Ouvertüre
Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra
Duett "Jetzt, Schätzchen, jetzt sind wir allein"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne
Dialog "Jaquino, Jaquino!"
Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Mark Elder
Arie "O wär' ich schon mit dir vereint"
London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder
Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, London Philharmonic Orchestra
Quartett "Mir ist so wunderbar"
Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl
Dialog "Höre, Fidelio..."
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy
Arie "Hat man nicht auch Gold beineben"
Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Dialog "Ihr habt schon recht, Meister Rocco"
Thomas Blunt, Henry Waddington, Andrew Kennedy, Mark Elder, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt
Terzett "Gut, Söhnchen, gut, hab' immer Mut"
Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Mark Elder, Torsten Kerl
Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"
Mark Elder, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra
Terzett "Nur auf der Hut, dann geht es gut"
Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy
Marsch
London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Dialog "Die Depeschen"
London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Arie mit Chor "Ha! Welch ein Augenblick!"
London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Lisa Milne
Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"
Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne
Duett "Jetzt, Alter, jetzt hat es Eile!"
London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt
Rezitativ "Abscheulicher! Wo eilst du hin?"
Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe
Arie "Komm, Hoffnung, lass den letzten Stern"
Thomas Blunt, Mark Elder, Torsten Kerl, Lisa Milne, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Aber Marzelline"
Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl
Finale "O welche Lust!"
Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Thomas Blunt, London Philharmonic Orchestra
Finale "Nun sprecht, wie ging's?"
Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra
Finale "Ach! Vater, eilt!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl
Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"
Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Torsten Kerl, London Philharmonic Orchestra
Finale "Leb' wohl, du warmes Sonnenlicht"
Mark Elder, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt
Introduction to Act 2
Thomas Blunt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe
Arie "Gott! Welch' Dunkel hier!"
Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra
Arie "In des Lebens Frühlingstagen"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, Thomas Blunt, Henry Waddington, Andrew Kennedy
Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"
Brindley Sherratt, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt
Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"
Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl
Duett "Nur hurtig fort, nur frisch gegraben"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Lisa Milne, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy
Dialog "Er erwacht!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Mark Elder
Terzett "Euch werde Lohn in besser'n Welten"
London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe
Dialog "Alles ist bereit; ich gehe, das Signal zu geben"
Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Quartett "Er sterbe!"
Torsten Kerl, Lisa Milne, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy
Dialog "Vater Rocco!"
Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder
Dialog "Es schlägt der Rache Stunde!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Mark Elder
Dialog "Meine Leonore, was hast du für mich erduldet!"
Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Lisa Milne, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy
Duett "O namenlose Freude!"
Nathan Vale, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, Torsten Kerl, London Philharmonic Orchestra
Dialog "Gute Botschaft"
Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne
Finale "Heil sei dem Tag, Heil sei der Stunde"
Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder
Finale "Des besten königs Wink und Wille"
London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus
Finale "Gott! Welch ein Augenblick!"
Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Mark Elder, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Henry Waddington, Andrew Kennedy
Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"
Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder