‎Beethoven: Fidelio, Op. 72 by Henry Waddington

Ouvertüre

Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Henry Waddington, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

The Glyndebourne Chorus, Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Torsten Kerl, Nathan Vale, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, Lisa Milne, Mark Elder, Brindley Sherratt, Torsten Kerl, Nathan Vale, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Lisa Milne, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Anja Kampe, Henry Waddington, Torsten Kerl, Mark Elder, Anthony Cleverton, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Torsten Kerl, Lisa Milne, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Henry Waddington, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Torsten Kerl, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Thomas Blunt, Henry Waddington, Mark Elder, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Torsten Kerl, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Mark Elder, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Nathan Vale, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Mark Elder, Anthony Cleverton, Anja Kampe, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Henry Waddington, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt

2:17

Marsch

Torsten Kerl, London Philharmonic Orchestra, Andrew Kennedy, Mark Elder, Thomas Blunt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Anja Kampe

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Henry Waddington, Mark Elder, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Andrew Kennedy, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Nathan Vale, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Nathan Vale, Lisa Milne, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Lisa Milne, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Nathan Vale, Andrew Kennedy, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Anthony Cleverton, Anja Kampe

5:44

Dialog "Aber Marzelline"

Henry Waddington, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

1:37

Finale "O welche Lust!"

The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Nathan Vale, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Henry Waddington, Brindley Sherratt, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Anja Kampe, Lisa Milne, Peter Coleman-Wright

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Mark Elder, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Lisa Milne, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Henry Waddington, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt

4:19

Introduction to Act 2

The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Henry Waddington, Nathan Vale, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Nathan Vale, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Mark Elder, Peter Coleman-Wright, Anja Kampe

3:59

Dialog "Er erwacht!"

Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Lisa Milne, Henry Waddington, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Andrew Kennedy, Thomas Blunt, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Henry Waddington, Anja Kampe

0:57

Quartett "Er sterbe!"

Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Torsten Kerl, Nathan Vale

0:18

Dialog "Es schlägt der Rache Stunde!"

Andrew Kennedy, Thomas Blunt, Henry Waddington, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Torsten Kerl, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Anja Kampe

0:09

Duett "O namenlose Freude!"

Nathan Vale, Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Brindley Sherratt, Anja Kampe

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Nathan Vale, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Brindley Sherratt

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Thomas Blunt, Henry Waddington, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Mark Elder, Anthony Cleverton, Lisa Milne, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Mark Elder

Conductor
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album