Composer · 1830 - 1915
Karl Goldmark
Live Albums
- Benjamin Schmid, Wroclaw Witold Lutoslawski Philharmonic, Daniel Raiskin, Ramon Jaffé
- Wilhelm Hesch, Selma Kurz, Anna von Mildenburg, Bertha Kiurina, Fritz Schrodter, Michel Carré, Franz Pacal, Georg Friedrich Treitschke, Arthur Preuss, Richard Mayr, Sara Charles-Cahier, Georg Maikl, Jules Barbier, Leon-Levy Brunswick, Antonio Ghislanzoni, Elise Elizza, Laura Hilgermann, Adolphe de Leuven, Gertrude Forstel, Josef Wenzig, Marie Gutheil-Schoder, Lilli Lehmann, Emanuel Schikaneder, Francesco Maria Piave, Henri Meilhac, Bertha Forster-Lauterer, Leopold Demuth, Lucie Weidt, Lorenzo da Ponte, Ludovic Halévy, Emile Deschamps, Erik Schmedes, Franz Naval, Eugene Scribe, James Robinson Planche, Elsa Bland, Solomon Hermann von Mosenthal, Leo Slezak, Wilhelmina Christiane von Chezy, Joseph Sonnleithner, Hermine Kittel, Grete Forst
- Franz Pacal, Theodor Bertram, Edith Clegg, Marie Tempest, Kate Cove, Irene Abendroth, Annie Dirkens, Louise Kirkby Lunn, Leopold Demuth, Les Troubadors Toulousains, W.A. Fransella, Gabriel Soulacroix, Fraulein Vroni Eidner, Studio Pianist, Felix Asch, Paul Daraux, Giovanni Apostulo, A. Del Campo, Hermann Winkelmann, Caro Roma, Ferruccio Giannini, Ellen Beach Yaw, Desire Pauwels, Rene Fournets, Edna May, Selma Kurz, Joseph O'Mara
- Nina de Friede, Yvonne de Treville, Emma Eames, Agnes Bedford, Ellen Beach Yaw, Nellie Melba, Robert Ainsworth, Suzanne Adams, Selma Kurz, Sigrid Arnoldson, Bruno Seidler-Winkler, Emma Calve, Francesco Paolo Tosti, Ada Crossley, Frances Alda, Blanche Marchesi, Blanche Arral, Elizabeth Parkina
- Giovanni Martinelli, Mario Gilion, Vasili Damaev, Paul Franz, Augusto Dianni, Modest Menzinsky, Manuel Utor, Erik Schmedes, Gaetano Pini-Corsi, Andrei Labinsky, David Jushin, Peter Raitscheff, Edoardo Ferrari Fontana
Biography
Karl Goldmark's (1830-1915) musical influences began with his exposure to local folk dances as a child in Hungary, and then move toward a unique blend of German classicism and impressionism through his experiences in Vienna, promoting the music of Brahms and Wagner. His own most influential and successful work is the opera Die Königin von Saba, but modern audiences are more likely to hear his Violin Concerto No. 1 in A minor, the Rustic Wedding symphonic poem, or his concert overtures. Goldmark's handful of other operas also had some success, but his chamber and piano music falls short of its potential.
