosso
Uta Graf, Martha Lipton, Eugene Conley, New York Philharmonic, Leopold Stokowski, Carlos Alexander, Frances Yeend, Schola Cantorium, George London, Manhattan Public School Boy's Chorus, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus)
Uta Graf, Manhattan Public School Boy's Chorus, Leopold Stokowski, Schola Cantorium, George London, New York Philharmonic, Eugene Conley, Carlos Alexander, Frances Yeend, Martha Lipton, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Wie Felsenabgrund mir zu Fusse (Pater Profundus)
Manhattan Public School Boy's Chorus, Schola Cantorium, George London, Eugene Conley, Carlos Alexander, Frances Yeend, Martha Lipton, Uta Graf, New York Philharmonic, Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Gerettet ist das edle Glied (Chorus of Angels)
Manhattan Public School Boy's Chorus, Carlos Alexander, Frances Yeend, Martha Lipton, Leopold Stokowski, Eugene Conley, Uta Graf, Schola Cantorium, George London, New York Philharmonic, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Dir, der Unberuhrbaren (Chorus)
Carlos Alexander, Frances Yeend, Manhattan Public School Boy's Chorus, Martha Lipton, Eugene Conley, Uta Graf, New York Philharmonic, Leopold Stokowski, Schola Cantorium, George London, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana)
Carlos Alexander, Frances Yeend, Leopold Stokowski, Eugene Conley, Uta Graf, Manhattan Public School Boy's Chorus, Schola Cantorium, George London, Martha Lipton, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Bei dem hochgeweihten Orte (Maria Aegyptiaca)
Manhattan Public School Boy's Chorus, Schola Cantorium, George London, Leopold Stokowski, Martha Lipton, Eugene Conley, Uta Graf, Carlos Alexander, Frances Yeend, New York Philharmonic, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Neige, neige, du Ohnegleiche (una Poenitentium, Selige Knaben)
Leopold Stokowski, Philharmonic Symphony Orchestra, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir
Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus)
Leopold Stokowski, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra
Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus)
Manhattan Public School Boy's Chorus, Eugene Conley, Schola Cantorium, George London, New York Philharmonic, Martha Lipton, Leopold Stokowski, Carlos Alexander, Frances Yeend, Uta Graf, Francis Yeend, Uta Graf, Camilla Williams, Martha Lipton, Eugene Conley, Carlos Alexander, George London, Westminster Choir, Philharmonic Symphony Orchestra