‎Beethoven: Fidelio, Op. 72 von Brindley Sherratt

Ouvertüre

Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Thomas Blunt, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Nathan Vale

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Brindley Sherratt, London Philharmonic Orchestra, Torsten Kerl

1:28

Quartett "Mir ist so wunderbar"

Anja Kampe, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

4:35

Dialog "Höre, Fidelio..."

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Mark Elder, Nathan Vale

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Mark Elder

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Nathan Vale, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Nathan Vale, Torsten Kerl, Brindley Sherratt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder

2:17

Marsch

Nathan Vale, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe, Torsten Kerl, Mark Elder, Brindley Sherratt

2:02

Dialog "Die Depeschen"

Nathan Vale, Torsten Kerl, Mark Elder, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Anja Kampe, Nathan Vale

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Brindley Sherratt, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, Mark Elder

5:44

Dialog "Aber Marzelline"

Brindley Sherratt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Nathan Vale

1:37

Finale "O welche Lust!"

Nathan Vale, Torsten Kerl, Mark Elder, Anja Kampe, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne

2:49

Finale "Nun sprecht, wie ging's?"

Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

4:58

Finale "Ach! Vater, eilt!"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Peter Coleman-Wright, Lisa Milne, Nathan Vale

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Torsten Kerl, Mark Elder, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

4:19

Introduction to Act 2

Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Brindley Sherratt, Torsten Kerl, Mark Elder, Anthony Cleverton, The Glyndebourne Chorus

3:47

Arie "Gott! Welch' Dunkel hier!"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Nathan Vale

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Peter Coleman-Wright, Lisa Milne

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Torsten Kerl, Mark Elder, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Anja Kampe, Nathan Vale

3:59

Dialog "Er erwacht!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Henry Waddington, Andrew Kennedy, Thomas Blunt

2:13

Terzett "Euch werde Lohn in besser'n Welten"

Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Nathan Vale, London Philharmonic Orchestra, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Torsten Kerl, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne, Nathan Vale

0:57

Quartett "Er sterbe!"

Thomas Blunt, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, Nathan Vale, Peter Coleman-Wright, Lisa Milne

3:32

Dialog "Vater Rocco!"

Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Nathan Vale

0:18

Dialog "Es schlägt der Rache Stunde!"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Mark Elder

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, Nathan Vale, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt

0:09

Duett "O namenlose Freude!"

Thomas Blunt, Peter Coleman-Wright, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Nathan Vale

2:55

Dialog "Gute Botschaft"

Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

London Philharmonic Orchestra, Anja Kampe, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Mark Elder, Nathan Vale, Brindley Sherratt, Peter Coleman-Wright, Lisa Milne

2:04

Finale "Des besten königs Wink und Wille"

Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Nathan Vale, Peter Coleman-Wright, Lisa Milne

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Torsten Kerl, Mark Elder, Nathan Vale, Anja Kampe, Thomas Blunt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Peter Coleman-Wright, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Brindley Sherratt, Anja Kampe, Nathan Vale

4:23

Ludwig van Beethoven

Komponist:in
Brindley Sherratt

Bass
Anja Kampe

Sopran
Lisa Milne

Sopran
Andrew Kennedy

Tenor

Beethoven: Fidelio, Op. 72

Auf diesem Album