‎Beethoven: Fidelio, Op. 72 by Anja Kampe

Ouvertüre

Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, The Glyndebourne Chorus

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Mark Elder, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton

4:43

Dialog "Jaquino, Jaquino!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton

0:55

Arie "O wär' ich schon mit dir vereint"

The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Andrew Kennedy, Henry Waddington, Thomas Blunt, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl

4:35

Dialog "Höre, Fidelio..."

Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Mark Elder

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Anja Kampe, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, The Glyndebourne Chorus

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder

2:17

Marsch

Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra

2:02

Dialog "Die Depeschen"

Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Anthony Cleverton

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

The Glyndebourne Chorus, Lisa Milne, Torsten Kerl, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe

5:44

Dialog "Aber Marzelline"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra

1:37

Finale "O welche Lust!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, Nathan Vale, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, London Philharmonic Orchestra

4:58

Finale "Ach! Vater, eilt!"

Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Brindley Sherratt, Nathan Vale, Anja Kampe, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Lisa Milne, London Philharmonic Orchestra

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra

4:19

Introduction to Act 2

Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Lisa Milne

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Mark Elder

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Thomas Blunt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra

3:59

Dialog "Er erwacht!"

Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Mark Elder, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Mark Elder

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, London Philharmonic Orchestra, Mark Elder

0:57

Quartett "Er sterbe!"

London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton

3:32

Dialog "Vater Rocco!"

Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Lisa Milne, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder

0:18

Dialog "Es schlägt der Rache Stunde!"

Brindley Sherratt, Nathan Vale, Anja Kampe, Peter Coleman-Wright, The Glyndebourne Chorus, Anthony Cleverton, Torsten Kerl, Lisa Milne, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Lisa Milne, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, Mark Elder, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Torsten Kerl, London Philharmonic Orchestra, Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Thomas Blunt, Lisa Milne, The Glyndebourne Chorus

2:55

Dialog "Gute Botschaft"

Brindley Sherratt, Nathan Vale, Anja Kampe, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Mark Elder, The Glyndebourne Chorus, Thomas Blunt

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton

2:04

Finale "Des besten königs Wink und Wille"

Torsten Kerl, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Nathan Vale, Anja Kampe, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, The Glyndebourne Chorus, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Brindley Sherratt, Nathan Vale, Anja Kampe, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, London Philharmonic Orchestra, Mark Elder

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Brindley Sherratt, Nathan Vale, Anja Kampe, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus

4:23

Ludwig van Beethoven

Composer
Anja Kampe

Soprano
Mark Elder

Conductor
Brindley Sherratt

Bass
Lisa Milne

Soprano

Beethoven: Fidelio, Op. 72

On This Album