M. Weinberg: Nocturne
Gidon Kremer Essentials
Apple Music Classical
A principal danger of warhorse mania in classical performance is that the great works will come to feel too safe. That's why we need steely soloists like Kremer. His edgy violin attack isn't what comes to mind for most people when conceiving of an ideal Beethoven interpretation—but Kremer's take on the “Kreutzer” sonata (alongside Martha Argerich) has the kind of innovative fire that helps keep the work alive. His engagement with modern and contemporary trends is likewise idiosyncratic and entertaining: Who else plays Nono and Messiaen as well as John Adams and Philip Glass? This guy.
I. Allegro non molto - Allegro
I. Quarter note = 104 — quarter note = 120
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)
Kiesewetter
Chaplin: Modern Times
A. Schoenberg: Piano Quartet No. 1 in G Minor, Op. 25
Stück d-moll für Violine und Klavier (early work) (Piece in D minor for violin and piano)
C. M. von Weber: Quartet For Piano, Violin, Viola, and Violoncello in B Flat major, Op.8 (J76)
II. Lento, con molto sentimento
Marija Nemanyte, Gidon Kremer, Maxim Rysanov, Khatia Buniatishvili, Giedrė Dirvanauskaitė
I. Ludus (Live from Bonn, 1977)
Alfred Schnittke, Saulius Sondeckis, Lithuanian Chamber Orchestra, Tatjana Grindenko, Gidon Kremer
Nostalghia. In Memory of Andrei Tarkovskij
Stevan Kovacs Tickmayer
8 Hymns in memoriam Andrei Tarkovsky
Roman Kofman, Khatia Buniatishvili, Gidon Kremer, Kremerata Baltica, Andrei Pushkarev
IV. Andante ma non troppo e molto cantabile (Arr. for String Orchestra, Arr. for String Orchestra)
Piazzolla