‎Bartók, Vol. 5: Complete Works for Piano Solo – Bartók-Reschofsky Piano Method & Mikrokosmos par Andreas Bach

No. 7, —

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No. 8, —

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No. 13a, —

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No. 13b, —

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No. 16, —

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No. 17, —

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No. 20, —

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No. 21, Walking

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No. 22, Little Invention

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No. 24, Dialogue

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No. 25, —

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No. 26, Dialogue

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No. 29, —

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No. 33, —

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No. 36, Moderato

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No. 40, Moderato

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No. 44, Folk-Song

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No. 46, —

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No. 51, Andante

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No. 55, —

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No. 56, —

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No. 57, —

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No. 59, Andante

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No. 68, Folk-Song

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No. 73, —

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No. 77, Swineherd's Dance

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No. 78, —

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No. 82, —

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No. 83, —

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No. 89, Minuet

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No. 92, —

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No. 94, —

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No. 95, Hol voltál, báránykám?

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No. 97, —

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No. 99, —

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No. 101, —

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No. 102, —

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No. 105, Andante

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Allegro moderato

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No. 109, —

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No. 110, —

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No. 114, —

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No. 115, Peasant's Dance

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No. 116, Wedding Song

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No. 117, —

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No. 118, Allegro deciso

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No. 119, Waltz

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No. 120, —

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No. 1 in C Major

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No. 2a in C Major

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No. 2b in C Major

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No. 3 in D Minor

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No. 4 in C Major

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No. 5 in A Minor

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No. 6 in G Major

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No. 7, Dotted Notes

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No. 8, Repetition I

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No. 9, Syncopation I

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No. 10, With Alternate Hands

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No. 11, Parallel Motion

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No. 12, Reflection

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No. 13, Change of Position

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No. 14, Question & Answer

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No. 15, Village Song

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No. 16, Parallel Motion with Change of Position

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No. 17, Contrary Motion

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No. 18 in D Dorian

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No. 19 in C Major

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No. 20 in G Major

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No. 21 in A Minor

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No. 22, Imitation & Counterpoint

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No. 23, Imitation & Inversion I

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No. 24, Pastorale

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No. 25, Imitation & Inversion II

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No. 26, Repetition II

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No. 27, Syncopation II

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No. 28, Canon at the Octave

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No. 29, Imitation Reflected

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No. 30, Canon at the Lower Fifth

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No. 31, Dance in Canon Form

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No. 32, in Dorian Mode

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No. 33, Slow Dance

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No. 34, in Phrygian Mode

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No. 35, Chorale

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No. 36, Free Canon

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No. 37, in Lydian Mode

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No. 38, Staccato & Legato I

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No. 39, Staccato & Legato (Canon)

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No. 40, in Yugoslav Style

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No. 41, Melody with Accompaniment

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No. 42, Accompaniment in Broken Triads

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No. 43a, in Hungarian Style

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No. 43b, in Hungarian Style

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No. 44, Contrary Motion II

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No. 45, Meditation

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No. 46, Increasing-Diminishing

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No. 47, County Fair

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No. 48, in Mixolydian Mode

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No. 49, Crescendo-Diminuendo

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No. 50, Minuetto

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No. 51, Waves

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No. 52, Unison Divided

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No. 53, in Transylvanian Style

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No. 54, Chromatics

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No. 55, Triplets in Lydian Mode

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No. 56, Melody in Tenths

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No. 57, Accents

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No. 58, in Oriental Style

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No. 59, Major & Minor

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No. 60, Canon with Sustained Notes

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No. 61, Pentatonic Melody

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No. 62, Minor Sixths in Parallel Motion

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No. 63, Buzzing

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No. 64a, Line Against Point

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No. 64b, Line Against Point

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No. 65, Dialogue

Andreas Bach · Aliya Iskhakova

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No. 66, Melody Divided

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No. 67, Thirds Against a Single Voice

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No. 68, Hungarian Dance

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No. 69, Study in Chords

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No. 70, Melody Against Double Notes

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No. 71, Thirds

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No. 72, Dragons' Dance

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No. 73, Sixths & Triads

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No. 74a, Hungarian Matchmaking Song

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No. 74b, Hungarian Matchmaking Song

Aliya Iskhakova · Andreas Bach

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No. 75, Triplets

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No. 76, in 3 Parts

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No. 77, Little Study

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No. 78, 5-Tone Scale

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No. 79, Hommage à Johann Sebastian Bach

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No. 80, Hommage à Robert Schumann

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No. 81, Wandering

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No. 82, Scherzo

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No. 83, Melody with Interruptions

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No. 84, Merriment

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No. 85, Broken Chords

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No. 86, 2 Major Pentachords

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No. 87, Variations

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No. 88, Duet for Pipes

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No. 89, in 4 Parts I

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No. 90, in Russian Style

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No. 91, Chromatic Invention I

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No. 92, Chromatic Invention II

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No. 93, in 4 Parts II

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No. 94, Once upon a Time.

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No. 95a, Fox Song

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No. 95b, Fox Song

Aliya Iskhakova · Andreas Bach

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No. 96, Jolts

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No. 97, Notturno

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No. 98, Thumb Under

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No. 99, Hands Crossing

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No. 100, in Folk Song Style

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No. 101, Diminished Fifth

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No. 102, Harmonics

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No. 103, Minor & Major

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No. 104a, Wandering Through the Keys I

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No. 104b, Wandering Through the Keys II

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No. 105, Game (With 2 5-Tone Scales)

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No. 106, Children's Song

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No. 107, Melody in the Mist

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No. 108, Wrestling

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No. 109, From the Island of Bali

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No. 110, And the Sounds of Clash and Clang.

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No. 111, Intermezzo

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No. 112, Variations on a Folk Tune

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No. 113, Bulgarian Rhythm I

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No. 114, Theme & Inversion

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No. 115, Bulharian Rhythm II

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No. 116, Song

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No. 117, Bourrée

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No. 118, Triplets in 9/8 Time

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No. 119, Dance in 3/4 Time

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No. 120, Triads

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No. 121, 2-Part Study

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No. 122, Chords Together and in Opposition

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No. 123a, Staccato & Legato II

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No. 123b, Staccato & Legato II

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No. 124, Staccato

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No. 125, Boating

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No. 126, Change of Time

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No. 127, New Hungarian Folk Song

Andreas Bach · Aliya Iskhakova

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No. 128, Stamping Dance

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No. 129, Alternating Thirds

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No. 130, Village Joke

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No. 131, Fourths

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No. 132, Major Seconds Broken and Together

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No. 133, Syncopation III

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No. 134, Studies in Double Notes

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No. 135, Perpetuum mobile

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No. 136, Whole-Tone Scales

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No. 137, Unison

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No. 138, Bagpipe Music

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No. 139, Merry Andrew

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No. 140, Free Variations

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No. 141, Subject & Reflection

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No. 142, From the Diary of a Fly

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No. 143, Divided Arpeggios

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No. 144, Minor Seconds

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No. 145a, Chromatic Invention III

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No. 145b, Chromatic Invention III

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No. 146, Ostinato

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No. 147, March

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No. 148 in E Minor

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No. 149 in C Major

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No. 150 in E Major

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No. 151 in C Major

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No. 152 in A Minor

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No. 153 in E Minor

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Béla Bartók

Composition
Andreas Bach

Piano
Aliya Iskhakova

Artiste

Walburga Dahmen

Assistance d’ingénierie de prise de son, Ingénierie de montage

Bartók, Vol. 5: Complete Works for Piano Solo – Bartók-Reschofsky Piano Method & Mikrokosmos

LABEL

Sur cet album

Béla Bartók

Andreas Bach

Aliya Iskhakova

Production