Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Elena Mazzoni· Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Leon Lishner· Studio Orchestra· Lydia Summers· Nino Sanzogno· Silvana Zanolli· Francis Monachino· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Mabel Mercer· Maria Marlo· Studio Chorus· Lehman Engel· Gloria Lane· Rolando Panerai· George Jongyans· Marie Powers

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Studio Chorus· Mabel Mercer· Studio Orchestra· Gloria Lane· Leon Lishner· Marie Powers· Cornell MacNeil· Andrew McKinley· Patricia Neway· Maria Marlo· Lydia Summers· Lehman Engel· George Jongyans· Francis Monachino

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Gloria Lane· Patricia Neway· Andrew McKinley· Maria Marlo· Cornell MacNeil· Lydia Summers· Mabel Mercer· Studio Chorus· Leon Lishner· Marie Powers· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

Cornell MacNeil· Leon Lishner· Studio Chorus· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Mabel Mercer· Lehman Engel· Maria Marlo· Lydia Summers· Andrew McKinley· Patricia Neway· Gloria Lane

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Gloria Lane· Patricia Neway· Andrew McKinley· Maria Marlo· Cornell MacNeil· Lydia Summers· Mabel Mercer· Studio Chorus· Leon Lishner· Marie Powers· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra

4:18

Act I Scene 2: Interlude

George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Leon Lishner· Cornell MacNeil· Maria Marlo· Lydia Summers· Lehman Engel· Studio Chorus· Mabel Mercer· Patricia Neway· Andrew McKinley· Marie Powers

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Leon Lishner· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Gloria Lane· Patricia Neway· Andrew McKinley· Mabel Mercer· Marie Powers· Maria Marlo· Lydia Summers· Cornell MacNeil

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Maria Marlo· Andrew McKinley· Patricia Neway· Lydia Summers· Marie Powers· Gloria Lane· Leon Lishner· Cornell MacNeil· Mabel Mercer· Studio Chorus

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Andrew McKinley· Mabel Mercer· Leon Lishner· Lehman Engel· Maria Marlo· Lydia Summers· Patricia Neway· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Cornell MacNeil· Studio Chorus

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Maria Marlo· Lydia Summers· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Gloria Lane· Andrew McKinley· Lehman Engel· Marie Powers· Mabel Mercer· Studio Chorus· Cornell MacNeil· Leon Lishner

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Marie Powers· Leon Lishner· Gloria Lane· Lehman Engel· Maria Marlo· Lydia Summers· Mabel Mercer· Patricia Neway· Andrew McKinley· Cornell MacNeil

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Gloria Lane· Marie Powers· Andrew McKinley· Lehman Engel· Mabel Mercer· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Patricia Neway· Studio Chorus· Cornell MacNeil

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

George Jongyans· Andrew McKinley· Francis Monachino· Studio Orchestra· Patricia Neway· Gloria Lane· Lehman Engel· Maria Marlo· Lydia Summers· Cornell MacNeil· Marie Powers· Mabel Mercer· Leon Lishner· Studio Chorus

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Cornell MacNeil· Marie Powers· Andrew McKinley· Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Gloria Lane· Maria Marlo· Studio Chorus· Lydia Summers· Patricia Neway· Lehman Engel

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Lehman Engel· Mabel Mercer· Patricia Neway· Studio Chorus· Gloria Lane· Maria Marlo· Lydia Summers· Leon Lishner· Marie Powers· Andrew McKinley· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra

3:51

Act II Scene 1: Interlude

Lehman Engel· Mabel Mercer· Maria Marlo· Marie Powers· Lydia Summers· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Studio Chorus· Gloria Lane· Patricia Neway· Cornell MacNeil· Andrew McKinley

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Gloria Lane· Patricia Neway· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Mabel Mercer· Studio Chorus· Lehman Engel· Andrew McKinley· Leon Lishner· Maria Marlo· Lydia Summers

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Maria Marlo· Leon Lishner· Lydia Summers· Patricia Neway· Mabel Mercer· Lehman Engel· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Cornell MacNeil· Marie Powers· Studio Chorus

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Gloria Lane· Andrew McKinley· Leon Lishner· Mabel Mercer· Marie Powers· Cornell MacNeil· Patricia Neway· Maria Marlo· Lydia Summers· Lehman Engel· Studio Chorus· George Jongyans· Francis Monachino· Studio Orchestra

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Maria Marlo· Mabel Mercer· Lydia Summers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Patricia Neway· Lehman Engel· Gloria Lane· Cornell MacNeil· Andrew McKinley· Studio Chorus· Marie Powers

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Andrew McKinley· Studio Chorus· George Jongyans· Maria Marlo· Francis Monachino· Studio Orchestra· Lydia Summers· Marie Powers· Lehman Engel· Patricia Neway· Gloria Lane· Leon Lishner· Cornell MacNeil· Mabel Mercer

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Marie Powers· Andrew McKinley· Studio Chorus· Lehman Engel· Maria Marlo· Lydia Summers· George Jongyans· Francis Monachino· Patricia Neway· Studio Orchestra· Leon Lishner· Cornell MacNeil· Gloria Lane· Mabel Mercer

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Patricia Neway· Lehman Engel· Andrew McKinley· Cornell MacNeil· Marie Powers· Maria Marlo· Lydia Summers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Gloria Lane· Mabel Mercer· Studio Chorus

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Gloria Lane· Cornell MacNeil· Marie Powers· Andrew McKinley· Lehman Engel· Maria Marlo· Lydia Summers· Studio Chorus· Leon Lishner

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Mabel Mercer· Lehman Engel· Leon Lishner· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Maria Marlo· Andrew McKinley· Lydia Summers· Gloria Lane· Marie Powers· Studio Chorus

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

Mabel Mercer· Andrew McKinley· Maria Marlo· Studio Chorus· Lydia Summers· Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Leon Lishner· Patricia Neway· Cornell MacNeil· Marie Powers

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Lehman Engel· Studio Chorus· Gloria Lane· Cornell MacNeil· Leon Lishner· Marie Powers· Maria Marlo· Andrew McKinley· Lydia Summers· Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Patricia Neway· Gloria Lane· Marie Powers· Cornell MacNeil· Leon Lishner· Maria Marlo· Mabel Mercer· Lydia Summers· Studio Chorus· Andrew McKinley

2:33

Orchestral prelude

Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Enrico Campi· Rolando Panerai· Nino Sanzogno· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Margherita Carosio

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Rolando Panerai· Enrico Campi· Coro del Teatro alla Scala di Milano· Margherita Carosio· Nino Sanzogno· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Orchestra del Teatro alla Scala di Milano· Maria Amadini· Elena Mazzoni· Rolando Panerai· Coro del Teatro alla Scala di Milano· Margherita Carosio· Enrico Campi· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Enrico Campi· Nino Sanzogno· Rolando Panerai· Coro del Teatro alla Scala di Milano· Maria Amadini

2:01

Non si va! Non si va! (Husband, Amelia)

Elena Mazzoni· Maria Amadini· Margherita Carosio· Enrico Campi· Coro del Teatro alla Scala di Milano· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno

1:17

Amelia, Amelia! (Husband, Amelia)

Rolando Panerai· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Enrico Campi· Elena Mazzoni· Maria Amadini

2:10

Romanza: Amelia cara (Husband)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Rolando Panerai· Coro del Teatro alla Scala di Milano· Maria Amadini· Elena Mazzoni· Margherita Carosio

2:22

Osi ancora negar? (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Maria Amadini· Nino Sanzogno· Elena Mazzoni· Rolando Panerai· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Maria Amadini· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Rolando Panerai· Nino Sanzogno· Margherita Carosio· Coro del Teatro alla Scala di Milano

2:03

Ebbene, si (Amelia, Husband)

Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Enrico Campi· Maria Amadini· Rolando Panerai

1:03

Il mio amante e quel signore (Amelia, Husband)

Maria Amadini· Enrico Campi· Rolando Panerai· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Elena Mazzoni· Margherita Carosio· Orchestra del Teatro alla Scala di Milano

1:51

Che disdetta! (Amelia, Lover)

Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Enrico Campi· Maria Amadini· Rolando Panerai

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Enrico Campi· Nino Sanzogno· Rolando Panerai· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio

2:37

Amelia! Amelia! (Lover, Amelia)

Rolando Panerai· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Nino Sanzogno· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni

1:05

Contro me non porta offesa (Amelia, Lover)

Rolando Panerai· Maria Amadini· Nino Sanzogno· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Margherita Carosio· Orchestra del Teatro alla Scala di Milano

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Elena Mazzoni· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Coro del Teatro alla Scala di Milano· Margherita Carosio

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Elena Mazzoni· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Margherita Carosio· Coro del Teatro alla Scala di Milano· Maria Amadini· Rolando Panerai

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Coro del Teatro alla Scala di Milano· Enrico Campi· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Elena Mazzoni· Margherita Carosio· Maria Amadini· Orchestra del Teatro alla Scala di Milano

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Margherita Carosio· Maria Amadini· Nino Sanzogno

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Margherita Carosio· Maria Amadini· Enrico Campi· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Elena Mazzoni

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Nino Sanzogno· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Maria Amadini· Coro del Teatro alla Scala di Milano· Enrico Campi

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Nino Sanzogno· Elena Mazzoni· Maria Amadini· Coro del Teatro alla Scala di Milano· Rolando Panerai· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Orchestra del Teatro alla Scala di Milano· Enrico Campi· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Margherita Carosio

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Margherita Carosio· Nino Sanzogno· Elena Mazzoni· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Maria Amadini· Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli

1:40

Gian Carlo Menotti

Composición
Enrico Campi

Bajo-barítono
Orchestra del Teatro alla Scala di Milano

Orquesta
Studio Orchestra

Orquesta
Nino Sanzogno

Dirección