IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Patrick Power
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Coppola E Il Suo Sestetto· The Schütz Consort
I. Introitus
Nancy Argenta· Sir Roger Norrington· Schütz Choir of London· London Classical Players· John Mark Ainsley· Catherine Robbin· Felicitas Mander· Peter Thorley
II. Kyrie
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Catherine Robbin· John Mark Ainsley· Felicitas Mander· Nancy Argenta
III. Dies irae
London Classical Players· Sir Roger Norrington· Schütz Choir of London· John Mark Ainsley· Felicitas Mander· Nancy Argenta· Catherine Robbin· Peter Thorley
IV. Tuba mirum
Alastair Miles· Sir Roger Norrington· London Classical Players· John Mark Ainsley· Catherine Robbin· Nancy Argenta· Peter Thorley· Schütz Choir of London· Felicitas Mander
V. Rex tremendae
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Felicitas Mander· Nancy Argenta· John Mark Ainsley· Catherine Robbin
VI. Recordare
Sir Roger Norrington· London Classical Players· Schütz Choir of London· John Mark Ainsley· Felicitas Mander· Nancy Argenta· Catherine Robbin· Peter Thorley
VII. Confutatis
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Nancy Argenta· Felicitas Mander· Peter Thorley· Catherine Robbin· John Mark Ainsley
VIII. Lacrimosa
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Felicitas Mander· Peter Thorley
IX. Amen
London Classical Players· Sir Roger Norrington· Felicitas Mander· Catherine Robbin· Nancy Argenta· John Mark Ainsley· Peter Thorley· Schütz Choir of London
X. Domine Jesu Christe
John Mark Ainsley· Catherine Robbin· London Classical Players· Alastair Miles· Schütz Choir of London· Nancy Argenta· Sir Roger Norrington· Peter Thorley· Felicitas Mander
XI. Hostias
Sir Roger Norrington· London Classical Players· Schütz Choir of London· Peter Thorley· Nancy Argenta· Felicitas Mander· Catherine Robbin· John Mark Ainsley
XII. Sanctus
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Felicitas Mander· Nancy Argenta· Peter Thorley· Catherine Robbin· John Mark Ainsley
XIII. Benedictus
Schütz Choir of London· John Mark Ainsley· Sir Roger Norrington· London Classical Players· Alastair Miles· Catherine Robbin· Nancy Argenta· Peter Thorley· Felicitas Mander
XIV. Agnus Dei
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Catherine Robbin· Felicitas Mander· Peter Thorley· Nancy Argenta· John Mark Ainsley
XV. Communio
Nancy Argenta· Sir Roger Norrington· Schütz Choir of London· London Classical Players· Catherine Robbin· Felicitas Mander· Peter Thorley· John Mark Ainsley
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Deborah Voigt· Sir Roger Norrington· Concert Chorale of New York· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
