Act I Scene 1: Preludio
Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 1: Percorrete le spiagge vicine (Normanno)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Victor de Narke, Gian Piero Mastromei, Lidia de la Merced
Act I Scene 1: Tu sei turbato! (Normanno)
Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Lidia de la Merced
Act I Scene 1: Cruda funesta smania (Enrico)
Victor de Narke, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini
Act I Scene 1: Il tuo dubbio e omai certezza … (Chorus)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Gian Piero Mastromei, Juan Emilio Martini
Act I Scene 1: La pietade in suo favore (Enrico)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Preludio
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Alfredo Kraus, Gian Piero Mastromei, Beverly Sills, Lidia de la Merced, Victor de Narke
Act I Scene 2: Ancor non giunse! (Lucia)
Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke
Act I Scene 2: Regnava nel silenzio (Lucia)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Lidia de la Merced
Act I Scene 2: Quando rapito in estasi (Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Victor de Narke, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Lidia de la Merced
Act I Scene 2: Egli s'avanza (Alisa)
Alfredo Kraus, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Victor de Narke, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Sulla tomba che rinserra (Edgardo)
Juan Emilio Martini, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act I Scene 2: Qui di sposa eterna fede (Edgardo)
Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act I Scene 2: Verranno a te sull'aure (Edgardo, Lucia)
Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills
Act II Scene 1: Lucia fra poco a te verra (Normanno)
Alfredo Kraus, Beverly Sills, Victor de Narke, Gian Piero Mastromei, Lidia de la Merced, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act II Scene 1: Appressati, Lucia (Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced
Act II Scene 1: Soffriva nel pianto … (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Victor de Narke, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills
Act II Scene 1: Che fia … (Lucia)
Lidia de la Merced, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Victor de Narke, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act II Scene 1: Se tradirmi tu potrai … (Enrico)
Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Juan Emilio Martini, Lidia de la Merced
Act II Scene 2: Ebben? (Lucia)
Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Lidia de la Merced
Act II Scene 2: Ah! Cedi o piu sciagure (Raimondo)
Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act II Scene 1: Al ben de' tuoi qual vittima (Raimondo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Victor de Narke
Act II Scene 2: Per te d'immenso giubilo (Chorus)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Juan Emilio Martini
Act II Scene 2: Dov'e Lucia? (Arturo)
Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Juan Emilio Martini, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Lidia de la Merced
Act II Scene 2: Chi mi frena in tal momento? (Edgardo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Victor de Narke, Gian Piero Mastromei, Juan Emilio Martini
Act II Scene 2: T'allontana, sciagurato (Enrico, Arturo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Juan Emilio Martini, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei
Act III Scene 1: Orrida e questa notte (Edgardo)
Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Lidia de la Merced, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act III Scene 1: Qui del padre ancor respira (Edgardo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Victor de Narke, Alfredo Kraus, Beverly Sills, Juan Emilio Martini
Act III Scene 2: D'immenso giubilo (Chorus)
Gian Piero Mastromei, Lidia de la Merced, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Juan Emilio Martini
Act III Scene 2: Ah! Cessate quel contento! … (Raimondo)
Victor de Narke, Alfredo Kraus, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced
Act III Scene 2: Oh! Qual funesto avvenimento! (Chorus)
Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini
Act III Scene 2: Oh giusto cielo! (Chorus)
Juan Emilio Martini, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei
Act III Scene 2: Ohime! Sorge il tremendo fantasma … (Lucia)
Alfredo Kraus, Beverly Sills, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Victor de Narke, Gian Piero Mastromei, Juan Emilio Martini
Act III Scene 2: S'avanza Enrico (Raimondo)
Alfredo Kraus, Beverly Sills, Lidia de la Merced, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Juan Emilio Martini, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act III Scene 2: Si tragga altrove (Enrico)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Lidia de la Merced, Victor de Narke, Juan Emilio Martini, Alfredo Kraus, Beverly Sills
Act III Scene 2: Spargi d'amaro pianto (Lucia)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Juan Emilio Martini, Jose Nait, Buenos Aires Teatro Colon Orchestra
Act III Scene 3: Tombe degli avi miei … (Edgardo)
Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Gian Piero Mastromei, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Alfredo Kraus, Beverly Sills, Victor de Narke
Act III Scene 3: Fra poco a me ricovero … (Edgardo)
Lidia de la Merced, Jose Nait, Buenos Aires Teatro Colon Orchestra, Juan Emilio Martini, Gian Piero Mastromei, Alfredo Kraus, Beverly Sills, Victor de Narke, Buenos Aires Teatro Colon Chorus, Horacio Mastrango
Act III Scene 3: Oh, meschina! (Chorus)
Lidia de la Merced, Juan Emilio Martini, Gian Piero Mastromei, Jose Nait, Buenos Aires Teatro Colon Orchestra, Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Alfredo Kraus, Beverly Sills, Victor de Narke
Act III Scene 3: Tu che a Dio spiegasti l'ali (Edgardo)
Buenos Aires Teatro Colon Chorus, Horacio Mastrango, Lidia de la Merced, Victor de Narke, Jose Nait, Buenos Aires Teatro Colon Orchestra, Alfredo Kraus, Beverly Sills, Gian Piero Mastromei, Juan Emilio Martini
