Ouvertüre
Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Thomas Blunt
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Torsten Kerl
Dialog "Jaquino, Jaquino!"
Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Mark Elder, Thomas Blunt, Peter Coleman-Wright
Arie "O wär' ich schon mit dir vereint"
Mark Elder, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Anthony Cleverton, Lisa Milne, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe
Quartett "Mir ist so wunderbar"
Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl
Dialog "Höre, Fidelio..."
Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt
Arie "Hat man nicht auch Gold beineben"
Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder
Dialog "Ihr habt schon recht, Meister Rocco"
Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Torsten Kerl, Anthony Cleverton, Lisa Milne
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Brindley Sherratt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, Thomas Blunt, Anthony Cleverton, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl
Terzett "Nur auf der Hut, dann geht es gut"
Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe
Marsch
Lisa Milne, Mark Elder, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Dialog "Die Depeschen"
Lisa Milne, Mark Elder, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus
Arie mit Chor "Ha! Welch ein Augenblick!"
Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy
Duett "Jetzt, Alter, jetzt hat es Eile!"
Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne
Rezitativ "Abscheulicher! Wo eilst du hin?"
Lisa Milne, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Arie "Komm, Hoffnung, lass den letzten Stern"
The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Lisa Milne
Dialog "Aber Marzelline"
Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Lisa Milne, Brindley Sherratt, Thomas Blunt, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Finale "O welche Lust!"
Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt
Finale "Nun sprecht, wie ging's?"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, Brindley Sherratt, Anthony Cleverton, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra
Finale "Ach! Vater, eilt!"
Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Mark Elder
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Thomas Blunt, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus
Finale "Leb' wohl, du warmes Sonnenlicht"
Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus
Introduction to Act 2
Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Arie "Gott! Welch' Dunkel hier!"
The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne
Arie "In des Lebens Frühlingstagen"
Torsten Kerl, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Torsten Kerl
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Torsten Kerl, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt
Duett "Nur hurtig fort, nur frisch gegraben"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus
Dialog "Er erwacht!"
Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Lisa Milne
Terzett "Euch werde Lohn in besser'n Welten"
Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Thomas Blunt, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Anja Kampe, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra
Quartett "Er sterbe!"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Torsten Kerl, Brindley Sherratt
Dialog "Es schlägt der Rache Stunde!"
Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton
Dialog "Meine Leonore, was hast du für mich erduldet!"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder
Duett "O namenlose Freude!"
Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe
Dialog "Gute Botschaft"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Mark Elder, The Glyndebourne Chorus, Nathan Vale, Anja Kampe
Finale "Heil sei dem Tag, Heil sei der Stunde"
Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder
Finale "Des besten königs Wink und Wille"
London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Mark Elder
Finale "Gott! Welch ein Augenblick!"
Thomas Blunt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Torsten Kerl, Peter Coleman-Wright
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe