‎Beethoven: Fidelio, Op. 72 by Anja Kampe

Ouvertüre

Anja Kampe, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Mark Elder, Nathan Vale, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy

0:55

Arie "O wär' ich schon mit dir vereint"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Torsten Kerl, Nathan Vale, Mark Elder, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

4:35

Dialog "Höre, Fidelio..."

London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:44

Arie "Hat man nicht auch Gold beineben"

Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Mark Elder, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne

2:17

Marsch

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

2:02

Dialog "Die Depeschen"

Anja Kampe, Thomas Blunt, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Nathan Vale, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Mark Elder

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Brindley Sherratt, Nathan Vale, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Brindley Sherratt, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

5:44

Dialog "Aber Marzelline"

Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

1:37

Finale "O welche Lust!"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale

4:58

Finale "Ach! Vater, eilt!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

4:19

Introduction to Act 2

Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Lisa Milne

2:11

Arie "In des Lebens Frühlingstagen"

Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Mark Elder

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Nathan Vale, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Anja Kampe, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy

3:59

Dialog "Er erwacht!"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Mark Elder, Nathan Vale

0:57

Quartett "Er sterbe!"

Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder

3:32

Dialog "Vater Rocco!"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra

0:18

Dialog "Es schlägt der Rache Stunde!"

Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Lisa Milne, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Brindley Sherratt

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra

0:09

Duett "O namenlose Freude!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Mark Elder, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

2:55

Dialog "Gute Botschaft"

Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Anja Kampe, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

4:44

Finale "Gott! Welch ein Augenblick!"

Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass

Beethoven: Fidelio, Op. 72

On This Album