‎Beethoven: Fidelio, Op. 72 de Mark Elder

Ouvertüre

Andrew Kennedy, Peter Coleman-Wright, Mark Elder, London Philharmonic Orchestra, Lisa Milne, Nathan Vale, The Glyndebourne Chorus, Anja Kampe, Henry Waddington, Anthony Cleverton, Thomas Blunt, Torsten Kerl, Brindley Sherratt

6:40

Duett "Jetzt, Schätzchen, jetzt sind wir allein"

Lisa Milne, Peter Coleman-Wright, Andrew Kennedy, Torsten Kerl, Henry Waddington, Thomas Blunt, London Philharmonic Orchestra, Anja Kampe, Mark Elder, Nathan Vale, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt

4:43

Dialog "Jaquino, Jaquino!"

Henry Waddington, Anthony Cleverton, Nathan Vale, London Philharmonic Orchestra, Thomas Blunt, Andrew Kennedy, Mark Elder, Lisa Milne, Peter Coleman-Wright, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Anja Kampe

0:55

Arie "O wär' ich schon mit dir vereint"

Peter Coleman-Wright, Andrew Kennedy, The Glyndebourne Chorus, London Philharmonic Orchestra, Lisa Milne, Anthony Cleverton, Mark Elder, Anja Kampe, Brindley Sherratt, Nathan Vale, Henry Waddington, Torsten Kerl, Thomas Blunt

4:03

Dialog "Morgen, Marzelline. Ist Fidelio noch nicht zurückgekommen?"

Andrew Kennedy, Torsten Kerl, Nathan Vale, London Philharmonic Orchestra, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Brindley Sherratt, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, Mark Elder, Anja Kampe

1:28

Quartett "Mir ist so wunderbar"

Anthony Cleverton, Andrew Kennedy, Thomas Blunt, Nathan Vale, Torsten Kerl, London Philharmonic Orchestra, Mark Elder, The Glyndebourne Chorus, Lisa Milne, Henry Waddington, Peter Coleman-Wright, Brindley Sherratt, Anja Kampe

4:35

Dialog "Höre, Fidelio..."

Thomas Blunt, Anja Kampe, Nathan Vale, Brindley Sherratt, Lisa Milne, Torsten Kerl, Mark Elder, Peter Coleman-Wright, The Glyndebourne Chorus, Andrew Kennedy, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra

0:44

Arie "Hat man nicht auch Gold beineben"

Nathan Vale, London Philharmonic Orchestra, Henry Waddington, Peter Coleman-Wright, Torsten Kerl, Anthony Cleverton, Brindley Sherratt, Andrew Kennedy, The Glyndebourne Chorus, Thomas Blunt, Mark Elder, Lisa Milne, Anja Kampe

2:37

Dialog "Ihr habt schon recht, Meister Rocco"

London Philharmonic Orchestra, Thomas Blunt, Henry Waddington, Peter Coleman-Wright, The Glyndebourne Chorus, Anja Kampe, Lisa Milne, Andrew Kennedy, Mark Elder, Torsten Kerl, Brindley Sherratt, Anthony Cleverton, Nathan Vale

2:17

Terzett "Gut, Söhnchen, gut, hab' immer Mut"

Andrew Kennedy, Thomas Blunt, Lisa Milne, Torsten Kerl, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Henry Waddington, Mark Elder, Anja Kampe, London Philharmonic Orchestra, The Glyndebourne Chorus, Brindley Sherratt

2:22

Terzett "Der Gouverneur... der Gouverneur Soll heut' erlauben"

The Glyndebourne Chorus, Henry Waddington, Anthony Cleverton, Nathan Vale, Mark Elder, Lisa Milne, Anja Kampe, Brindley Sherratt, Andrew Kennedy, Torsten Kerl, Peter Coleman-Wright, London Philharmonic Orchestra, Thomas Blunt

1:30

Terzett "Nur auf der Hut, dann geht es gut"

Peter Coleman-Wright, London Philharmonic Orchestra, Brindley Sherratt, Mark Elder, Nathan Vale, Lisa Milne, Torsten Kerl, Anthony Cleverton, Andrew Kennedy, Thomas Blunt, The Glyndebourne Chorus, Henry Waddington, Anja Kampe

2:17

Marsch

Andrew Kennedy, Nathan Vale, Mark Elder, Peter Coleman-Wright, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Anthony Cleverton, Thomas Blunt, Brindley Sherratt, Anja Kampe

2:02

Dialog "Die Depeschen"

The Glyndebourne Chorus, Mark Elder, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Peter Coleman-Wright, Lisa Milne, Nathan Vale, Brindley Sherratt, Henry Waddington, Anja Kampe

0:42

Arie mit Chor "Ha! Welch ein Augenblick!"

Anthony Cleverton, Nathan Vale, Mark Elder, Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Thomas Blunt, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Brindley Sherratt

3:12

Dialog "Hauptmann, hören Sie! Besteigen Sie mit einem Trompeter sogleich den Turm"

Thomas Blunt, Brindley Sherratt, Lisa Milne, Nathan Vale, Torsten Kerl, The Glyndebourne Chorus, Anthony Cleverton, Mark Elder, Henry Waddington, London Philharmonic Orchestra, Peter Coleman-Wright, Andrew Kennedy, Anja Kampe

0:26

Duett "Jetzt, Alter, jetzt hat es Eile!"

Thomas Blunt, London Philharmonic Orchestra, Mark Elder, Nathan Vale, Torsten Kerl, Lisa Milne, Peter Coleman-Wright, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Brindley Sherratt, Andrew Kennedy, Anja Kampe

5:08

Rezitativ "Abscheulicher! Wo eilst du hin?"

Thomas Blunt, Peter Coleman-Wright, Nathan Vale, Henry Waddington, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, Andrew Kennedy, Mark Elder, Lisa Milne, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:04

Arie "Komm, Hoffnung, lass den letzten Stern"

Henry Waddington, London Philharmonic Orchestra, Torsten Kerl, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Nathan Vale, Anja Kampe, Anthony Cleverton, Peter Coleman-Wright, Thomas Blunt, Mark Elder, The Glyndebourne Chorus

5:44

Dialog "Aber Marzelline"

London Philharmonic Orchestra, Thomas Blunt, Nathan Vale, Torsten Kerl, Henry Waddington, Mark Elder, Lisa Milne, Anthony Cleverton, The Glyndebourne Chorus, Andrew Kennedy, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

1:37

Finale "O welche Lust!"

London Philharmonic Orchestra, Torsten Kerl, Mark Elder, The Glyndebourne Chorus, Anthony Cleverton, Lisa Milne, Thomas Blunt, Andrew Kennedy, Henry Waddington, Anja Kampe, Brindley Sherratt, Peter Coleman-Wright, Nathan Vale

2:49

Finale "Nun sprecht, wie ging's?"

Lisa Milne, Peter Coleman-Wright, Mark Elder, Anthony Cleverton, Henry Waddington, The Glyndebourne Chorus, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, Brindley Sherratt, Nathan Vale

4:58

Finale "Ach! Vater, eilt!"

Lisa Milne, Thomas Blunt, Mark Elder, Andrew Kennedy, Peter Coleman-Wright, Nathan Vale, Anthony Cleverton, Brindley Sherratt, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Henry Waddington, Anja Kampe

0:41

Finale "Verweg'ner Alter, welche Rechte legst du dir frevelnd selber bei?"

Henry Waddington, Brindley Sherratt, Thomas Blunt, The Glyndebourne Chorus, Peter Coleman-Wright, Anthony Cleverton, Lisa Milne, Torsten Kerl, Andrew Kennedy, Nathan Vale, London Philharmonic Orchestra, Mark Elder, Anja Kampe

1:48

Finale "Leb' wohl, du warmes Sonnenlicht"

Lisa Milne, Nathan Vale, Torsten Kerl, Mark Elder, Thomas Blunt, Anthony Cleverton, The Glyndebourne Chorus, Brindley Sherratt, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

4:19

Introduction to Act 2

London Philharmonic Orchestra, Thomas Blunt, Anthony Cleverton, Torsten Kerl, Anja Kampe, The Glyndebourne Chorus, Lisa Milne, Peter Coleman-Wright, Mark Elder, Andrew Kennedy, Henry Waddington, Nathan Vale, Brindley Sherratt

3:47

Arie "Gott! Welch' Dunkel hier!"

Lisa Milne, Andrew Kennedy, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, The Glyndebourne Chorus, Nathan Vale, Brindley Sherratt, Mark Elder, Torsten Kerl, Anja Kampe

2:11

Arie "In des Lebens Frühlingstagen"

Torsten Kerl, Andrew Kennedy, The Glyndebourne Chorus, Lisa Milne, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Henry Waddington, Anthony Cleverton, Nathan Vale, Brindley Sherratt, Mark Elder, Anja Kampe

2:25

Arie "Und spür' ich nicht linde, sanft säuselnde Luft?"

The Glyndebourne Chorus, Andrew Kennedy, Mark Elder, Brindley Sherratt, Thomas Blunt, Anja Kampe, London Philharmonic Orchestra, Anthony Cleverton, Lisa Milne, Henry Waddington, Torsten Kerl, Peter Coleman-Wright, Nathan Vale

2:23

Melodram "Wie kalt ist es in diesem unteridischen Gewölbe"

Thomas Blunt, Nathan Vale, Brindley Sherratt, Henry Waddington, Lisa Milne, The Glyndebourne Chorus, London Philharmonic Orchestra, Peter Coleman-Wright, Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Mark Elder, Anja Kampe

1:47

Duett "Nur hurtig fort, nur frisch gegraben"

London Philharmonic Orchestra, Anja Kampe, Nathan Vale, Anthony Cleverton, Andrew Kennedy, Lisa Milne, The Glyndebourne Chorus, Torsten Kerl, Mark Elder, Henry Waddington, Peter Coleman-Wright, Thomas Blunt, Brindley Sherratt

3:59

Dialog "Er erwacht!"

Anthony Cleverton, Torsten Kerl, Andrew Kennedy, Peter Coleman-Wright, Thomas Blunt, Henry Waddington, Nathan Vale, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Brindley Sherratt, London Philharmonic Orchestra, Anja Kampe

2:13

Terzett "Euch werde Lohn in besser'n Welten"

The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Nathan Vale, Peter Coleman-Wright, Lisa Milne, Mark Elder, London Philharmonic Orchestra, Brindley Sherratt, Anthony Cleverton, Henry Waddington, Andrew Kennedy, Anja Kampe

6:23

Dialog "Alles ist bereit; ich gehe, das Signal zu geben"

Peter Coleman-Wright, London Philharmonic Orchestra, Henry Waddington, Lisa Milne, Thomas Blunt, Nathan Vale, Brindley Sherratt, Anthony Cleverton, Andrew Kennedy, The Glyndebourne Chorus, Mark Elder, Torsten Kerl, Anja Kampe

0:57

Quartett "Er sterbe!"

Nathan Vale, The Glyndebourne Chorus, Brindley Sherratt, Mark Elder, Torsten Kerl, Henry Waddington, Lisa Milne, London Philharmonic Orchestra, Anthony Cleverton, Thomas Blunt, Andrew Kennedy, Peter Coleman-Wright, Anja Kampe

3:32

Dialog "Vater Rocco!"

Nathan Vale, Andrew Kennedy, Torsten Kerl, Brindley Sherratt, Henry Waddington, Peter Coleman-Wright, London Philharmonic Orchestra, Anja Kampe, Thomas Blunt, The Glyndebourne Chorus, Mark Elder, Lisa Milne, Anthony Cleverton

0:18

Dialog "Es schlägt der Rache Stunde!"

Brindley Sherratt, Peter Coleman-Wright, Thomas Blunt, Anthony Cleverton, Mark Elder, Nathan Vale, The Glyndebourne Chorus, Henry Waddington, Andrew Kennedy, Torsten Kerl, London Philharmonic Orchestra, Lisa Milne, Anja Kampe

1:15

Dialog "Meine Leonore, was hast du für mich erduldet!"

London Philharmonic Orchestra, Henry Waddington, Thomas Blunt, Nathan Vale, Andrew Kennedy, The Glyndebourne Chorus, Brindley Sherratt, Torsten Kerl, Lisa Milne, Mark Elder, Anthony Cleverton, Peter Coleman-Wright, Anja Kampe

0:09

Duett "O namenlose Freude!"

Peter Coleman-Wright, Lisa Milne, Nathan Vale, Anthony Cleverton, Torsten Kerl, London Philharmonic Orchestra, Henry Waddington, Andrew Kennedy, Mark Elder, Thomas Blunt, The Glyndebourne Chorus, Anja Kampe, Brindley Sherratt

2:55

Dialog "Gute Botschaft"

Thomas Blunt, Peter Coleman-Wright, Henry Waddington, Lisa Milne, Anthony Cleverton, London Philharmonic Orchestra, Torsten Kerl, The Glyndebourne Chorus, Andrew Kennedy, Nathan Vale, Mark Elder, Brindley Sherratt, Anja Kampe

0:18

Finale "Heil sei dem Tag, Heil sei der Stunde"

Thomas Blunt, Lisa Milne, Mark Elder, The Glyndebourne Chorus, London Philharmonic Orchestra, Torsten Kerl, Nathan Vale, Andrew Kennedy, Henry Waddington, Anthony Cleverton, Brindley Sherratt, Peter Coleman-Wright, Anja Kampe

2:04

Finale "Des besten königs Wink und Wille"

Henry Waddington, Anthony Cleverton, Mark Elder, Andrew Kennedy, Brindley Sherratt, Lisa Milne, Nathan Vale, Peter Coleman-Wright, London Philharmonic Orchestra, The Glyndebourne Chorus, Torsten Kerl, Thomas Blunt, Anja Kampe

4:44

Finale "Gott! Welch ein Augenblick!"

Mark Elder, The Glyndebourne Chorus, Nathan Vale, Thomas Blunt, Henry Waddington, Andrew Kennedy, Anthony Cleverton, Peter Coleman-Wright, London Philharmonic Orchestra, Torsten Kerl, Lisa Milne, Anja Kampe, Brindley Sherratt

3:10

Finale "Wer ein holdes Weib errungen, stimm' in unsern Jubel ein!"

Henry Waddington, The Glyndebourne Chorus, Nathan Vale, Andrew Kennedy, Thomas Blunt, London Philharmonic Orchestra, Peter Coleman-Wright, Torsten Kerl, Anja Kampe, Mark Elder, Brindley Sherratt, Anthony Cleverton, Lisa Milne

4:23

Ludwig van Beethoven

Composición
Mark Elder

Dirección
Anja Kampe

Soprano
Lisa Milne

Soprano
Peter Coleman-Wright

Barítono

Beethoven: Fidelio, Op. 72

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