‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Nathan Vale, Torsten Kerl, Andrew Kennedy, Anja Kampe, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Henry Waddington

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Andrew Kennedy, Mark Elder, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Lisa Milne, Nathan Vale

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, Henry Waddington, Anthony Cleverton, Lisa Milne

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Torsten Kerl, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Lisa Milne, Nathan Vale, Andrew Kennedy, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Anthony Cleverton, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Nathan Vale, Lisa Milne

0:44

Arie "Hat man nicht auch Gold beineben"

Anthony Cleverton, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Brindley Sherratt, Thomas Blunt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Andrew Kennedy, Torsten Kerl, Anja Kampe, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Anthony Cleverton, Anja Kampe, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Andrew Kennedy, Brindley Sherratt, Thomas Blunt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

The Glyndebourne Chorus, Lisa Milne, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Torsten Kerl, Anja Kampe, Anthony Cleverton, Nathan Vale

2:17

Marsch

The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anja Kampe, Torsten Kerl, Andrew Kennedy, Henry Waddington, Nathan Vale

2:02

Dialog "Die Depeschen"

Henry Waddington, Nathan Vale, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, Anthony Cleverton, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Lisa Milne, Anthony Cleverton, Nathan Vale, Torsten Kerl, Andrew Kennedy

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anja Kampe, Torsten Kerl, Henry Waddington, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Torsten Kerl, Brindley Sherratt, Thomas Blunt, Henry Waddington, Anthony Cleverton, Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Andrew Kennedy, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Nathan Vale

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Anja Kampe, Andrew Kennedy, Nathan Vale, Lisa Milne

5:44

Dialog "Aber Marzelline"

Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, Thomas Blunt, Henry Waddington

1:37

Finale "O welche Lust!"

Torsten Kerl, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Anja Kampe, Henry Waddington, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Lisa Milne

2:49

Finale "Nun sprecht, wie ging's?"

Henry Waddington, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anthony Cleverton

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Nathan Vale, Torsten Kerl, Andrew Kennedy, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder

4:19

Introduction to Act 2

Andrew Kennedy, Anja Kampe, Nathan Vale, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Lisa Milne, Henry Waddington

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Anja Kampe, Henry Waddington, Torsten Kerl, Nathan Vale, Lisa Milne, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt

2:11

Arie "In des Lebens Frühlingstagen"

Anja Kampe, Brindley Sherratt, Lisa Milne, Thomas Blunt, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Torsten Kerl

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Andrew Kennedy, Anja Kampe, Henry Waddington, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Nathan Vale

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne

3:59

Dialog "Er erwacht!"

Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Mark Elder, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Anja Kampe, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Torsten Kerl

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Anja Kampe, Torsten Kerl, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Nathan Vale, Henry Waddington, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Thomas Blunt

0:57

Quartett "Er sterbe!"

Anthony Cleverton, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Nathan Vale, Lisa Milne

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, Torsten Kerl, Henry Waddington, Lisa Milne, Nathan Vale, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder

0:18

Dialog "Es schlägt der Rache Stunde!"

Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anja Kampe, Lisa Milne, Andrew Kennedy, Torsten Kerl

0:09

Duett "O namenlose Freude!"

Henry Waddington, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Nathan Vale

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Lisa Milne, Andrew Kennedy, Henry Waddington, Nathan Vale, Anja Kampe, Brindley Sherratt, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Anthony Cleverton, Torsten Kerl

2:04

Finale "Des besten königs Wink und Wille"

Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Lisa Milne, Nathan Vale, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe, Mark Elder, Torsten Kerl, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Torsten Kerl, Anja Kampe, Lisa Milne, Henry Waddington, The Glyndebourne Chorus

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Mark Elder, Torsten Kerl, Henry Waddington, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Mark Elder

Conductor
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album