H. I. F. Biber: Sonata I in D Minor ‘The Annunciation’
Praeludium – Aria and 2 Variations – Finale
Christina Day Martinson · Martin Pearlman · Boston Baroque
H. I. F. Biber: Sonata III in B Minor ‘The Nativity’
[Sonata] / Presto – Courente and double – Adagio
Boston Baroque · Christina Day Martinson · Martin Pearlman
H. I. F. Biber: Sonata IV in D Minor ‘The Presentation of Jesus in the Temple’
H. I. F. Biber: Sonata V in A Major ‘The Finding of Jesus in the Temple’
Praeludium – Allamanda – Gigue – Sarabande and double
Martin Pearlman · Christina Day Martinson · Boston Baroque
H. I. F. Biber: Sonata VI in C Minor ‘The Agony in the Garden’
H. I. F. Biber: Sonata VII in F Major ‘The Scourging of Jesus’
Allamanda and Variation – Sarabanda and 3 Variations
Christina Day Martinson · Boston Baroque · Martin Pearlman
H. I. F. Biber: Sonata VIII in B-Flat Major ‘The Crowning with Thorns’
H. I. F. Biber: Sonata IX in A Minor ‘The Carrying of the Cross’
H. I. F. Biber: Sonata XI in G Major ‘The Resurrection’
Sonata – Hymn ‘Surrexit Christus hodie’ and Variations
Christina Day Martinson · Boston Baroque · Martin Pearlman
H. I. F. Biber: Sonata XII in C Major ‘The Ascension’
Intrada – Aria tubicinum – Allemanda – Courante and double
Christina Day Martinson · Martin Pearlman · Boston Baroque
H. I. F. Biber: Sonata XIII in D Minor ‘The Descent of the Holy Ghost’
H. I. F. Biber: Sonata XIV in D Major ‘The Assumption of the Virgin’
H. I. F. Biber: Sonata XV in C Major ‘The Coronation of the Virgin’
Sonata – Aria with 3 doubles – Canzona – Sarabanda and double
Martin Pearlman · Boston Baroque · Christina Day Martinson
Sur cet album
Production
- Thomas C. MooreProduction
- MIGUEL ÁNGEL RODRIGUEZProduction déléguée
- John WestonAssistance d’ingénierie
- Thomas C. MooreIngénierie de montage
- Michael BishopIngénierie de mixage, Ingénierie de mastérisation
- Julian BullittPhotographie
- Daniele GobbinPhotographie
- Kathy WittmanPhotographie de pochette, Photographie
- Patrick O'ConnorPhotographie
- Guanlong CaoPhotographie
- Martin PearlmanNotes d’accompagnement
- Hannah ShieldsPhotographie