‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Mark Elder, Lisa Milne, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Nathan Vale, Thomas Blunt, Lisa Milne, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, Torsten Kerl, Brindley Sherratt, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Anthony Cleverton, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Torsten Kerl, Thomas Blunt, Mark Elder, Anthony Cleverton, Henry Waddington, London Philharmonic Orchestra, Lisa Milne, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

The Glyndebourne Chorus, Henry Waddington, Thomas Blunt, Brindley Sherratt, Anja Kampe, Torsten Kerl, Lisa Milne, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra

1:28

Quartett "Mir ist so wunderbar"

Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Nathan Vale, Andrew Kennedy, Torsten Kerl, Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Henry Waddington, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Mark Elder, Torsten Kerl, Lisa Milne, Brindley Sherratt, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Henry Waddington, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Mark Elder, Andrew Kennedy, Nathan Vale, Peter Coleman-Wright, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Brindley Sherratt, Anthony Cleverton, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, Thomas Blunt, Henry Waddington, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Lisa Milne, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Thomas Blunt, Nathan Vale, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Mark Elder, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Torsten Kerl, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt

2:17

Marsch

Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Mark Elder, Andrew Kennedy, Nathan Vale, Thomas Blunt, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Anja Kampe

2:02

Dialog "Die Depeschen"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, London Philharmonic Orchestra, Mark Elder, Thomas Blunt, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Anja Kampe

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Andrew Kennedy, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, Nathan Vale, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Andrew Kennedy, Henry Waddington, Lisa Milne, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Lisa Milne, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Andrew Kennedy, Henry Waddington, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Nathan Vale

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Brindley Sherratt, Henry Waddington, Nathan Vale, Lisa Milne, Andrew Kennedy, Anja Kampe, The Glyndebourne Chorus

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Andrew Kennedy, Thomas Blunt, Mark Elder, Henry Waddington, Lisa Milne, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

1:37

Finale "O welche Lust!"

Lisa Milne, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Henry Waddington, Brindley Sherratt, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Mark Elder, Henry Waddington, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Brindley Sherratt, Torsten Kerl, Anthony Cleverton, Lisa Milne, Andrew Kennedy

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe, The Glyndebourne Chorus, Brindley Sherratt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Henry Waddington, Lisa Milne, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Andrew Kennedy, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Andrew Kennedy, London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Nathan Vale, Mark Elder, Brindley Sherratt, Anja Kampe

4:19

Introduction to Act 2

Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anthony Cleverton, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Henry Waddington

3:47

Arie "Gott! Welch' Dunkel hier!"

Nathan Vale, Peter Coleman-Wright, Andrew Kennedy, Thomas Blunt, Lisa Milne, Henry Waddington, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Mark Elder, Nathan Vale, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

London Philharmonic Orchestra, Nathan Vale, Lisa Milne, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Anthony Cleverton, Henry Waddington, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Nathan Vale, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Mark Elder, Henry Waddington, Brindley Sherratt, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Anja Kampe, Torsten Kerl, Andrew Kennedy, Mark Elder

3:59

Dialog "Er erwacht!"

Andrew Kennedy, Henry Waddington, Lisa Milne, Torsten Kerl, Anthony Cleverton, Thomas Blunt, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Nathan Vale, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Nathan Vale, Henry Waddington, Andrew Kennedy, Torsten Kerl, Anja Kampe, Thomas Blunt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, Brindley Sherratt

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Lisa Milne, Nathan Vale, Henry Waddington, Torsten Kerl, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Anja Kampe

0:57

Quartett "Er sterbe!"

Peter Coleman-Wright, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Andrew Kennedy, Henry Waddington, Nathan Vale, Mark Elder, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe

3:32

Dialog "Vater Rocco!"

The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Nathan Vale, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

0:18

Dialog "Es schlägt der Rache Stunde!"

Henry Waddington, Torsten Kerl, Brindley Sherratt, Andrew Kennedy, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Anthony Cleverton, Lisa Milne, Andrew Kennedy, Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Henry Waddington, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

0:09

Duett "O namenlose Freude!"

Andrew Kennedy, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Anja Kampe

2:55

Dialog "Gute Botschaft"

Peter Coleman-Wright, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Henry Waddington, Nathan Vale, Mark Elder, Anja Kampe, Anthony Cleverton, Brindley Sherratt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Mark Elder, Peter Coleman-Wright, Brindley Sherratt, Thomas Blunt, Anthony Cleverton, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anthony Cleverton, Torsten Kerl, Henry Waddington, Thomas Blunt, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Torsten Kerl, Peter Coleman-Wright, Thomas Blunt, Mark Elder, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, Henry Waddington, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, Mark Elder, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Henry Waddington, Nathan Vale, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Lisa Milne

Soprano
Brindley Sherratt

Bass
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

On This Album