IV. Les entretiens de la Belle et de la Bête
Introduzione. "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore)
Rachel Mathes· Scottish Chamber Orchestra· Don Garrard· Stafford Dean· Sir Alexander Gibson· John Shirley-Quirk
Aria. "Madamina, il catalogo è questo" (Leporello)
Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
Aria. "Or sai chi l'onore" (Donna Anna)
Rachel Mathes· Sir Alexander Gibson· Scottish Chamber Orchestra
Aria. "Fin ch'han dal vino" (Don Giovanni)
Canzonetta. "Deh, vieni alla finestra" (Don Giovanni)
I. Introduction et marche royale du lion
II. Poules et coqs
IX. Le coucou au fond des bois
XIII. Le cygne
Philip Fowke· Adrian Shepherd· Peter Katin· Royal Scottish National Orchestra· Sir Alexander Gibson
Finale. "Ladies' Choice" - "Young Lovers All, Awake!" (Hanna, Danilo, Saint-Brioche, Cascada, Valencienne, Camille, Chorus)
David Fieldsend· Sir Alexander Gibson· David Hillman· Scottish Opera Chorus· Gordon Sandison· Patricia Hay· Jonny Blanc· Catherine Wilson· Scottish Philharmonia
Polonaise - Vilja Song. "There Once Live a Vilja, a Fair Mountain Sprite" (Hanna, Chorus)
Catherine Wilson· Sir Alexander Gibson· Scottish Philharmonia· Scottish Opera Chorus
Duet. "Jogging in a One-Horse Gig" (Hanna, Danilo)
Jonny Blanc· Catherine Wilson· Scottish Philharmonia· Sir Alexander Gibson
Ensemble. "The Grisettes of Paris Greet You" (Valencienne, Chorus, Danilo, Zeta, Bogdanowitsch, Kromow, Pritschitsch)
Scottish Opera Chorus· Sir Alexander Gibson· Patricia Hay· Jonny Blanc· Peter Bodenham· David Scrivens· Scottish Philharmonia· ARTHUR JACKSON· William McCue
Duet. "Love Unspoken" (Hanna, Danilo)
Sir Alexander Gibson· Scottish Philharmonia· Jonny Blanc· Catherine Wilson
Smyth: The Wreckers
I. Andante con moto - Allegro un poco agitato
IV. Allegro vivacissimo - Allegro maestoso assai
"Ma dell'arido stelo divulsa" (Amelia)
Scena ed aria. "Alzati! Là tuo figlio" (Anckarström)
Jan Derksen· Patricia Hay· Royal Scottish National Orchestra· Sir Alexander Gibson· Pieter van den Berg· William McCue· Cristina Deutekom
"Eri tu che macchiavi quell'anima" (Anckarström)
Jan Derksen· Sir Alexander Gibson· Royal Scottish National Orchestra
Quartetto. "Qual è dunque l'eletto?" - "Ah! Del Conte la morte si vuole!" (Anckarström, Horn, Ribbing, Amelia)
William McCue· Jan Derksen· Cristina Deutekom· Royal Scottish National Orchestra· Pieter van den Berg· Sir Alexander Gibson
Scena e quintetto. "Il messaggio entri" (Anckarström, Oscar, Amelia, Horn, Ribbing)
William McCue· Sir Alexander Gibson· Jan Derksen· Cristina Deutekom· Pieter van den Berg· Patricia Hay· Royal Scottish National Orchestra
"Ah! Di che fulgor, che musiche" (Oscar, Amelia, Anckarström, Horn, Ribbing)
Sir Alexander Gibson· Patricia Hay· Royal Scottish National Orchestra· William McCue· Jan Derksen· Pieter van den Berg· Cristina Deutekom
H. MacCunn
The Land of the Mountain and the Flood, Op. 3
"Wie du warst! Wie du bist!" (Octavian, Marschallin)
"Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
"Di rigori armato il seno" (Sänger)
Royal Scottish National Orchestra· Derek Blackwell· Sir Alexander Gibson
"Mir ist die Ehre widerfahren" (Octavian, Sophie)
"Ohne mich, ohne mich" (Ochs, Annina)
Claire Livingstone· Michael Langdon· Royal Scottish National Orchestra· Sir Alexander Gibson
"Va, ma sœur, l’implorer" - Monologue. "Je vais mourir" - Air. "Adieu, fière cité" (Anna, Didon, Iopas, Narbal, Chœur)
Berlioz: Les Troyens, H 133, Act 5
"Dieux de l’oubli" - "Pluton semble m’être propice" - "Haine éternelle à la race d’Énée !" (Chœur, Anna, Narbal, Didon)
Fantasia in C Minor, Op. 80 "Choral Fantasy"
Sir Alexander Gibson· Scottish National Orchestra Chorus· Royal Scottish National Orchestra· John Lill
I. Das Trinklied vom Jammer der Erde
V. Der Trunkene im Frühling
Harty
