‎Beethoven: Fidelio, Op. 72 de Torsten Kerl

Ouvertüre

Peter Coleman-Wright, Henry Waddington, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Lisa Milne, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe, Thomas Blunt, Mark Elder, Nathan Vale, Henry Waddington, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Mark Elder, London Philharmonic Orchestra, Henry Waddington, Anthony Cleverton, Brindley Sherratt, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Andrew Kennedy, Mark Elder, Henry Waddington, Anthony Cleverton, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Nathan Vale, Mark Elder, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Mark Elder, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt, Andrew Kennedy

0:44

Arie "Hat man nicht auch Gold beineben"

London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Mark Elder, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Andrew Kennedy, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Mark Elder, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Anthony Cleverton, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Lisa Milne, Anja Kampe, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Anja Kampe, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Brindley Sherratt, Lisa Milne, Nathan Vale, Mark Elder, Andrew Kennedy, The Glyndebourne Chorus

2:17

Marsch

Lisa Milne, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Mark Elder, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Lisa Milne, Mark Elder, Andrew Kennedy, Henry Waddington, Torsten Kerl, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Nathan Vale, Mark Elder, Torsten Kerl, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Lisa Milne, Andrew Kennedy, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Thomas Blunt, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Nathan Vale, Peter Coleman-Wright, Anthony Cleverton, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Anja Kampe

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Henry Waddington

1:37

Finale "O welche Lust!"

Thomas Blunt, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Henry Waddington, Brindley Sherratt, London Philharmonic Orchestra, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Mark Elder, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Mark Elder, Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Thomas Blunt, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe

4:19

Introduction to Act 2

Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Nathan Vale, Brindley Sherratt, Lisa Milne, Anja Kampe

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Torsten Kerl, Lisa Milne, Mark Elder, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Thomas Blunt, Nathan Vale, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Kennedy, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Brindley Sherratt, Torsten Kerl, Lisa Milne, Anthony Cleverton, Nathan Vale, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Andrew Kennedy, Thomas Blunt, Henry Waddington, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anthony Cleverton, Brindley Sherratt

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe, Brindley Sherratt, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Thomas Blunt

3:59

Dialog "Er erwacht!"

Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Anthony Cleverton

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Lisa Milne, Nathan Vale, Henry Waddington, Mark Elder, London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Anja Kampe

0:57

Quartett "Er sterbe!"

Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Brindley Sherratt, Anja Kampe

3:32

Dialog "Vater Rocco!"

Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Anthony Cleverton, Mark Elder, Lisa Milne, Andrew Kennedy, Nathan Vale, Henry Waddington, London Philharmonic Orchestra, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Henry Waddington, Thomas Blunt, Anthony Cleverton, Lisa Milne, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

0:09

Duett "O namenlose Freude!"

London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, Lisa Milne, Mark Elder, Torsten Kerl, Anja Kampe

2:55

Dialog "Gute Botschaft"

Thomas Blunt, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Lisa Milne, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Nathan Vale, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Anja Kampe, Torsten Kerl

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Henry Waddington, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

London Philharmonic Orchestra, Henry Waddington, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Andrew Kennedy, Anja Kampe

4:23

Ludwig van Beethoven

Composição
Anja Kampe

Soprano
Lisa Milne

Soprano
Brindley Sherratt

Baixo
Peter Coleman-Wright

Barítono

Beethoven: Fidelio, Op. 72

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