Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Silvana Zanolli· Francis Monachino· Giacinto Prandelli· Lydia Summers· Gloria Lane· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Marie Powers· Rolando Panerai· George Jongyans· Mabel Mercer· Elena Mazzoni· Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Studio Chorus· Leon Lishner· Studio Orchestra· Margherita Carosio· Maria Marlo· Lehman Engel

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Andrew McKinley· Mabel Mercer· George Jongyans· Studio Orchestra· Marie Powers· Leon Lishner· Cornell MacNeil· Maria Marlo· Lydia Summers· Francis Monachino· Lehman Engel· Patricia Neway· Studio Chorus· Gloria Lane

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Leon Lishner· Mabel Mercer· Cornell MacNeil· Gloria Lane· Francis Monachino· Marie Powers· Patricia Neway· Maria Marlo· Lydia Summers· Andrew McKinley· Studio Chorus· George Jongyans· Lehman Engel· Studio Orchestra

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

George Jongyans· Studio Orchestra· Andrew McKinley· Lehman Engel· Patricia Neway· Mabel Mercer· Studio Chorus· Maria Marlo· Leon Lishner· Lydia Summers· Cornell MacNeil· Francis Monachino· Gloria Lane· Marie Powers

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Leon Lishner· Mabel Mercer· Cornell MacNeil· Gloria Lane· Francis Monachino· Marie Powers· Patricia Neway· Maria Marlo· Lydia Summers· Andrew McKinley· Studio Chorus· George Jongyans· Lehman Engel· Studio Orchestra

4:18

Act I Scene 2: Interlude

Gloria Lane· Lehman Engel· Patricia Neway· Cornell MacNeil· Studio Chorus· George Jongyans· Studio Orchestra· Maria Marlo· Marie Powers· Lydia Summers· Leon Lishner· Francis Monachino· Mabel Mercer· Andrew McKinley

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Lydia Summers· Lehman Engel· Studio Chorus· Patricia Neway· Mabel Mercer· Leon Lishner· Maria Marlo· Andrew McKinley· Gloria Lane· Francis Monachino· Cornell MacNeil· George Jongyans· Marie Powers· Studio Orchestra

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Maria Marlo· Lydia Summers· Cornell MacNeil· Andrew McKinley· Marie Powers· Leon Lishner· Studio Chorus· Gloria Lane· Lehman Engel· Mabel Mercer· Patricia Neway· George Jongyans· Studio Orchestra· Francis Monachino

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Marie Powers· Andrew McKinley· George Jongyans· Studio Orchestra· Cornell MacNeil· Lehman Engel· Studio Chorus· Maria Marlo· Lydia Summers· Leon Lishner· Francis Monachino· Mabel Mercer· Gloria Lane· Patricia Neway

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Studio Chorus· Marie Powers· Leon Lishner· Francis Monachino· Cornell MacNeil· George Jongyans· Studio Orchestra· Andrew McKinley· Patricia Neway· Lehman Engel· Gloria Lane· Maria Marlo· Mabel Mercer· Lydia Summers

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

Studio Chorus· Cornell MacNeil· Marie Powers· Lehman Engel· George Jongyans· Gloria Lane· Studio Orchestra· Maria Marlo· Lydia Summers· Mabel Mercer· Andrew McKinley· Leon Lishner· Francis Monachino· Patricia Neway

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

George Jongyans· Studio Orchestra· Patricia Neway· Francis Monachino· Lehman Engel· Maria Marlo· Andrew McKinley· Studio Chorus· Lydia Summers· Mabel Mercer· Gloria Lane· Marie Powers· Cornell MacNeil· Leon Lishner

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Cornell MacNeil· Leon Lishner· Mabel Mercer· Lehman Engel· Francis Monachino· Marie Powers· Andrew McKinley· Maria Marlo· Studio Chorus· Gloria Lane· George Jongyans· Studio Orchestra· Lydia Summers· Patricia Neway

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Francis Monachino· Gloria Lane· Patricia Neway· Andrew McKinley· Mabel Mercer· Maria Marlo· Lydia Summers· Studio Chorus· Marie Powers· Lehman Engel· George Jongyans· Studio Orchestra· Cornell MacNeil· Leon Lishner

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

Lehman Engel· Maria Marlo· Mabel Mercer· Lydia Summers· Leon Lishner· Andrew McKinley· Patricia Neway· Cornell MacNeil· Marie Powers· Gloria Lane· George Jongyans· Studio Orchestra· Francis Monachino· Studio Chorus

3:51

Act II Scene 1: Interlude

Studio Chorus· Francis Monachino· Patricia Neway· George Jongyans· Studio Orchestra· Leon Lishner· Gloria Lane· Marie Powers· Mabel Mercer· Maria Marlo· Lydia Summers· Lehman Engel· Andrew McKinley· Cornell MacNeil

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Cornell MacNeil· Leon Lishner· Studio Chorus· Gloria Lane· George Jongyans· Studio Orchestra· Patricia Neway· Mabel Mercer· Andrew McKinley· Marie Powers· Francis Monachino· Lehman Engel· Maria Marlo· Lydia Summers

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Mabel Mercer· Andrew McKinley· Cornell MacNeil· Leon Lishner· Francis Monachino· Gloria Lane· George Jongyans· Studio Orchestra· Lehman Engel· Patricia Neway· Maria Marlo· Lydia Summers· Marie Powers· Studio Chorus

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Patricia Neway· Maria Marlo· Lydia Summers· Mabel Mercer· Lehman Engel· Studio Chorus· Marie Powers· Francis Monachino· Leon Lishner· Andrew McKinley· Gloria Lane· George Jongyans· Studio Orchestra· Cornell MacNeil

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

Gloria Lane· Cornell MacNeil· Francis Monachino· Andrew McKinley· Marie Powers· George Jongyans· Studio Orchestra· Leon Lishner· Studio Chorus· Patricia Neway· Lehman Engel· Mabel Mercer· Maria Marlo· Lydia Summers

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

George Jongyans· Studio Orchestra· Gloria Lane· Maria Marlo· Marie Powers· Patricia Neway· Lydia Summers· Studio Chorus· Andrew McKinley· Lehman Engel· Leon Lishner· Francis Monachino· Cornell MacNeil· Mabel Mercer

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Studio Chorus· Francis Monachino· Gloria Lane· Mabel Mercer· George Jongyans· Studio Orchestra· Lehman Engel· Leon Lishner· Cornell MacNeil· Andrew McKinley· Maria Marlo· Lydia Summers· Marie Powers· Patricia Neway

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Leon Lishner· Mabel Mercer· Francis Monachino· Patricia Neway· Lehman Engel· Studio Chorus· George Jongyans· Studio Orchestra· Gloria Lane· Andrew McKinley· Marie Powers· Cornell MacNeil· Maria Marlo· Lydia Summers

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Gloria Lane· Lehman Engel· Lydia Summers· George Jongyans· Studio Orchestra· Patricia Neway· Cornell MacNeil· Maria Marlo· Mabel Mercer· Francis Monachino· Leon Lishner· Andrew McKinley· Studio Chorus· Marie Powers

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Marie Powers· Lehman Engel· Mabel Mercer· Studio Chorus· Francis Monachino· Cornell MacNeil· Leon Lishner· Andrew McKinley· Gloria Lane· Patricia Neway· George Jongyans· Studio Orchestra· Maria Marlo· Lydia Summers

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

George Jongyans· Lehman Engel· Studio Orchestra· Francis Monachino· Andrew McKinley· Studio Chorus· Patricia Neway· Gloria Lane· Maria Marlo· Mabel Mercer· Lydia Summers· Leon Lishner· Marie Powers· Cornell MacNeil

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Studio Chorus· Mabel Mercer· Cornell MacNeil· Gloria Lane· George Jongyans· Studio Orchestra· Andrew McKinley· Patricia Neway· Lehman Engel· Maria Marlo· Lydia Summers· Leon Lishner· Marie Powers· Francis Monachino

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

Andrew McKinley· Lehman Engel· Maria Marlo· Lydia Summers· Studio Chorus· Marie Powers· Cornell MacNeil· Francis Monachino· George Jongyans· Studio Orchestra· Leon Lishner· Gloria Lane· Mabel Mercer· Patricia Neway

2:33

Orchestral prelude

Coro del Teatro alla Scala di Milano· Silvana Zanolli· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Rolando Panerai· Enrico Campi· Elena Mazzoni· Margherita Carosio· Nino Sanzogno

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Nino Sanzogno· Enrico Campi· Maria Amadini· Elena Mazzoni· Rolando Panerai· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Silvana Zanolli

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Enrico Campi· Margherita Carosio· Coro del Teatro alla Scala di Milano· Maria Amadini· Silvana Zanolli· Rolando Panerai· Giacinto Prandelli· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Margherita Carosio· Elena Mazzoni· Maria Amadini· Nino Sanzogno· Enrico Campi· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Coro del Teatro alla Scala di Milano· Giacinto Prandelli

2:01

Non si va! Non si va! (Husband, Amelia)

Silvana Zanolli· Rolando Panerai· Maria Amadini· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Giacinto Prandelli· Enrico Campi· Margherita Carosio· Coro del Teatro alla Scala di Milano

1:17

Amelia, Amelia! (Husband, Amelia)

Margherita Carosio· Enrico Campi· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Silvana Zanolli· Rolando Panerai· Maria Amadini· Elena Mazzoni· Giacinto Prandelli· Orchestra del Teatro alla Scala di Milano

2:10

Romanza: Amelia cara (Husband)

Maria Amadini· Elena Mazzoni· Enrico Campi· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Rolando Panerai· Margherita Carosio· Nino Sanzogno

2:22

Osi ancora negar? (Husband, Amelia)

Rolando Panerai· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Silvana Zanolli· Maria Amadini· Giacinto Prandelli· Margherita Carosio· Nino Sanzogno· Enrico Campi· Orchestra del Teatro alla Scala di Milano

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Margherita Carosio· Coro del Teatro alla Scala di Milano· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Silvana Zanolli· Enrico Campi· Elena Mazzoni· Rolando Panerai· Giacinto Prandelli

2:03

Ebbene, si (Amelia, Husband)

Enrico Campi· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Silvana Zanolli· Nino Sanzogno· Giacinto Prandelli· Rolando Panerai· Margherita Carosio· Maria Amadini· Elena Mazzoni

1:03

Il mio amante e quel signore (Amelia, Husband)

Maria Amadini· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Enrico Campi· Coro del Teatro alla Scala di Milano· Margherita Carosio· Giacinto Prandelli· Rolando Panerai· Silvana Zanolli· Elena Mazzoni

1:51

Che disdetta! (Amelia, Lover)

Enrico Campi· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Elena Mazzoni· Giacinto Prandelli· Margherita Carosio· Nino Sanzogno· Rolando Panerai· Silvana Zanolli· Coro del Teatro alla Scala di Milano

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Enrico Campi· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Rolando Panerai· Giacinto Prandelli· Maria Amadini· Margherita Carosio

2:37

Amelia! Amelia! (Lover, Amelia)

Enrico Campi· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Margherita Carosio· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli

1:05

Contro me non porta offesa (Amelia, Lover)

Giacinto Prandelli· Rolando Panerai· Maria Amadini· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Silvana Zanolli· Nino Sanzogno· Enrico Campi· Margherita Carosio· Orchestra del Teatro alla Scala di Milano

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Silvana Zanolli· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Maria Amadini· Nino Sanzogno· Enrico Campi· Elena Mazzoni· Rolando Panerai· Margherita Carosio

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Rolando Panerai· Giacinto Prandelli· Enrico Campi· Margherita Carosio· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Silvana Zanolli· Nino Sanzogno· Elena Mazzoni

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Giacinto Prandelli· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Nino Sanzogno· Silvana Zanolli· Enrico Campi· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Maria Amadini· Margherita Carosio

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Rolando Panerai· Nino Sanzogno· Silvana Zanolli· Maria Amadini· Giacinto Prandelli· Margherita Carosio· Coro del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Maria Amadini· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Margherita Carosio· Enrico Campi

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Coro del Teatro alla Scala di Milano· Rolando Panerai· Enrico Campi· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Margherita Carosio· Maria Amadini· Nino Sanzogno· Giacinto Prandelli

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Rolando Panerai· Giacinto Prandelli· Margherita Carosio· Nino Sanzogno· Elena Mazzoni· Enrico Campi· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Silvana Zanolli· Coro del Teatro alla Scala di Milano

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Margherita Carosio· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Nino Sanzogno· Rolando Panerai· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Enrico Campi

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Enrico Campi· Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Nino Sanzogno· Maria Amadini· Rolando Panerai· Giacinto Prandelli· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Silvana Zanolli

1:40

Gian Carlo Menotti

Composición
Giacinto Prandelli

Tenor
Nino Sanzogno

Dirección
Coro del Teatro alla Scala di Milano

Coro
Cornell MacNeil

Barítono