I. (Formal Development Section Arrives)
I. (vigorous, highly allusive development of the first theme) -
II. Adagio ma non troppo, cantabile e sostenuto -
II. (a bridge passage beginning with violin and flute solos) -
II. (a development of the original polyphonic complex) -
II. (the third span begins with a musing clarinet solo)
III. (a kind of slow waltz, with violin solo) -
III. (reappearence of the rondo-theme on trombones)
I. (the motto returns again to initiate an eventful development) -
I. (elegantly lyrical tune for oboe with flute and harp accompaniment) -
I. (sinister reiterations of a 3-note figure) -
I. (the return of the 4-note motto) -
I. (a mysterious episode of nagging triplet rhythms) -
II. (a poignant new idea, first heard on solo oboe) -
II. (opening theme now returns on cellos) -
II. (a more defined march-music takes over) -
III. (a little woodwind cadenza leads back to the rondo music) -
III. (a different and irreverent snatch of folk-song from a bassoon)
Sur cet album
Production
- George OrobynskyProduction
- Alexander HornostaiProduction
- Dmitry MissailovIngénierie de prise de son
- Andrij MokrytskyIngénierie
- John ConstableTableaux
- Malcolm McDonaldNotes d’accompagnement