Overture (Allegro moderato - Andante comodo - Allegro con brio)
Sadler's Wells Opera Orchestra· Alexander Faris
No. 1, Chorus, "If you want to know who we are" (Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd
No. 2a, Recitative and Scena, "Gentlemen, I pray you tell me" (Nanki-Poo, A Noble)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· John Wakefield· David Tod-Boyd
No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)
Alexander Faris· David Tod-Boyd· John Wakefield· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra
No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· John Heddle Nash
No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)
Alexander Faris· John Wakefield· John Heddle Nash· Sadler's Wells Opera Orchestra· Denis Dowling
No. 4a, Recitative, "And have I journey'd for a month" (Nanki-Poo, Pooh-Bah)
John Wakefield· Alexander Faris· Denis Dowling· Sadler's Wells Opera Orchestra
No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)
Alexander Faris· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Clive Revill
No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill
No. 6, Chorus, "Comes a train of little ladies" (Girls)
Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd
No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)
Patricia Kern· Dorothy Nash· Marion Studholme· David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Marion Studholme· John Heddle Nash· Patricia Kern· Dorothy Nash· Denis Dowling
No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)
Marion Studholme· Sadler's Wells Opera Orchestra· Alexander Faris· John Wakefield
No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)
Alexander Faris· Clive Revill· Denis Dowling· Sadler's Wells Opera Orchestra· John Heddle Nash
No. 11, Finale, "With aspect stern and gloomy stride" (Nobles, Girls, Pooh-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· John Heddle Nash· Clive Revill· Denis Dowling· David Tod-Boyd· Marion Studholme· John Wakefield· Dorothy Nash· Patricia Kern
"Your revels cease!" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
David Tod-Boyd· John Wakefield· Clive Revill· Denis Dowling· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· Patricia Kern· Dorothy Nash· John Heddle Nash· Marion Studholme
No. 12, Chorus with Solo, "Braid the raven hair" (Girls, Pitti-Sing)
David Tod-Boyd· Patricia Kern· Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra
No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)
Sadler's Wells Opera Orchestra· Marion Studholme· Alexander Faris
No. 14, Madrigal, "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
John Heddle Nash· John Wakefield· Marion Studholme· Patricia Kern· Sadler's Wells Opera Orchestra· Alexander Faris
No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)
John Wakefield· Marion Studholme· Clive Revill· Alexander Faris· Sadler's Wells Opera Orchestra
No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)
John Holmes· David Tod-Boyd· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd· John Holmes
No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)
Patricia Kern· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill· Denis Dowling· David Tod-Boyd
No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)
Clive Revill· Denis Dowling· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· Patricia Kern· John Holmes
No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
Clive Revill· Denis Dowling· Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· John Wakefield· Marion Studholme· Patricia Kern· David Tod-Boyd
No. 21a, Recitative, "Alone, and yet alive" (Katisha)
Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 21b, Song, "Hearts do not break" (Katisha)
Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)
Clive Revill· Sadler's Wells Opera Orchestra· Alexander Faris
No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)
Clive Revill· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
John Holmes· David Tod-Boyd· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Dorothy Nash· Clive Revill· Denis Dowling· Patricia Kern· Alexander Faris· John Heddle Nash· Marion Studholme· John Wakefield