‎Beethoven: Fidelio, Op. 72 by Peter Coleman-Wright

Ouvertüre

Thomas Blunt, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Andrew Kennedy

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Anthony Cleverton, Thomas Blunt, Mark Elder, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Andrew Kennedy, Henry Waddington, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Lisa Milne, Henry Waddington, Anthony Cleverton, Torsten Kerl, Mark Elder, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Anthony Cleverton, Nathan Vale, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Brindley Sherratt

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Torsten Kerl, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Lisa Milne, Mark Elder, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Nathan Vale, Henry Waddington, Anja Kampe, Brindley Sherratt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Lisa Milne, Anja Kampe, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Anja Kampe, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Thomas Blunt, Andrew Kennedy, Lisa Milne, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Anja Kampe, Mark Elder, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Anthony Cleverton, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Anja Kampe

2:17

Marsch

Mark Elder, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Lisa Milne, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Anthony Cleverton, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Henry Waddington, Thomas Blunt, Torsten Kerl, Anja Kampe, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Andrew Kennedy, Anja Kampe, Thomas Blunt, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Thomas Blunt, Mark Elder, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Torsten Kerl, Brindley Sherratt, Henry Waddington

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Andrew Kennedy, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

1:37

Finale "O welche Lust!"

Lisa Milne, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Anja Kampe, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton, Brindley Sherratt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Mark Elder, Torsten Kerl, Thomas Blunt, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Torsten Kerl, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Thomas Blunt, Mark Elder, Henry Waddington

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Andrew Kennedy, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Lisa Milne, Brindley Sherratt, Torsten Kerl, Anja Kampe, Mark Elder, London Philharmonic Orchestra

4:19

Introduction to Act 2

Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, Anja Kampe, Nathan Vale, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Lisa Milne, Anja Kampe, Brindley Sherratt, Mark Elder

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Torsten Kerl, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Torsten Kerl, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Mark Elder, Anja Kampe

3:59

Dialog "Er erwacht!"

The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Lisa Milne, Mark Elder, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Anthony Cleverton, Mark Elder, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

0:57

Quartett "Er sterbe!"

Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Nathan Vale, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, Anja Kampe, Thomas Blunt, Brindley Sherratt, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Henry Waddington, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Andrew Kennedy, Lisa Milne, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Lisa Milne, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:55

Dialog "Gute Botschaft"

Mark Elder, Torsten Kerl, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Anthony Cleverton, Henry Waddington, Mark Elder, Nathan Vale, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, The Glyndebourne Chorus

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Anja Kampe, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Mark Elder, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Anja Kampe, Thomas Blunt, Lisa Milne, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album