‎Beethoven: Fidelio, Op. 72 by Henry Waddington

Ouvertüre

Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Anja Kampe, Anthony Cleverton

4:43

Dialog "Jaquino, Jaquino!"

The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, Thomas Blunt, Torsten Kerl, Anja Kampe, Brindley Sherratt

0:55

Arie "O wär' ich schon mit dir vereint"

Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Mark Elder, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Thomas Blunt, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Peter Coleman-Wright, Anja Kampe, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Lisa Milne, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Torsten Kerl, Mark Elder, Brindley Sherratt, Thomas Blunt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Torsten Kerl, Thomas Blunt, Lisa Milne, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Anja Kampe, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Anja Kampe, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Brindley Sherratt, Mark Elder, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

2:17

Marsch

Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Anja Kampe

2:02

Dialog "Die Depeschen"

Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, Mark Elder, Brindley Sherratt, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Torsten Kerl, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

London Philharmonic Orchestra, Thomas Blunt, Mark Elder, Nathan Vale, Lisa Milne, Torsten Kerl, Anja Kampe, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Anthony Cleverton, Lisa Milne, Anja Kampe, Brindley Sherratt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Torsten Kerl, Anthony Cleverton, Nathan Vale, Lisa Milne, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Anja Kampe

5:44

Dialog "Aber Marzelline"

Lisa Milne, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Brindley Sherratt

1:37

Finale "O welche Lust!"

Nathan Vale, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Anja Kampe, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

The Glyndebourne Chorus, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Lisa Milne, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Lisa Milne, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Mark Elder, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe, Anthony Cleverton, Brindley Sherratt, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Nathan Vale, Lisa Milne, The Glyndebourne Chorus, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Anja Kampe, Brindley Sherratt

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Henry Waddington, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Lisa Milne, Mark Elder, Torsten Kerl, Anthony Cleverton, Anja Kampe, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt

3:59

Dialog "Er erwacht!"

Nathan Vale, Anthony Cleverton, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Nathan Vale, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Thomas Blunt, Nathan Vale, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt

0:57

Quartett "Er sterbe!"

Torsten Kerl, Nathan Vale, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

3:32

Dialog "Vater Rocco!"

The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, Nathan Vale, Lisa Milne, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Mark Elder, Brindley Sherratt, Anja Kampe

0:09

Duett "O namenlose Freude!"

Mark Elder, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

London Philharmonic Orchestra, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Anthony Cleverton, Nathan Vale, Mark Elder, Brindley Sherratt, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Anthony Cleverton, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale

4:23

Ludwig van Beethoven

Composer
Andrew Kennedy

Tenor
London Philharmonic Orchestra

Orchestra
Brindley Sherratt

Bass
Mark Elder

Conductor

Beethoven: Fidelio, Op. 72

On This Album