Overture (Allegro moderato - Andante comodo - Allegro con brio)
Sadler's Wells Opera Orchestra· Alexander Faris
No. 1, Chorus, "If you want to know who we are" (Nobles)
David Tod-Boyd· Sadler's Wells Opera Orchestra· Sadler's Wells Opera Chorus· Alexander Faris
No. 2a, Recitative and Scena, "Gentlemen, I pray you tell me" (Nanki-Poo, A Noble)
Sadler's Wells Opera Orchestra· Alexander Faris· John Wakefield· Sadler's Wells Opera Chorus· David Tod-Boyd
No. 2b, Song with Chorus, "A Wand'ring Minstrel I" (Nanki-Poo, Nobles)
David Tod-Boyd· John Wakefield· Sadler's Wells Opera Chorus· Alexander Faris· Sadler's Wells Opera Orchestra
No. 3, Song and Chorus, "Our Great Mikado, virtuous man" (Pish-Tush, Nobles)
John Heddle Nash· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd· Sadler's Wells Opera Chorus
No. 4, Song, "Young man, despair" (Pooh-Bah, Nanki-Poo, Pish-Tush)
Alexander Faris· Denis Dowling· John Wakefield· Sadler's Wells Opera Orchestra· John Heddle Nash
No. 4a, Recitative, "And have I journey'd for a month" (Nanki-Poo, Pooh-Bah)
Denis Dowling· John Wakefield· Sadler's Wells Opera Orchestra· Alexander Faris
No. 5, Chorus with Song, "Behold the Lord High Executioner!" (Nobles, Ko-Ko)
Sadler's Wells Opera Chorus· David Tod-Boyd· Clive Revill· Alexander Faris· Sadler's Wells Opera Orchestra
No. 5a, Song, "As some day it may happen" (Ko-Ko, Nobles)
David Tod-Boyd· Sadler's Wells Opera Orchestra· Alexander Faris· Sadler's Wells Opera Chorus· Clive Revill
No. 6, Chorus, "Comes a train of little ladies" (Girls)
David Tod-Boyd· Alexander Faris· Sadler's Wells Opera Orchestra· Sadler's Wells Opera Chorus
No. 7, Trio with Chorus, "Three little maids from school" (Yum-Yum, Peep-bo, Pitti-Sing, Girls)
Patricia Kern· Sadler's Wells Opera Chorus· David Tod-Boyd· Marion Studholme· Sadler's Wells Opera Orchestra· Alexander Faris· Dorothy Nash
No. 8, Quintett, "So please you, sir, we much regret" (Yum-Yum, Peep-bo, Pitti-Sing, Pooh-Bah, Pish-Tush, Girls)
Sadler's Wells Opera Orchestra· Alexander Faris· John Heddle Nash· Denis Dowling· David Tod-Boyd· Marion Studholme· Patricia Kern· Dorothy Nash· Sadler's Wells Opera Chorus
No. 9, Duet, "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum)
Marion Studholme· Sadler's Wells Opera Orchestra· Alexander Faris· John Wakefield
No. 10, Trio, "I am so proud" (Pooh-Bah, Ko-Ko, Pish-Tush)
Alexander Faris· Denis Dowling· Sadler's Wells Opera Orchestra· Clive Revill· John Heddle Nash
No. 11, Finale, "With aspect stern and gloomy stride" (Nobles, Girls, Pooh-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
John Heddle Nash· David Tod-Boyd· Marion Studholme· Sadler's Wells Opera Orchestra· Sadler's Wells Opera Chorus· Alexander Faris· Clive Revill· Dorothy Nash· John Wakefield· Denis Dowling· Patricia Kern
"Your revels cease!" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others)
John Heddle Nash· Jean Allister· Sadler's Wells Opera Orchestra· Denis Dowling· David Tod-Boyd· Marion Studholme· Sadler's Wells Opera Chorus· Clive Revill· Dorothy Nash· John Wakefield· Patricia Kern· Alexander Faris
No. 12, Chorus with Solo, "Braid the raven hair" (Girls, Pitti-Sing)
Alexander Faris· Patricia Kern· Sadler's Wells Opera Chorus· Sadler's Wells Opera Orchestra· David Tod-Boyd
No. 13, Song, "The sun, whose rays are all ablaze" (Yum-Yum)
Marion Studholme· Alexander Faris· Sadler's Wells Opera Orchestra
No. 14, Madrigal, "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush)
Sadler's Wells Opera Orchestra· Alexander Faris· John Wakefield· Marion Studholme· Patricia Kern· John Heddle Nash
No. 15, Trio, "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko)
John Wakefield· Alexander Faris· Clive Revill· Marion Studholme· Sadler's Wells Opera Orchestra
No. 16, Entrance of Mikado, "Miya sama … From every kind of man obedience I expect" (Girls, Nobles, Mikado, Katisha)
Sadler's Wells Opera Chorus· Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· David Tod-Boyd· John Holmes
No. 17, Song with Chorus, "A more humane Mikado" (Mikado, Nobles)
Sadler's Wells Opera Chorus· David Tod-Boyd· Sadler's Wells Opera Orchestra· Alexander Faris· John Holmes
No. 18, Trio and Chorus, "The criminal cried" (Ko-Ko, Nobles, Pitti-Sing, Pooh-Bah)
David Tod-Boyd· Sadler's Wells Opera Chorus· Alexander Faris· Clive Revill· Denis Dowling· Patricia Kern· Sadler's Wells Opera Orchestra
No. 19, Glee, "See how the Fates their gifts allot" (Mikado, Pitti-Sing, Pooh-Bah, Ko-Ko, Katisha)
Clive Revill· Denis Dowling· Alexander Faris· John Holmes· Patricia Kern· Jean Allister· Sadler's Wells Opera Orchestra
No. 20, Duets, "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Pooh-Bah, Ko-Ko)
Denis Dowling· Clive Revill· Alexander Faris· Patricia Kern· John Wakefield· Marion Studholme· Sadler's Wells Opera Orchestra· Sadler's Wells Opera Chorus· David Tod-Boyd
No. 21a, Recitative, "Alone, and yet alive" (Katisha)
Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 21b, Song, "Hearts do not break" (Katisha)
Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra
No. 22, Song, "On a tree by a river a little tom-tit" (Ko-Ko)
Clive Revill· Sadler's Wells Opera Orchestra· Alexander Faris
No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko)
Jean Allister· Sadler's Wells Opera Orchestra· Alexander Faris· Clive Revill
No. 24, Finale, "For he's gone and married Yum-Yum … The threatened cloud" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others)
Clive Revill· David Tod-Boyd· Marion Studholme· Denis Dowling· Sadler's Wells Opera Chorus· John Heddle Nash· Patricia Kern· Alexander Faris· Jean Allister· Sadler's Wells Opera Orchestra· John Holmes· Dorothy Nash· John Wakefield