Ouvertüre
Peter Coleman-Wright, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Mark Elder
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt
Dialog "Jaquino, Jaquino!"
London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Torsten Kerl
Arie "O wär' ich schon mit dir vereint"
Anja Kampe, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt
Quartett "Mir ist so wunderbar"
Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Höre, Fidelio..."
Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt
Arie "Hat man nicht auch Gold beineben"
Anja Kampe, Mark Elder, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy
Dialog "Ihr habt schon recht, Meister Rocco"
Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Mark Elder, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Nathan Vale, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Mark Elder
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Lisa Milne
Terzett "Nur auf der Hut, dann geht es gut"
Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, Nathan Vale
Marsch
Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt
Dialog "Die Depeschen"
Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Anja Kampe, Peter Coleman-Wright
Arie mit Chor "Ha! Welch ein Augenblick!"
London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl
Duett "Jetzt, Alter, jetzt hat es Eile!"
Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy
Rezitativ "Abscheulicher! Wo eilst du hin?"
Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Nathan Vale, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Aber Marzelline"
Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Nathan Vale
Finale "O welche Lust!"
Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne
Finale "Nun sprecht, wie ging's?"
London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl
Finale "Ach! Vater, eilt!"
Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Mark Elder, Torsten Kerl
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Nathan Vale, Torsten Kerl, Anja Kampe, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus
Finale "Leb' wohl, du warmes Sonnenlicht"
Nathan Vale, Brindley Sherratt, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy
Introduction to Act 2
Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Lisa Milne
Arie "Gott! Welch' Dunkel hier!"
Brindley Sherratt, Nathan Vale, Thomas Blunt, Lisa Milne, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright
Arie "In des Lebens Frühlingstagen"
Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Brindley Sherratt, Mark Elder, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Anja Kampe
Duett "Nur hurtig fort, nur frisch gegraben"
Lisa Milne, Anja Kampe, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Er erwacht!"
Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus
Terzett "Euch werde Lohn in besser'n Welten"
Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Torsten Kerl
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Anja Kampe, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt
Quartett "Er sterbe!"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Anja Kampe, Torsten Kerl, Brindley Sherratt, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
Brindley Sherratt, Thomas Blunt, Anja Kampe, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale
Dialog "Meine Leonore, was hast du für mich erduldet!"
Anja Kampe, Brindley Sherratt, Nathan Vale, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt
Duett "O namenlose Freude!"
Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Nathan Vale, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl
Dialog "Gute Botschaft"
London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Brindley Sherratt
Finale "Heil sei dem Tag, Heil sei der Stunde"
Anja Kampe, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt
Finale "Des besten königs Wink und Wille"
Torsten Kerl, Mark Elder, Thomas Blunt, Brindley Sherratt, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Finale "Gott! Welch ein Augenblick!"
Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Nathan Vale, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl