Weill: Symphony No.2, Seven Deadly Sins etc.
Various Artists
Kurt Weill made his name in 1920s Germany with the satirical theatre shows he composed with the playwright Bertolt Brecht, most famously The Threepenny Opera. In 1933, Weill, who was Jewish, left Nazi Germany for Paris. There he composed Die sieben Todsünden (The Seven Deadly Sins)—a ballet that’s both sung and danced—before moving to America and successfully reinventing himself as a composer of Broadway shows. Weill’s unique musical style combines mastery of classical technique with a brilliant flair for popular song-writing. Both aspects reach a pinnacle in The Seven Deadly Sins, where Simon Rattle’s conducting unerringly conveys the feeling of tragedy that lies just below the music’s surface irony. Weill’s Second Symphony, composed in the same year, is masterfully performed by the Berlin Philharmonic and conductor Mariss Jansons. And there’s also a selection of songs from The Threepenny Opera and other shows, with Robyn Archer an incisive vocalist.
Second movement: - NOTTURNO Allegro un poco tenuto
Third movement: Allegro molto, un poco agitato
Weill: Aufstieg und Fall der Stadt Mahagonny, Suite
Introduction: Meine Schwester und ich stammen aus Louisiana
City of Birmingham Symphony Orchestra, Sir John Tomlinson, Sir Simon Rattle, Ian Caley, Michael Rippon, Elise Ross, Anthony Rolfe Johnson
Faulheit (Sloth): Müssiggang ist aller Laster Anfang
Sir Simon Rattle, Elise Ross, Sir John Tomlinson, Anthony Rolfe Johnson, Ian Caley, City of Birmingham Symphony Orchestra, Michael Rippon
Stolz (Pride): Als wir aber ausgestattet waren
Anthony Rolfe Johnson, Sir Simon Rattle, Ian Caley, City of Birmingham Symphony Orchestra, Elise Ross, Sir John Tomlinson, Michael Rippon
Zorn (Anger): Das geht nicht vorwärts
Anthony Rolfe Johnson, Ian Caley, City of Birmingham Symphony Orchestra, Elise Ross, Sir Simon Rattle, Sir John Tomlinson, Michael Rippon
Völlerei (Gluttony): Das ist ein Brief aus Philadelphia
City of Birmingham Symphony Orchestra, Anthony Rolfe Johnson, Sir John Tomlinson, Elise Ross, Michael Rippon, Sir Simon Rattle, Ian Caley
Unzucht (Lechery): Und wir fanden einen Mann
Elise Ross, City of Birmingham Symphony Orchestra, Sir John Tomlinson, Anthony Rolfe Johnson, Sir Simon Rattle, Ian Caley, Michael Rippon
Habsucht (Avarice): Wie hier in der Zeitung steht
Anthony Rolfe Johnson, Sir John Tomlinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle, Ian Caley, Elise Ross, Michael Rippon
Neid (Envy): Und die letzte Stadt
City of Birmingham Symphony Orchestra, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, Sir Simon Rattle, Sir John Tomlinson, Ian Caley
Finaletto: Darauf kehrten wir zurück nach Louisiana
City of Birmingham Symphony Orchestra, Anthony Rolfe Johnson, Sir John Tomlinson, Sir Simon Rattle, Ian Caley, Elise Ross, Michael Rippon
The Ballad of Sexual Obsession (with orchestra)
John Constable, London Sinfonietta, Dominic Muldowney, Robyn Archer
Alabama Song (from Mahagonny) (1986 Digital Remaster)
London Sinfonietta, Dominic Muldowney, Robyn Archer
Weill: Epitaph 1919
Weill: Happy End
Weill