‎Beethoven: Fidelio, Op. 72 by Peter Coleman-Wright

Ouvertüre

Lisa Milne, Torsten Kerl, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, The Glyndebourne Chorus, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Brindley Sherratt, Thomas Blunt, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Henry Waddington, Anthony Cleverton, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Nathan Vale, Torsten Kerl, Henry Waddington, Lisa Milne, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Brindley Sherratt, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Henry Waddington, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Brindley Sherratt, Thomas Blunt, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Mark Elder, Thomas Blunt, Torsten Kerl, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Lisa Milne, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Mark Elder, Andrew Kennedy, Anthony Cleverton, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Torsten Kerl, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Andrew Kennedy

2:17

Marsch

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Andrew Kennedy, Brindley Sherratt, Henry Waddington, Peter Coleman-Wright, Anja Kampe

2:02

Dialog "Die Depeschen"

Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Henry Waddington, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Brindley Sherratt, The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Nathan Vale, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Henry Waddington, Anthony Cleverton, Mark Elder, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Lisa Milne, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Henry Waddington, Torsten Kerl, Nathan Vale, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Thomas Blunt, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Henry Waddington, Peter Coleman-Wright, Anja Kampe

5:44

Dialog "Aber Marzelline"

Nathan Vale, Thomas Blunt, The Glyndebourne Chorus, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Torsten Kerl

1:37

Finale "O welche Lust!"

Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Torsten Kerl

2:49

Finale "Nun sprecht, wie ging's?"

Anthony Cleverton, Torsten Kerl, Thomas Blunt, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Mark Elder, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Nathan Vale, Brindley Sherratt, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Mark Elder, Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

4:19

Introduction to Act 2

Thomas Blunt, Anthony Cleverton, Henry Waddington, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Henry Waddington, Torsten Kerl, Anja Kampe, Thomas Blunt, Peter Coleman-Wright

2:11

Arie "In des Lebens Frühlingstagen"

Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Andrew Kennedy, Nathan Vale, Mark Elder, Henry Waddington, Torsten Kerl, The Glyndebourne Chorus, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Torsten Kerl, Henry Waddington, Lisa Milne, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Anthony Cleverton, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Torsten Kerl, Anja Kampe, Andrew Kennedy, Lisa Milne, Henry Waddington, The Glyndebourne Chorus

3:59

Dialog "Er erwacht!"

Lisa Milne, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Thomas Blunt, Torsten Kerl, Andrew Kennedy, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Peter Coleman-Wright, Thomas Blunt, Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Brindley Sherratt, Nathan Vale, Andrew Kennedy, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Anja Kampe

0:57

Quartett "Er sterbe!"

Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Anthony Cleverton, Nathan Vale, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anja Kampe

3:32

Dialog "Vater Rocco!"

Mark Elder, Brindley Sherratt, Lisa Milne, Torsten Kerl, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, Thomas Blunt, The Glyndebourne Chorus

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Andrew Kennedy, Brindley Sherratt, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Henry Waddington, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anja Kampe, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton

0:09

Duett "O namenlose Freude!"

Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Nathan Vale, Lisa Milne, Torsten Kerl, Brindley Sherratt, Henry Waddington, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

2:55

Dialog "Gute Botschaft"

Nathan Vale, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Mark Elder, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Mark Elder, Henry Waddington, Brindley Sherratt, Nathan Vale, Thomas Blunt, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, Peter Coleman-Wright, Andrew Kennedy, Mark Elder, Henry Waddington, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Nathan Vale, Henry Waddington, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Mark Elder, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano
Lisa Milne

Soprano
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album