L'arte della scordatura: Violin Works from Biber to Tartini

I. (Without Tempo indication) [from "Sonatae, violino solo", Nuremberg, 1681]

III. Harpeggio - Adagio (from "Sonatae, violino solo", Nuremberg, 1681)

V. Adagio - Allegro (from "Sonatae, violino solo", Nuremberg, 1681)

I. Prelude. Harpeggio (from "Artificiosus concentus pro camera", Salzburg, 1715)

III. Saraband. Adagio (from "Artificiosus concentus pro camera", Salzburg, 1715)

V. Guique. Allegro (from "Artificiosus concentus pro camera", Salzburg, 1715)

VII. Boure (from "Artificiosus concentus pro camera", Salzburg, 1715)

Toccata (Improvisation)

I. Sostenuto - Largo (from "12 Sonate a violino solo e basso", Milan, 1701)

III. Spiritoso - Presto (from "12 Sonate a violino solo e basso", Milan, 1701)

V. Menuet (from "12 Sonate a violino solo e basso", Milan, 1701)

I. Allemanda (Ms. Musical Archives Kremsier Sign., A4683)

II. Corrente (Ms. Musical Archives Kremsier Sign., A4683)

III. Sarabanda (Ms. Musical Archives Kremsier Sign., A4683)

IV. Gigue (Ms. Musical Archives Kremsier Sign., A4683)

VI. Double (Ms. Musical Archives Kremsier Sign., A4683)

Praeludio (Improvisation)

I. Adagio andantissimo (from "Sonate a Violino e violone o cembalo, Op. 1", Amsterdam, 1718)

III. Adagio (from "Sonate a Violino e violone o cembalo, Op. 1", Amsterdam, 1718)

I. Grave (from "12 Solos for a Violin with a Thorough Bass for the Harpsichord or Violoncello , Op. 1", London, 1734)

III. Largo - Presto - Largo - Presto - Andante (from "12 Solos for a Violin with a Thorough Bass for the Harpsichord or Violoncello , Op. 1", London, 1736)

Sonata II d'inventione per il violino (from "Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op. 8", Venice, 1626)