‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Torsten Kerl

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus

0:55

Arie "O wär' ich schon mit dir vereint"

Thomas Blunt, Nathan Vale, Anja Kampe, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anthony Cleverton, Mark Elder, Torsten Kerl, Nathan Vale, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

0:44

Arie "Hat man nicht auch Gold beineben"

The Glyndebourne Chorus, Torsten Kerl, Anja Kampe, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, Brindley Sherratt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anthony Cleverton, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Thomas Blunt, Torsten Kerl, Mark Elder, Anthony Cleverton

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

2:17

Marsch

Brindley Sherratt, Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe, Anthony Cleverton

2:02

Dialog "Die Depeschen"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Mark Elder

1:37

Finale "O welche Lust!"

Anthony Cleverton, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:49

Finale "Nun sprecht, wie ging's?"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:19

Introduction to Act 2

The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt

2:11

Arie "In des Lebens Frühlingstagen"

Mark Elder, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder

3:59

Dialog "Er erwacht!"

Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Torsten Kerl

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Anja Kampe

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Mark Elder, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl

3:32

Dialog "Vater Rocco!"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl

0:18

Dialog "Es schlägt der Rache Stunde!"

Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Mark Elder, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Mark Elder, Brindley Sherratt, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy

2:55

Dialog "Gute Botschaft"

Peter Coleman-Wright, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Nathan Vale, Anja Kampe, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, London Philharmonic Orchestra

2:04

Finale "Des besten königs Wink und Wille"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Lisa Milne, Torsten Kerl

4:44

Finale "Gott! Welch ein Augenblick!"

Mark Elder, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Lisa Milne

Soprano
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Peter Coleman-Wright

Baritone

Beethoven: Fidelio, Op. 72

On This Album