Act I Scene 1: Preludio
Juan Emilio Martini, Jose Nait, Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus, Victor de Narke
Act I Scene 1: Tu sei turbato! (Normanno)
Beverly Sills, Juan Emilio Martini, Gian Piero Mastromei, Alfredo Kraus, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 1: Cruda funesta smania (Enrico)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke, Beverly Sills, Lidia de la Merced
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Beverly Sills, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Lidia de la Merced
Act I Scene 1: La pietade in suo favore (Enrico)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Alfredo Kraus, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Preludio
Victor de Narke, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Jose Nait, Lidia de la Merced
Act I Scene 2: Ancor non giunse! (Lucia)
Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Alfredo Kraus, Victor de Narke, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini
Act I Scene 2: Regnava nel silenzio (Lucia)
Victor de Narke, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Gian Piero Mastromei, Lidia de la Merced
Act I Scene 2: Quando rapito in estasi (Lucia)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Jose Nait, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini
Act I Scene 2: Egli s'avanza (Alisa)
Gian Piero Mastromei, Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Jose Nait, Beverly Sills, Lidia de la Merced
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Gian Piero Mastromei, Victor de Narke, Beverly Sills, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Juan Emilio Martini
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Gian Piero Mastromei, Juan Emilio Martini, Alfredo Kraus, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Beverly Sills, Victor de Narke, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Alfredo Kraus, Jose Nait, Lidia de la Merced
Act II Scene 1: Appressati, Lucia (Lucia)
Alfredo Kraus, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Beverly Sills
Act II Scene 1: Soffriva nel pianto … (Lucia)
Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Jose Nait, Lidia de la Merced, Juan Emilio Martini, Victor de Narke, Beverly Sills, Gian Piero Mastromei
Act II Scene 1: Che fia … (Lucia)
Victor de Narke, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Gian Piero Mastromei, Lidia de la Merced, Juan Emilio Martini
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Juan Emilio Martini, Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Alfredo Kraus
Act II Scene 2: Ebben? (Lucia)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Alfredo Kraus, Gian Piero Mastromei, Lidia de la Merced, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Beverly Sills
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Beverly Sills, Alfredo Kraus, Jose Nait, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Buenos Aires Teatro Colon Orchestra, Jose Nait, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Gian Piero Mastromei, Juan Emilio Martini, Lidia de la Merced
Act II Scene 2: Dov'e Lucia? (Arturo)
Beverly Sills, Gian Piero Mastromei, Juan Emilio Martini, Jose Nait, Alfredo Kraus, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Gian Piero Mastromei, Jose Nait, Alfredo Kraus, Juan Emilio Martini, Victor de Narke, Beverly Sills, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Juan Emilio Martini, Victor de Narke, Beverly Sills, Jose Nait, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus
Act III Scene 1: Orrida e questa notte (Edgardo)
Victor de Narke, Lidia de la Merced, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Victor de Narke, Gian Piero Mastromei, Jose Nait, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced
Act III Scene 2: D'immenso giubilo (Chorus)
Gian Piero Mastromei, Lidia de la Merced, Jose Nait, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Victor de Narke
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Victor de Narke, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Juan Emilio Martini, Lidia de la Merced, Jose Nait, Gian Piero Mastromei
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced
Act III Scene 2: Oh giusto cielo! (Chorus)
Buenos Aires Teatro Colon Orchestra, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Gian Piero Mastromei, Jose Nait, Lidia de la Merced, Juan Emilio Martini
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Lidia de la Merced, Alfredo Kraus, Gian Piero Mastromei, Jose Nait
Act III Scene 2: S'avanza Enrico (Raimondo)
Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Gian Piero Mastromei, Lidia de la Merced
Act III Scene 2: Si tragga altrove (Enrico)
Alfredo Kraus, Beverly Sills, Jose Nait, Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Lidia de la Merced
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Lidia de la Merced
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Beverly Sills, Victor de Narke, Alfredo Kraus, Juan Emilio Martini, Lidia de la Merced
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Gian Piero Mastromei, Alfredo Kraus, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Juan Emilio Martini, Lidia de la Merced
Act III Scene 3: Oh, meschina! (Chorus)
Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Beverly Sills
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Lidia de la Merced, Beverly Sills, Jose Nait, Alfredo Kraus, Juan Emilio Martini
