‎Beethoven: Fidelio, Op. 72 by Anja Kampe

Ouvertüre

Lisa Milne, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Anja Kampe, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Anja Kampe, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Anthony Cleverton

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Nathan Vale, Thomas Blunt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Lisa Milne, Henry Waddington, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Peter Coleman-Wright, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Andrew Kennedy, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Nathan Vale, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Nathan Vale, Brindley Sherratt, Thomas Blunt, Lisa Milne, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Henry Waddington, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Andrew Kennedy, Mark Elder, Nathan Vale

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Nathan Vale, Mark Elder, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, London Philharmonic Orchestra

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Henry Waddington, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Anja Kampe, Lisa Milne, Nathan Vale, Andrew Kennedy, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

2:17

Marsch

Mark Elder, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Nathan Vale, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Peter Coleman-Wright, Anja Kampe

2:02

Dialog "Die Depeschen"

Thomas Blunt, Andrew Kennedy, Mark Elder, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Lisa Milne, Henry Waddington, Brindley Sherratt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anthony Cleverton, Torsten Kerl, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, Anja Kampe, Brindley Sherratt, Mark Elder

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anthony Cleverton, Nathan Vale, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Henry Waddington, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Mark Elder, London Philharmonic Orchestra, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Anthony Cleverton, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Henry Waddington, Anja Kampe, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt

5:44

Dialog "Aber Marzelline"

Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Torsten Kerl, Andrew Kennedy, Anja Kampe, Lisa Milne, Mark Elder, Peter Coleman-Wright, Brindley Sherratt

1:37

Finale "O welche Lust!"

Nathan Vale, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Torsten Kerl, Thomas Blunt, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Thomas Blunt, Henry Waddington, Nathan Vale, Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Anja Kampe

4:19

Introduction to Act 2

London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Anthony Cleverton, Mark Elder, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Brindley Sherratt, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Nathan Vale, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Andrew Kennedy, Anthony Cleverton, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anthony Cleverton, Thomas Blunt, Nathan Vale, Brindley Sherratt, Henry Waddington, Lisa Milne, Andrew Kennedy, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Mark Elder, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

3:59

Dialog "Er erwacht!"

Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, Andrew Kennedy, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, Nathan Vale, Mark Elder, Lisa Milne, Henry Waddington, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Mark Elder, Nathan Vale, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

0:57

Quartett "Er sterbe!"

Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Mark Elder, Anja Kampe

3:32

Dialog "Vater Rocco!"

Henry Waddington, Thomas Blunt, Lisa Milne, Nathan Vale, Anthony Cleverton, Mark Elder, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Mark Elder, Lisa Milne, Torsten Kerl

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Anja Kampe

0:09

Duett "O namenlose Freude!"

Lisa Milne, Torsten Kerl, Mark Elder, Andrew Kennedy, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:55

Dialog "Gute Botschaft"

London Philharmonic Orchestra, Henry Waddington, Torsten Kerl, Nathan Vale, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Lisa Milne, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Andrew Kennedy, Torsten Kerl, Nathan Vale, Thomas Blunt, Anthony Cleverton, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Lisa Milne, Nathan Vale, Henry Waddington, Brindley Sherratt, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Peter Coleman-Wright

Baritone
London Philharmonic Orchestra

Orchestra

Beethoven: Fidelio, Op. 72

On This Album