I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
Leonard Bernstein: The Complete Mahler Symphonies
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Israel Philharmonic Orchestra, Collegiate Chorale, Highgate School Boys Choir, London Symphony Orchestra
IV. "Urlicht". Sehr feierlich, aber schlicht
V. Im Tempo des Scherzos. Wild herausfahrend
New York Philharmonic, Collegiate Chorale, Leonard Bernstein, Lee Venora, Jennie Tourel
II. Tempo di Menuetto
New York Philharmonic, Boys' Choir of The Church of The Transfiguration, Women's Chorus of The Schola Cantorum, Leonard Bernstein
III. Comodo. Scherzando
Women's Chorus of The Schola Cantorum, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, New York Philharmonic
IV. Sehr langsam; Misterioso
New York Philharmonic, Women's Chorus of The Schola Cantorum, Leonard Bernstein, Boys' Choir of The Church of The Transfiguration, Martha Lipton
V. Lustig im Tempo und keck im Ausdruck
Boys' Choir of The Church of The Transfiguration, Leonard Bernstein, Women's Chorus of The Schola Cantorum, New York Philharmonic, Martha Lipton
Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
I. Teil. Hymnus: Veni, creator spiritus
Highgate School Boys Choir, Leonard Bernstein, Leeds Festival Chorus, Orpington Junior Singers, London Symphony Chorus, London Symphony Orchestra, Finchley Children's Music Group
II. Teil. Schlußszene aus "Faust"
Highgate School Boys Choir, Leonard Bernstein, Finchley Children's Music Group, London Symphony Orchestra, Leeds Festival Chorus, Orpington Junior Singers, London Symphony Chorus
I. Nun will die Sonn' so hell aufgehn!
II. Nun seh' ich wohl, warum so dunkle Flammen
IV. Oft denk' ich, sie sind nur ausgegangen