I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
Israel Philharmonic Orchestra, Leonard Bernstein, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Highgate School Boys Choir, London Symphony Orchestra, Collegiate Chorale
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
Collegiate Chorale, Leonard Bernstein, New York Philharmonic, Jennie Tourel, Lee Venora
II. Tempo di Menuetto
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Women's Chorus of The Schola Cantorum
III. Comodo. Scherzando
Women's Chorus of The Schola Cantorum, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein
IV. Sehr langsam; Misterioso
Boys' Choir of The Church of The Transfiguration, New York Philharmonic, Leonard Bernstein, Women's Chorus of The Schola Cantorum, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Leonard Bernstein, New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
London Symphony Chorus, Orpington Junior Singers, London Symphony Orchestra, Leonard Bernstein, Leeds Festival Chorus, Highgate School Boys Choir, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Leeds Festival Chorus, Leonard Bernstein, London Symphony Orchestra, Finchley Children's Music Group, Orpington Junior Singers, London Symphony Chorus, Highgate School Boys Choir
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen