O mio babbino caro (Arr. for Cello and Orchestra)
Cello at the Opera
Many say that the cello is the closest instrument to the human voice, which seems true in these passionate interpretations of beloved arias. Mozart’s soaring lyricism settles perfectly here, as do the heroic and tragic melodies of Puccini and Verdi. Maer evokes the full breadth of the human instrument with this satisfying effort.
Au fond du temple saint (Arr. for Cello and Orchestra)
4. Pie Jesu (Arr. Joseph Twist)
Michelle Kelly, Rosemary Quinn, Stefan Duwe, Kirsty McCahon, Sally Maer, Narine Melconian, Catherine Davis
Aria: Voi che sapete (Arr. Joseph Twist)
Sally Maer, Jason Noble, Narine Melconian, Rosemary Quinn, Stefan Duwe, Michelle Kelly, Andrew Barnes
Pur ti miro (Arr. Joseph Twist)
Rosemary Quinn, Narine Melconian, Michelle Kelly, Sally Maer, Stefan Duwe, Catherine Davis
Sous le dôme épais (Arr. for Cello and Orchestra)
Time To Say Goodbye (Con te partirò) (Arr. Joseph Twist)
Kirsty McCahon, Sally Maer, Rosemary Quinn, Stefan Duwe, Michelle Kelly, Narine Melconian
Libiamo ne'lieti calici (Brindisi) (Arr. for Cello and Orchestra)
Séguedille (Près des remparts de Séville) (Arr. for Cello and Orchestra)
Song To The Moon (Arr. for Cello and Orchestra)
Abendsegen (Arr. Joseph Twist)
Stefan Duwe, Rosemary Quinn, Narine Melconian, Michelle Kelly, Kirsty McCahon, Sally Maer
Where'er You Walk (Arr. Joseph Twist)
Sally Maer, Catherine Davis, Michelle Kelly, Stefan Duwe, Rosemary Quinn, Narine Melconian, Kirsty McCahon
Dido's Lament: When I Am Laid In Earth (Arr. Joseph Twist)
Kirsty McCahon, Sally Maer, Stefan Duwe, Rosemary Quinn, Narine Melconian, Michelle Kelly, Catherine Davis
Soave sia il vento (Arr. for Cello and Orchestra)
La donna è mobile (Arr. for Cello and Orchestra)