IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
Sir Roger Norrington· Schütz Choir of London· Patrick Power· London Classical Players
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Coppola E Il Suo Sestetto· The Schütz Consort
I. Introitus
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Nancy Argenta· Peter Thorley· Catherine Robbin· Felicitas Mander· John Mark Ainsley
II. Kyrie
London Classical Players· Sir Roger Norrington· Schütz Choir of London· John Mark Ainsley· Felicitas Mander· Catherine Robbin· Nancy Argenta· Peter Thorley
III. Dies irae
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Catherine Robbin· John Mark Ainsley· Peter Thorley· Nancy Argenta· Felicitas Mander
IV. Tuba mirum
John Mark Ainsley· Sir Roger Norrington· Catherine Robbin· London Classical Players· Nancy Argenta· Alastair Miles· Peter Thorley· Schütz Choir of London· Felicitas Mander
V. Rex tremendae
Sir Roger Norrington· London Classical Players· Schütz Choir of London· John Mark Ainsley· Nancy Argenta· Felicitas Mander· Peter Thorley· Catherine Robbin
VI. Recordare
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Nancy Argenta· Catherine Robbin· Peter Thorley· John Mark Ainsley· Felicitas Mander
VII. Confutatis
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Nancy Argenta· Catherine Robbin· Peter Thorley· Felicitas Mander· John Mark Ainsley
VIII. Lacrimosa
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Felicitas Mander· Nancy Argenta· John Mark Ainsley· Catherine Robbin
IX. Amen
London Classical Players· Sir Roger Norrington· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Peter Thorley· Schütz Choir of London· Felicitas Mander
X. Domine Jesu Christe
Catherine Robbin· Alastair Miles· Sir Roger Norrington· John Mark Ainsley· Nancy Argenta· London Classical Players· Schütz Choir of London· Felicitas Mander· Peter Thorley
XI. Hostias
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Peter Thorley· Felicitas Mander· John Mark Ainsley· Nancy Argenta
XII. Sanctus
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Catherine Robbin· Peter Thorley· John Mark Ainsley· Nancy Argenta· Felicitas Mander
XIII. Benedictus
Catherine Robbin· Sir Roger Norrington· Alastair Miles· John Mark Ainsley· London Classical Players· Nancy Argenta· Schütz Choir of London· Felicitas Mander· Peter Thorley
XIV. Agnus Dei
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Catherine Robbin· John Mark Ainsley· Nancy Argenta· Felicitas Mander· Peter Thorley
XV. Communio
London Classical Players· Nancy Argenta· Schütz Choir of London· Sir Roger Norrington· Peter Thorley· Catherine Robbin· John Mark Ainsley· Felicitas Mander
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Orchestra of St. Luke's· Concert Chorale of New York· Sir Roger Norrington· Deborah Voigt
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
