Overture (Allegro moderato - Andante comodo - Allegro con brio)
Alexander Faris· Sadler's Wells Opera Orchestra
No. 1, Chorus, "If you want to know who we are" (Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· Alexander Faris
No. 2a, Recitative and Scena, "Gentlemen, I pray you tell me" (Nanki-Poo, A Noble)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· Alexander Faris· John Wakefield
No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· John Wakefield· David Tod-Boyd
No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)
Alexander Faris· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd· John Heddle Nash
No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)
Alexander Faris· Denis Dowling· Sadler's Wells Opera Orchestra· John Heddle Nash· John Wakefield
No. 4a, Recitative, "And have I journey'd for a month" (Nanki-Poo, Pooh-Bah)
Denis Dowling· Alexander Faris· Sadler's Wells Opera Orchestra· John Wakefield
No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)
Clive Revill· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd
No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill
No. 6, Chorus, "Comes a train of little ladies" (Girls)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris
No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)
Dorothy Nash· David Tod-Boyd· Marion Studholme· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Patricia Kern· Alexander Faris
No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· Patricia Kern· Dorothy Nash· John Heddle Nash· Denis Dowling· Marion Studholme· David Tod-Boyd
No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)
Alexander Faris· Marion Studholme· John Wakefield· Sadler's Wells Opera Orchestra
No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)
Sadler's Wells Opera Orchestra· Clive Revill· Denis Dowling· John Heddle Nash· Alexander Faris
No. 11, Finale, "With aspect stern and gloomy stride" (Nobles, Girls, Pooh-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
David Tod-Boyd· Clive Revill· Denis Dowling· Patricia Kern· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· John Heddle Nash· Marion Studholme· John Wakefield· Dorothy Nash
"Your revels cease!" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
John Wakefield· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill· Denis Dowling· David Tod-Boyd· Dorothy Nash· Patricia Kern· Marion Studholme· John Heddle Nash
No. 12, Chorus with Solo, "Braid the raven hair" (Girls, Pitti-Sing)
David Tod-Boyd· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Patricia Kern· Alexander Faris
No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)
Marion Studholme· Alexander Faris· Sadler's Wells Opera Orchestra
No. 14, Madrigal, "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
Patricia Kern· John Wakefield· Marion Studholme· John Heddle Nash· Sadler's Wells Opera Orchestra· Alexander Faris
No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)
John Wakefield· Marion Studholme· Alexander Faris· Sadler's Wells Opera Orchestra· Clive Revill
No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)
John Holmes· David Tod-Boyd· Alexander Faris· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra
No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)
Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd· John Holmes
No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)
Alexander Faris· Clive Revill· Denis Dowling· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Patricia Kern· David Tod-Boyd
No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)
John Holmes· Clive Revill· Denis Dowling· Patricia Kern· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
John Wakefield· Alexander Faris· Clive Revill· Denis Dowling· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· Marion Studholme· Patricia Kern· David Tod-Boyd
No. 21a, Recitative, "Alone, and yet alive" (Katisha)
Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 21b, Song, "Hearts do not break" (Katisha)
Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris
No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)
Alexander Faris· Sadler's Wells Opera Orchestra· Clive Revill
No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)
Clive Revill· Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Patricia Kern· Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· John Heddle Nash· John Holmes· Clive Revill· Denis Dowling· David Tod-Boyd· Dorothy Nash· Marion Studholme· John Wakefield