O mio babbino caro (Arr. for Cello and Orchestra)
Cello at the Opera
Many say that the cello is the closest instrument to the human voice, which seems true in these passionate interpretations of beloved arias. Mozart’s soaring lyricism settles perfectly here, as do the heroic and tragic melodies of Puccini and Verdi. Maer evokes the full breadth of the human instrument with this satisfying effort.
Au fond du temple saint (Arr. for Cello and Orchestra)
4. Pie Jesu (Arr. Joseph Twist)
Sally Maer, Michelle Kelly, Rosemary Quinn, Stefan Duwe, Kirsty McCahon, Narine Melconian, Catherine Davis
Aria: Voi che sapete (Arr. Joseph Twist)
Andrew Barnes, Stefan Duwe, Narine Melconian, Michelle Kelly, Sally Maer, Jason Noble, Rosemary Quinn
Pur ti miro (Arr. Joseph Twist)
Sally Maer, Rosemary Quinn, Stefan Duwe, Catherine Davis, Michelle Kelly, Narine Melconian
Sous le dôme épais (Arr. for Cello and Orchestra)
Time To Say Goodbye (Con te partirò) (Arr. Joseph Twist)
Sally Maer, Kirsty McCahon, Stefan Duwe, Michelle Kelly, Narine Melconian, Rosemary Quinn
Libiamo ne'lieti calici (Brindisi) (Arr. for Cello and Orchestra)
Séguedille (Près des remparts de Séville) (Arr. for Cello and Orchestra)
Song To The Moon (Arr. for Cello and Orchestra)
Abendsegen (Arr. Joseph Twist)
Sally Maer, Michelle Kelly, Stefan Duwe, Narine Melconian, Kirsty McCahon, Rosemary Quinn
Where'er You Walk (Arr. Joseph Twist)
Kirsty McCahon, Narine Melconian, Catherine Davis, Michelle Kelly, Sally Maer, Stefan Duwe, Rosemary Quinn
Dido's Lament: When I Am Laid In Earth (Arr. Joseph Twist)
Sally Maer, Stefan Duwe, Narine Melconian, Rosemary Quinn, Catherine Davis, Michelle Kelly, Kirsty McCahon
Soave sia il vento (Arr. for Cello and Orchestra)
La donna è mobile (Arr. for Cello and Orchestra)