‎Beethoven: Fidelio, Op. 72 de Torsten Kerl

Ouvertüre

Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Mark Elder

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Thomas Blunt

0:55

Arie "O wär' ich schon mit dir vereint"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton

1:28

Quartett "Mir ist so wunderbar"

Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra

4:35

Dialog "Höre, Fidelio..."

Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Mark Elder

2:17

Marsch

Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anja Kampe, Torsten Kerl, Mark Elder, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

5:44

Dialog "Aber Marzelline"

Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne

2:49

Finale "Nun sprecht, wie ging's?"

Mark Elder, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Lisa Milne

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Lisa Milne, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl

4:19

Introduction to Act 2

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra

3:47

Arie "Gott! Welch' Dunkel hier!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, London Philharmonic Orchestra

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Lisa Milne, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Mark Elder

3:59

Dialog "Er erwacht!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl

2:13

Terzett "Euch werde Lohn in besser'n Welten"

London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne

0:57

Quartett "Er sterbe!"

The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe

3:32

Dialog "Vater Rocco!"

London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl

0:18

Dialog "Es schlägt der Rache Stunde!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Mark Elder

2:55

Dialog "Gute Botschaft"

The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Torsten Kerl, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton

2:04

Finale "Des besten königs Wink und Wille"

Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

4:23

Ludwig van Beethoven

Composição
Anja Kampe

Soprano
Lisa Milne

Soprano
Brindley Sherratt

Baixo
Mark Elder

Regência

Beethoven: Fidelio, Op. 72

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