‎Beethoven: Fidelio, Op. 72 by Torsten Kerl

Ouvertüre

Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Thomas Blunt, Anthony Cleverton, Lisa Milne, Torsten Kerl, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Anja Kampe

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Torsten Kerl, Brindley Sherratt, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Lisa Milne, Anja Kampe

4:43

Dialog "Jaquino, Jaquino!"

Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Torsten Kerl, Lisa Milne, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Nathan Vale, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Mark Elder, Anja Kampe, Torsten Kerl, Lisa Milne

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

The Glyndebourne Chorus, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Anthony Cleverton, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Thomas Blunt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Nathan Vale, Anja Kampe

0:44

Arie "Hat man nicht auch Gold beineben"

Lisa Milne, Brindley Sherratt, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Anja Kampe, Mark Elder, London Philharmonic Orchestra

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Mark Elder, Thomas Blunt, Nathan Vale, London Philharmonic Orchestra, Brindley Sherratt, Torsten Kerl, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Peter Coleman-Wright, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Anthony Cleverton, Thomas Blunt, Mark Elder, Anja Kampe

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

Henry Waddington, Andrew Kennedy, Brindley Sherratt, Thomas Blunt, Peter Coleman-Wright, Torsten Kerl, Lisa Milne, Mark Elder, Anthony Cleverton, Nathan Vale, The Glyndebourne Chorus, London Philharmonic Orchestra, Anja Kampe

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Thomas Blunt, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Nathan Vale, The Glyndebourne Chorus, Anja Kampe

2:17

Marsch

Torsten Kerl, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Peter Coleman-Wright, Mark Elder, Nathan Vale, Henry Waddington, Andrew Kennedy, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Anthony Cleverton, London Philharmonic Orchestra, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, Mark Elder, Lisa Milne, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Thomas Blunt, Lisa Milne, London Philharmonic Orchestra, Mark Elder, Torsten Kerl, Peter Coleman-Wright, Anja Kampe, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Brindley Sherratt, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Nathan Vale, Mark Elder, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Nathan Vale, Torsten Kerl, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder, London Philharmonic Orchestra, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Thomas Blunt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Thomas Blunt, Nathan Vale, Torsten Kerl, Anthony Cleverton, Mark Elder, Anja Kampe

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Torsten Kerl, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Andrew Kennedy, Thomas Blunt, Mark Elder, Brindley Sherratt, Anja Kampe

1:37

Finale "O welche Lust!"

Mark Elder, Nathan Vale, Thomas Blunt, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Brindley Sherratt, The Glyndebourne Chorus, Anja Kampe

2:49

Finale "Nun sprecht, wie ging's?"

Mark Elder, Thomas Blunt, Brindley Sherratt, Nathan Vale, London Philharmonic Orchestra, Torsten Kerl, Anthony Cleverton, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anja Kampe, Lisa Milne

4:58

Finale "Ach! Vater, eilt!"

Nathan Vale, Thomas Blunt, Brindley Sherratt, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Anja Kampe, Henry Waddington, Andrew Kennedy, Mark Elder

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Torsten Kerl, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Lisa Milne, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, The Glyndebourne Chorus, Anthony Cleverton, Anja Kampe, Nathan Vale

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Lisa Milne, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Peter Coleman-Wright, Anja Kampe

4:19

Introduction to Act 2

Brindley Sherratt, Anthony Cleverton, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Thomas Blunt, Mark Elder, Henry Waddington, Andrew Kennedy, Anja Kampe, Nathan Vale, The Glyndebourne Chorus, Lisa Milne

3:47

Arie "Gott! Welch' Dunkel hier!"

Brindley Sherratt, Mark Elder, Anthony Cleverton, Thomas Blunt, Henry Waddington, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Lisa Milne, Nathan Vale, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

London Philharmonic Orchestra, Anthony Cleverton, Brindley Sherratt, Nathan Vale, Mark Elder, Lisa Milne, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Anja Kampe, The Glyndebourne Chorus, Torsten Kerl

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

Torsten Kerl, Nathan Vale, Mark Elder, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Henry Waddington, Andrew Kennedy, Anja Kampe

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Brindley Sherratt, London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Andrew Kennedy, The Glyndebourne Chorus, Anthony Cleverton, Nathan Vale, Anja Kampe, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Mark Elder

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Anthony Cleverton, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Anja Kampe

3:59

Dialog "Er erwacht!"

Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, Thomas Blunt, Henry Waddington, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Lisa Milne, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

The Glyndebourne Chorus, Torsten Kerl, Peter Coleman-Wright, Mark Elder, Nathan Vale, Brindley Sherratt, Lisa Milne, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Thomas Blunt, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, The Glyndebourne Chorus, London Philharmonic Orchestra, Mark Elder, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Lisa Milne, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Anja Kampe

0:57

Quartett "Er sterbe!"

Anthony Cleverton, The Glyndebourne Chorus, Peter Coleman-Wright, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Nathan Vale, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

3:32

Dialog "Vater Rocco!"

Mark Elder, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, The Glyndebourne Chorus, Brindley Sherratt, Anja Kampe, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Nathan Vale

0:18

Dialog "Es schlägt der Rache Stunde!"

Torsten Kerl, Thomas Blunt, Lisa Milne, Brindley Sherratt, Mark Elder, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

Torsten Kerl, Peter Coleman-Wright, Anthony Cleverton, Brindley Sherratt, Thomas Blunt, Anja Kampe, Nathan Vale, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Lisa Milne, Mark Elder, The Glyndebourne Chorus

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, The Glyndebourne Chorus, Mark Elder, Anthony Cleverton, Nathan Vale, Thomas Blunt, Brindley Sherratt, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Lisa Milne, Anja Kampe

2:55

Dialog "Gute Botschaft"

Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Torsten Kerl, Henry Waddington, Andrew Kennedy, Brindley Sherratt, London Philharmonic Orchestra, Mark Elder, Lisa Milne

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Brindley Sherratt, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Lisa Milne, Henry Waddington, Andrew Kennedy, London Philharmonic Orchestra, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Torsten Kerl, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Andrew Kennedy, Nathan Vale, Anthony Cleverton, Peter Coleman-Wright, Torsten Kerl, Brindley Sherratt, Mark Elder

4:44

Finale "Gott! Welch ein Augenblick!"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, Henry Waddington, Andrew Kennedy, Anthony Cleverton, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Anja Kampe

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Lisa Milne, The Glyndebourne Chorus, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Torsten Kerl, Nathan Vale, Mark Elder, London Philharmonic Orchestra, Thomas Blunt, Brindley Sherratt, Anja Kampe

4:23

Ludwig van Beethoven

Composer
Peter Coleman-Wright

Baritone
Brindley Sherratt

Bass
Mark Elder

Conductor
Anja Kampe

Soprano

Beethoven: Fidelio, Op. 72

On This Album