Weill: Symphony No.2, Seven Deadly Sins etc.
Various Artists
Kurt Weill made his name in 1920s Germany with the satirical theatre shows he composed with the playwright Bertolt Brecht, most famously The Threepenny Opera. In 1933, Weill, who was Jewish, left Nazi Germany for Paris. There he composed Die sieben Todsünden (The Seven Deadly Sins)—a ballet that’s both sung and danced—before moving to America and successfully reinventing himself as a composer of Broadway shows. Weill’s unique musical style combines mastery of classical technique with a brilliant flair for popular song-writing. Both aspects reach a pinnacle in The Seven Deadly Sins, where Simon Rattle’s conducting unerringly conveys the feeling of tragedy that lies just below the music’s surface irony. Weill’s Second Symphony, composed in the same year, is masterfully performed by the Berlin Philharmonic and conductor Mariss Jansons. And there’s also a selection of songs from The Threepenny Opera and other shows, with Robyn Archer an incisive vocalist.
Second movement: - NOTTURNO Allegro un poco tenuto
Third movement: Allegro molto, un poco agitato
Weill: Aufstieg und Fall der Stadt Mahagonny, Suite
Introduction: Meine Schwester und ich stammen aus Louisiana
Sir John Tomlinson, Ian Caley, Sir Simon Rattle, City of Birmingham Symphony Orchestra, Michael Rippon, Anthony Rolfe Johnson, Elise Ross
Faulheit (Sloth): Müssiggang ist aller Laster Anfang
Sir John Tomlinson, Michael Rippon, Ian Caley, Sir Simon Rattle, Elise Ross, City of Birmingham Symphony Orchestra, Anthony Rolfe Johnson
Stolz (Pride): Als wir aber ausgestattet waren
City of Birmingham Symphony Orchestra, Elise Ross, Sir Simon Rattle, Michael Rippon, Ian Caley, Sir John Tomlinson, Anthony Rolfe Johnson
Zorn (Anger): Das geht nicht vorwärts
Anthony Rolfe Johnson, Elise Ross, Ian Caley, Sir John Tomlinson, Sir Simon Rattle, City of Birmingham Symphony Orchestra, Michael Rippon
Völlerei (Gluttony): Das ist ein Brief aus Philadelphia
City of Birmingham Symphony Orchestra, Ian Caley, Sir Simon Rattle, Sir John Tomlinson, Michael Rippon, Anthony Rolfe Johnson, Elise Ross
Unzucht (Lechery): Und wir fanden einen Mann
Ian Caley, Sir Simon Rattle, Elise Ross, Michael Rippon, Sir John Tomlinson, Anthony Rolfe Johnson, City of Birmingham Symphony Orchestra
Habsucht (Avarice): Wie hier in der Zeitung steht
Ian Caley, Sir John Tomlinson, Michael Rippon, Sir Simon Rattle, Elise Ross, City of Birmingham Symphony Orchestra, Anthony Rolfe Johnson
Neid (Envy): Und die letzte Stadt
Anthony Rolfe Johnson, Michael Rippon, Elise Ross, Sir John Tomlinson, Sir Simon Rattle, Ian Caley, City of Birmingham Symphony Orchestra
Finaletto: Darauf kehrten wir zurück nach Louisiana
Elise Ross, Michael Rippon, Sir John Tomlinson, Sir Simon Rattle, Anthony Rolfe Johnson, City of Birmingham Symphony Orchestra, Ian Caley
Weill
The Ballad of Sexual Obsession (with orchestra)
Robyn Archer, London Sinfonietta, John Constable, Dominic Muldowney
Alabama Song (from Mahagonny) (1986 Digital Remaster)
Dominic Muldowney, London Sinfonietta, Robyn Archer
Weill: Epitaph 1919
Weill: Happy End
Weill