O mio babbino caro (Arr. for Cello and Orchestra)
Cello at the Opera
Many say that the cello is the closest instrument to the human voice, which seems true in these passionate interpretations of beloved arias. Mozart’s soaring lyricism settles perfectly here, as do the heroic and tragic melodies of Puccini and Verdi. Maer evokes the full breadth of the human instrument with this satisfying effort.
Au fond du temple saint (Arr. for Cello and Orchestra)
4. Pie Jesu (Arr. Joseph Twist)
Michelle Kelly, Kirsty McCahon, Sally Maer, Rosemary Quinn, Stefan Duwe, Narine Melconian, Catherine Davis
Aria: Voi che sapete (Arr. Joseph Twist)
Rosemary Quinn, Andrew Barnes, Narine Melconian, Michelle Kelly, Stefan Duwe, Sally Maer, Jason Noble
Pur ti miro (Arr. Joseph Twist)
Rosemary Quinn, Catherine Davis, Michelle Kelly, Sally Maer, Stefan Duwe, Narine Melconian
Sous le dôme épais (Arr. for Cello and Orchestra)
Time To Say Goodbye (Con te partirò) (Arr. Joseph Twist)
Narine Melconian, Stefan Duwe, Rosemary Quinn, Michelle Kelly, Kirsty McCahon, Sally Maer
Libiamo ne'lieti calici (Brindisi) (Arr. for Cello and Orchestra)
Séguedille (Près des remparts de Séville) (Arr. for Cello and Orchestra)
Song To The Moon (Arr. for Cello and Orchestra)
Abendsegen (Arr. Joseph Twist)
Stefan Duwe, Michelle Kelly, Kirsty McCahon, Sally Maer, Rosemary Quinn, Narine Melconian
Where'er You Walk (Arr. Joseph Twist)
Kirsty McCahon, Sally Maer, Rosemary Quinn, Narine Melconian, Michelle Kelly, Catherine Davis, Stefan Duwe
Dido's Lament: When I Am Laid In Earth (Arr. Joseph Twist)
Rosemary Quinn, Stefan Duwe, Michelle Kelly, Kirsty McCahon, Sally Maer, Catherine Davis, Narine Melconian
Soave sia il vento (Arr. for Cello and Orchestra)
La donna è mobile (Arr. for Cello and Orchestra)