O mio babbino caro (Arr. for Cello and Orchestra)
Cello at the Opera
Many say that the cello is the closest instrument to the human voice, which seems true in these passionate interpretations of beloved arias. Mozart’s soaring lyricism settles perfectly here, as do the heroic and tragic melodies of Puccini and Verdi. Maer evokes the full breadth of the human instrument with this satisfying effort.
Au fond du temple saint (Arr. for Cello and Orchestra)
4. Pie Jesu (Arr. Joseph Twist)
Narine Melconian, Stefan Duwe, Kirsty McCahon, Sally Maer, Rosemary Quinn, Michelle Kelly, Catherine Davis
Aria: Voi che sapete (Arr. Joseph Twist)
Sally Maer, Jason Noble, Stefan Duwe, Narine Melconian, Andrew Barnes, Michelle Kelly, Rosemary Quinn
Pur ti miro (Arr. Joseph Twist)
Catherine Davis, Stefan Duwe, Michelle Kelly, Rosemary Quinn, Narine Melconian, Sally Maer
Sous le dôme épais (Arr. for Cello and Orchestra)
Time To Say Goodbye (Con te partirò) (Arr. Joseph Twist)
Kirsty McCahon, Sally Maer, Stefan Duwe, Rosemary Quinn, Narine Melconian, Michelle Kelly
Libiamo ne'lieti calici (Brindisi) (Arr. for Cello and Orchestra)
Séguedille (Près des remparts de Séville) (Arr. for Cello and Orchestra)
Song To The Moon (Arr. for Cello and Orchestra)
Abendsegen (Arr. Joseph Twist)
Sally Maer, Michelle Kelly, Narine Melconian, Rosemary Quinn, Stefan Duwe, Kirsty McCahon
Where'er You Walk (Arr. Joseph Twist)
Stefan Duwe, Rosemary Quinn, Catherine Davis, Narine Melconian, Kirsty McCahon, Sally Maer, Michelle Kelly
Dido's Lament: When I Am Laid In Earth (Arr. Joseph Twist)
Narine Melconian, Michelle Kelly, Catherine Davis, Kirsty McCahon, Sally Maer, Stefan Duwe, Rosemary Quinn
Soave sia il vento (Arr. for Cello and Orchestra)
La donna è mobile (Arr. for Cello and Orchestra)