‎Beethoven: Fidelio, Op. 72 by Mark Elder

Ouvertüre

Torsten Kerl, Mark Elder, Lisa Milne, Nathan Vale, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Lisa Milne, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Mark Elder, Thomas Blunt, Nathan Vale, Anja Kampe

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Brindley Sherratt, Mark Elder, Torsten Kerl, Anthony Cleverton, Lisa Milne

1:28

Quartett "Mir ist so wunderbar"

Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Brindley Sherratt, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Lisa Milne, Torsten Kerl, Anthony Cleverton, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Thomas Blunt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Peter Coleman-Wright, Brindley Sherratt, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Nathan Vale, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, Lisa Milne, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Lisa Milne, Mark Elder, Anja Kampe, Brindley Sherratt, Torsten Kerl

1:30

Terzett "Nur auf der Hut, dann geht es gut"

The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Thomas Blunt

2:17

Marsch

Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Brindley Sherratt, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

2:02

Dialog "Die Depeschen"

Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Mark Elder, Nathan Vale, Thomas Blunt, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Nathan Vale, Mark Elder, Brindley Sherratt, Lisa Milne, Anthony Cleverton, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Thomas Blunt, Torsten Kerl, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Torsten Kerl, Mark Elder, Nathan Vale, Lisa Milne, Anja Kampe

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Nathan Vale, Mark Elder, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Lisa Milne, Anja Kampe

5:44

Dialog "Aber Marzelline"

Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt

1:37

Finale "O welche Lust!"

Lisa Milne, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Anthony Cleverton, Mark Elder, Lisa Milne, Nathan Vale, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

4:58

Finale "Ach! Vater, eilt!"

Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Brindley Sherratt, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Lisa Milne, Anthony Cleverton, Mark Elder, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Anthony Cleverton, Lisa Milne, London Philharmonic Orchestra, Anja Kampe

4:19

Introduction to Act 2

Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Lisa Milne, The Glyndebourne Chorus

3:47

Arie "Gott! Welch' Dunkel hier!"

London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Mark Elder

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Nathan Vale, Brindley Sherratt, Mark Elder, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Mark Elder, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Thomas Blunt, Brindley Sherratt, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Anja Kampe

3:59

Dialog "Er erwacht!"

Torsten Kerl, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Anthony Cleverton, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Lisa Milne, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Mark Elder, The Glyndebourne Chorus, Anja Kampe

0:57

Quartett "Er sterbe!"

Nathan Vale, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

3:32

Dialog "Vater Rocco!"

The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Brindley Sherratt, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Anthony Cleverton, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Nathan Vale

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Nathan Vale, Mark Elder, Anja Kampe

0:09

Duett "O namenlose Freude!"

Nathan Vale, Thomas Blunt, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, Anthony Cleverton, Anja Kampe

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Mark Elder, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Lisa Milne, Anja Kampe, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Torsten Kerl, Brindley Sherratt, Mark Elder, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder, Anthony Cleverton, Lisa Milne, Thomas Blunt, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Mark Elder

Conductor
Brindley Sherratt

Bass
Peter Coleman-Wright

Baritone
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album