Menotti: The Consul - Amelia al ballo

Menotti: The Consul - Amelia al ballo

Silvana Zanolli· Francis Monachino· Giacinto Prandelli· Margherita Carosio· Nino Sanzogno· Lehman Engel· Marie Powers· Maria Marlo· Coro del Teatro alla Scala di Milano· Cornell MacNeil· Leon Lishner· Studio Orchestra· Studio Chorus· Rolando Panerai· George Jongyans· Mabel Mercer· Elena Mazzoni· Enrico Campi· Patricia Neway· Andrew McKinley· Orchestra del Teatro alla Scala di Milano· Lydia Summers· Gloria Lane

2008

Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on the Record, John, Magda, Mother)

Lehman Engel· Studio Chorus· Maria Marlo· Cornell MacNeil· Lydia Summers· Patricia Neway· Mabel Mercer· Gloria Lane· Marie Powers· George Jongyans· Francis Monachino· Studio Orchestra· Leon Lishner· Andrew McKinley

3:13

Act I Scene 1: Quick, John! The Police! (Magda, Mother, Secret Police Agent)

Studio Chorus· Patricia Neway· Mabel Mercer· Marie Powers· Leon Lishner· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Lehman Engel· Maria Marlo· Lydia Summers· Cornell MacNeil

5:48

Act I Scene 1: Don't move yet (Magda, Mother, John)

Patricia Neway· Maria Marlo· Studio Chorus· Lydia Summers· Lehman Engel· Cornell MacNeil· Leon Lishner· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Marie Powers· Mabel Mercer

3:09

Act I Scene 1: Now, O lips, say goodbye (Magda, John, Mother)

Studio Chorus· Patricia Neway· Mabel Mercer· Marie Powers· Leon Lishner· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Lehman Engel· Maria Marlo· Lydia Summers· Cornell MacNeil

4:18

Act I Scene 2: Interlude

Patricia Neway· Studio Chorus· Lehman Engel· Maria Marlo· George Jongyans· Francis Monachino· Studio Orchestra· Lydia Summers· Leon Lishner· Marie Powers· Cornell MacNeil· Gloria Lane· Andrew McKinley· Mabel Mercer

1:01

Act I Scene 2: Next. Yes … What can I do for you? (Secretary, Kofner)

Andrew McKinley· Studio Chorus· Maria Marlo· Lydia Summers· Mabel Mercer· Gloria Lane· Marie Powers· Cornell MacNeil· George Jongyans· Patricia Neway· Francis Monachino· Studio Orchestra· Leon Lishner· Lehman Engel

2:14

Act I Scene 2: Next … Buon giorno (Secretary, Foreign Woman, Kofner)

Lehman Engel· Andrew McKinley· Cornell MacNeil· Gloria Lane· Maria Marlo· Lydia Summers· Patricia Neway· Marie Powers· Studio Chorus· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Mabel Mercer

3:40

Act I Scene 2: Next … May I speak to the Consul? (Secretary, Magda)

Mabel Mercer· Leon Lishner· Lehman Engel· Patricia Neway· Gloria Lane· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Andrew McKinley· Studio Chorus· Maria Marlo· Lydia Summers

4:14

Act I Scene 2: In endless waiting rooms (Vera Boronel, Anna Gomez, Magda, Magician, Kofner)

Patricia Neway· Lehman Engel· Cornell MacNeil· Studio Chorus· Mabel Mercer· George Jongyans· Francis Monachino· Studio Orchestra· Marie Powers· Maria Marlo· Lydia Summers· Andrew McKinley· Leon Lishner· Gloria Lane

3:36

Act II Scene 1: What is the matter, little lamb? (Mother)

George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Gloria Lane· Andrew McKinley· Maria Marlo· Lydia Summers· Mabel Mercer· Studio Chorus· Leon Lishner· Marie Powers· Patricia Neway· Cornell MacNeil

1:53

Act II Scene 1: I shall find for you shells and stars (Mother)

Lehman Engel· Maria Marlo· Marie Powers· Lydia Summers· Cornell MacNeil· Studio Chorus· Leon Lishner· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Gloria Lane· Mabel Mercer

3:18

Act II Scene 1: John, John, why did you bring me … (Magda, Mother)

Patricia Neway· George Jongyans· Francis Monachino· Studio Orchestra· Cornell MacNeil· Leon Lishner· Gloria Lane· Mabel Mercer· Maria Marlo· Marie Powers· Lydia Summers· Studio Chorus· Andrew McKinley· Lehman Engel

4:03

Act II Scene 1: It is the signal! (Magda, Mother, Secret Police Agent, Assan)

Patricia Neway· Studio Chorus· Gloria Lane· Lehman Engel· Andrew McKinley· Marie Powers· Cornell MacNeil· Leon Lishner· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Mabel Mercer

4:06

Act II Scene 1: Mother! Why are you so still, Mother! (Magda, Mother)

George Jongyans· Studio Chorus· Francis Monachino· Studio Orchestra· Leon Lishner· Gloria Lane· Patricia Neway· Andrew McKinley· Lehman Engel· Marie Powers· Maria Marlo· Lydia Summers· Cornell MacNeil· Mabel Mercer

3:51

Act II Scene 1: Interlude

Cornell MacNeil· Mabel Mercer· Gloria Lane· Maria Marlo· Lydia Summers· George Jongyans· Patricia Neway· Francis Monachino· Studio Orchestra· Leon Lishner· Andrew McKinley· Lehman Engel· Marie Powers· Studio Chorus

1:30

Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Kofner)

Leon Lishner· Lehman Engel· Maria Marlo· Andrew McKinley· Patricia Neway· Lydia Summers· Cornell MacNeil· Studio Chorus· Gloria Lane· Mabel Mercer· George Jongyans· Marie Powers· Francis Monachino· Studio Orchestra

1:36

Act II Scene 2: My charming ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Kofner, Foreign Woman)

Lehman Engel· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Leon Lishner· Mabel Mercer· Studio Chorus· Cornell MacNeil· Patricia Neway· Andrew McKinley· Marie Powers· Gloria Lane

7:12

Act II Scene 2: Any news for me? (Magda, Secretary)

Cornell MacNeil· Leon Lishner· Lehman Engel· Patricia Neway· Marie Powers· Studio Chorus· Maria Marlo· Mabel Mercer· Lydia Summers· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley

2:18

Act II Scene 2: To this we've come (Magda, Vera Boronel, Kofner, Secretary)

George Jongyans· Lehman Engel· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Mabel Mercer· Marie Powers· Andrew McKinley· Patricia Neway· Cornell MacNeil· Leon Lishner· Studio Chorus· Gloria Lane

7:42

Act III Scene 1: How often must I tell you, Mrs. Sorel (Secretary, Vera Boronel, Assan, Magda)

Maria Marlo· Gloria Lane· Lydia Summers· Cornell MacNeil· Patricia Neway· Leon Lishner· Lehman Engel· Mabel Mercer· Studio Chorus· George Jongyans· Francis Monachino· Studio Orchestra· Andrew McKinley· Marie Powers

4:18

Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Magda, Assan)

Gloria Lane· Cornell MacNeil· Patricia Neway· Studio Chorus· Mabel Mercer· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Maria Marlo· Lydia Summers· Leon Lishner· Marie Powers· Lehman Engel

2:22

Act III Scene 1: Oh, those faces! All those faces! (Secretary)

Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Leon Lishner· Studio Chorus· Maria Marlo· Lydia Summers· Cornell MacNeil· Gloria Lane· Lehman Engel· Marie Powers· Mabel Mercer

1:47

Act III Scene 1: Who are you? How did you get in? (Secretary, John, Secret Police Agent)

Leon Lishner· Maria Marlo· Lydia Summers· Lehman Engel· Patricia Neway· Marie Powers· Cornell MacNeil· George Jongyans· Francis Monachino· Studio Orchestra· Gloria Lane· Andrew McKinley· Studio Chorus· Mabel Mercer

2:12

Act III Scene 1: Don't be afraid, Mr. Sorel! (Secretary)

Studio Chorus· Studio Orchestra· Maria Marlo· Gloria Lane· Lydia Summers· Leon Lishner· Cornell MacNeil· Lehman Engel· George Jongyans· Francis Monachino· Marie Powers· Mabel Mercer· Andrew McKinley· Patricia Neway

2:44

Act III Scene 2: I never meant to do this (Magda, Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary)

Studio Chorus· Andrew McKinley· George Jongyans· Francis Monachino· Studio Orchestra· Patricia Neway· Gloria Lane· Maria Marlo· Lydia Summers· Leon Lishner· Cornell MacNeil· Lehman Engel· Marie Powers· Mabel Mercer

2:32

Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Kofner, Anna Gomez, Vera Boronel, Mother, John, Secretary, Magician, Magda)

Mabel Mercer· Marie Powers· Studio Chorus· Cornell MacNeil· Gloria Lane· George Jongyans· Francis Monachino· Studio Orchestra· Lehman Engel· Leon Lishner· Maria Marlo· Lydia Summers· Patricia Neway· Andrew McKinley

4:42

Act III Scene 2: Mother, John, wait (Magda, Mother, John, Magician, Chorus)

Studio Chorus· Andrew McKinley· Cornell MacNeil· Marie Powers· Leon Lishner· Gloria Lane· Patricia Neway· George Jongyans· Francis Monachino· Mabel Mercer· Studio Orchestra· Lehman Engel· Maria Marlo· Lydia Summers

2:33

Orchestral prelude

Giacinto Prandelli· Silvana Zanolli· Enrico Campi· Nino Sanzogno· Margherita Carosio· Coro del Teatro alla Scala di Milano· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni

4:14

Stringi! Allaccia, allacia! (Amelia, First Maid, Second Maid, Friend)

Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Nino Sanzogno· Margherita Carosio· Rolando Panerai· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano

1:40

Duettino: La notte, la notte e troppo breve (Amelia, Friend)

Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Rolando Panerai· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Enrico Campi

1:35

Sono pronto! Dammi i fiori (Amelia, Friend, Maids)

Enrico Campi· Margherita Carosio· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai

2:01

Non si va! Non si va! (Husband, Amelia)

Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Nino Sanzogno· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Rolando Panerai· Enrico Campi

1:17

Amelia, Amelia! (Husband, Amelia)

Orchestra del Teatro alla Scala di Milano· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Maria Amadini· Rolando Panerai· Enrico Campi· Elena Mazzoni

2:10

Romanza: Amelia cara (Husband)

Orchestra del Teatro alla Scala di Milano· Maria Amadini· Enrico Campi· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Elena Mazzoni

2:22

Osi ancora negar? (Husband, Amelia)

Coro del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Elena Mazzoni· Nino Sanzogno· Maria Amadini· Margherita Carosio· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi

0:51

Duettino: No, no, no! Al ballo non andremo (Husband, Amelia)

Maria Amadini· Rolando Panerai· Margherita Carosio· Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Enrico Campi

2:03

Ebbene, si (Amelia, Husband)

Nino Sanzogno· Rolando Panerai· Coro del Teatro alla Scala di Milano· Enrico Campi· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli

1:03

Il mio amante e quel signore (Amelia, Husband)

Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Enrico Campi· Margherita Carosio· Maria Amadini· Rolando Panerai· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno

1:51

Che disdetta! (Amelia, Lover)

Enrico Campi· Nino Sanzogno· Maria Amadini· Elena Mazzoni· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Orchestra del Teatro alla Scala di Milano· Margherita Carosio

2:18

Romanza: Vola intanto l'ora insonne (Amelia)

Maria Amadini· Margherita Carosio· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Enrico Campi· Orchestra del Teatro alla Scala di Milano· Elena Mazzoni

2:37

Amelia! Amelia! (Lover, Amelia)

Enrico Campi· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Elena Mazzoni

1:05

Contro me non porta offesa (Amelia, Lover)

Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Rolando Panerai· Maria Amadini· Margherita Carosio· Enrico Campi· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Elena Mazzoni

1:27

Non l'ho pescato in tempo (Husband, Amelia)

Rolando Panerai· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Coro del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Maria Amadini

1:21

Ah! Cane, impara … (Husband, Amelia, Lover)

Orchestra del Teatro alla Scala di Milano· Elena Mazzoni· Margherita Carosio· Coro del Teatro alla Scala di Milano· Rolando Panerai· Enrico Campi· Giacinto Prandelli· Silvana Zanolli· Maria Amadini· Nino Sanzogno

3:15

Romanza: Fu di notte, come in sogno (Lover, Husband, Amelia)

Elena Mazzoni· Orchestra del Teatro alla Scala di Milano· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano· Nino Sanzogno· Enrico Campi· Margherita Carosio· Rolando Panerai

3:49

Terzetto: Chi puo saper (Amelia, Lover, Husband)

Margherita Carosio· Coro del Teatro alla Scala di Milano· Elena Mazzoni· Enrico Campi· Maria Amadini· Orchestra del Teatro alla Scala di Milano· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Rolando Panerai

4:19

Orchestral interlude - Che c'e? Che c'e? (Chorus)

Margherita Carosio· Elena Mazzoni· Maria Amadini· Giacinto Prandelli· Silvana Zanolli· Nino Sanzogno· Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Coro del Teatro alla Scala di Milano

1:48

Gia capito (Chief of Police, Chorus, Amelia)

Orchestra del Teatro alla Scala di Milano· Coro del Teatro alla Scala di Milano· Margherita Carosio· Elena Mazzoni· Maria Amadini· Rolando Panerai· Enrico Campi· Nino Sanzogno· Giacinto Prandelli· Silvana Zanolli

2:08

Seduta alla specchiera (Amelia, Chorus, Chief of Police, Lover)

Margherita Carosio· Enrico Campi· Silvana Zanolli· Giacinto Prandelli· Rolando Panerai· Elena Mazzoni· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Maria Amadini· Orchestra del Teatro alla Scala di Milano

2:40

Perche affligersi tanto? (Chief of Police, Amelia)

Maria Amadini· Elena Mazzoni· Giacinto Prandelli· Silvana Zanolli· Margherita Carosio· Nino Sanzogno· Coro del Teatro alla Scala di Milano· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Rolando Panerai

2:07

Gioite, gioite, Amelia al ballo andra (Chorus)

Rolando Panerai· Orchestra del Teatro alla Scala di Milano· Enrico Campi· Elena Mazzoni· Nino Sanzogno· Maria Amadini· Margherita Carosio· Giacinto Prandelli· Silvana Zanolli· Coro del Teatro alla Scala di Milano

1:40

Gian Carlo Menotti

Composición
Giacinto Prandelli

Tenor
Nino Sanzogno

Dirección
Lehman Engel

Dirección
Coro del Teatro alla Scala di Milano

Coro