‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Nathan Vale, Henry Waddington, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anthony Cleverton, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Lisa Milne, Torsten Kerl, Anthony Cleverton, Anja Kampe, Mark Elder, Henry Waddington, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Lisa Milne, Henry Waddington, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Brindley Sherratt

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Thomas Blunt, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Andrew Kennedy, Lisa Milne, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Anthony Cleverton, Henry Waddington, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Thomas Blunt, Torsten Kerl, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Thomas Blunt, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Anthony Cleverton, Henry Waddington, Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Andrew Kennedy, Anja Kampe, Torsten Kerl, Thomas Blunt, Henry Waddington, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Lisa Milne, Thomas Blunt, Anthony Cleverton, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington

2:17

Marsch

The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Nathan Vale, Andrew Kennedy, Henry Waddington, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl

2:02

Dialog "Die Depeschen"

Nathan Vale, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Brindley Sherratt, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Mark Elder, Torsten Kerl, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Nathan Vale, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Andrew Kennedy, Henry Waddington, Thomas Blunt, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Anthony Cleverton, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Nathan Vale, Henry Waddington, Mark Elder, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Henry Waddington, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Thomas Blunt, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Torsten Kerl, Mark Elder

1:37

Finale "O welche Lust!"

Nathan Vale, Anthony Cleverton, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Andrew Kennedy, Torsten Kerl, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Mark Elder, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, Henry Waddington, Lisa Milne, Torsten Kerl, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anja Kampe

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Thomas Blunt, Anthony Cleverton, Nathan Vale, Mark Elder, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Mark Elder, Lisa Milne, Nathan Vale, Peter Coleman-Wright

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Torsten Kerl, Thomas Blunt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Anja Kampe, Nathan Vale, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

3:59

Dialog "Er erwacht!"

Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Henry Waddington, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Andrew Kennedy, Lisa Milne, Henry Waddington, Nathan Vale, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Anja Kampe

0:57

Quartett "Er sterbe!"

Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Anja Kampe

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Nathan Vale, Andrew Kennedy

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt, Mark Elder, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, Anja Kampe

2:55

Dialog "Gute Botschaft"

Henry Waddington, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Lisa Milne, Anthony Cleverton, Mark Elder, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Mark Elder, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Andrew Kennedy, Lisa Milne, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Anthony Cleverton, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Thomas Blunt, Nathan Vale, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album