IV. (b) Presto - Recitativo - Allegro assai
IV. (c) Allegro assai vivace. Alla marcia -
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Patrick Power
IV. (d) Andante maestoso - Adagio ma non troppo, ma divoto -
IV. (e) Allegro energico e sempre ben marcato -
IV. (f) Allegro ma non tanto - Poco adagio
IV. (g) Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo
Ave verum corpus, K. 618
London Classical Players· Sir Roger Norrington· Schütz Choir of London· The Schütz Consort· Coppola E Il Suo Sestetto
I. Introitus
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Nancy Argenta· Felicitas Mander· John Mark Ainsley· Peter Thorley· Catherine Robbin
II. Kyrie
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Nancy Argenta· Peter Thorley· Felicitas Mander· Catherine Robbin· John Mark Ainsley
III. Dies irae
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· Catherine Robbin· John Mark Ainsley· Nancy Argenta· Felicitas Mander
IV. Tuba mirum
Sir Roger Norrington· Nancy Argenta· London Classical Players· Alastair Miles· John Mark Ainsley· Catherine Robbin· Felicitas Mander· Peter Thorley· Schütz Choir of London
V. Rex tremendae
Schütz Choir of London· London Classical Players· Sir Roger Norrington· Peter Thorley· John Mark Ainsley· Nancy Argenta· Catherine Robbin· Felicitas Mander
VI. Recordare
Schütz Choir of London· London Classical Players· Sir Roger Norrington· John Mark Ainsley· Catherine Robbin· Peter Thorley· Nancy Argenta· Felicitas Mander
VII. Confutatis
Schütz Choir of London· Sir Roger Norrington· London Classical Players· Catherine Robbin· Felicitas Mander· John Mark Ainsley· Peter Thorley· Nancy Argenta
VIII. Lacrimosa
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Catherine Robbin· John Mark Ainsley· Peter Thorley· Nancy Argenta· Felicitas Mander
IX. Amen
Sir Roger Norrington· London Classical Players· John Mark Ainsley· Nancy Argenta· Felicitas Mander· Catherine Robbin· Peter Thorley· Schütz Choir of London
X. Domine Jesu Christe
Catherine Robbin· London Classical Players· Nancy Argenta· Sir Roger Norrington· Schütz Choir of London· Alastair Miles· John Mark Ainsley· Felicitas Mander· Peter Thorley
XI. Hostias
Sir Roger Norrington· Schütz Choir of London· London Classical Players· Nancy Argenta· John Mark Ainsley· Peter Thorley· Catherine Robbin· Felicitas Mander
XII. Sanctus
London Classical Players· Schütz Choir of London· Sir Roger Norrington· Peter Thorley· Felicitas Mander· John Mark Ainsley· Nancy Argenta· Catherine Robbin
XIII. Benedictus
Catherine Robbin· John Mark Ainsley· Nancy Argenta· Sir Roger Norrington· Alastair Miles· London Classical Players· Schütz Choir of London· Felicitas Mander· Peter Thorley
XIV. Agnus Dei
London Classical Players· Sir Roger Norrington· Schütz Choir of London· Peter Thorley· John Mark Ainsley· Felicitas Mander· Nancy Argenta· Catherine Robbin
XV. Communio
Schütz Choir of London· Sir Roger Norrington· Nancy Argenta· London Classical Players· Peter Thorley· Catherine Robbin· Felicitas Mander· John Mark Ainsley
Arioso. "Ombra mai fù" (Serse)
VIII. Inflammatus et accensus
Deborah Voigt· Concert Chorale of New York· Sir Roger Norrington· Orchestra of St. Luke's
W. A. Mozart: Symphony No. 39 in E-Flat Major, K. 543
J. Haydn: Symphony No. 99 in E-Flat Major, Hob. I:99
V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
J. Haydn: Symphony No. 103 in E-Flat Major, Hob. I:103 "Drumroll"
